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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DFB28 it is the complementary color #A204D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DFB28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DFB28 shade: #62FB23, #73FF36, #84FF49, #95FF5C and #A6FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DFB28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DFB28 shade: #5DFB28, #4CE915, #3BD702, #2AC500 and #19B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DFB28 shade: #5DFB28, #96FB28, #CFFB28, #FBEE28 and #FBB528

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DFB28 shade: #5DFB28, #28FB2C, #28FB65, #28FB9E and #28FBD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DFB28 shade matches the following richer shades: #5DFB28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DFB28 shade: #5DFB28, #66E93A, #6FD74C, #77C55D and #80B46F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DFB28 shade: #D1FB28, #98FB28, #60FB28, #28FB28 and #28FB60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DFB28 shade: #36CC04, #41F405, #5DFB28, #7BFB51 and #9AFC79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DFB28 shade: #5DFB28, #28FBED and #FB28B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DFB28 shade: #5DFB28, #2860FB and #FB2860

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DFB28 shade: #5DFB28, #28FBED, #C228FB and #FB2836

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DFB28 shade: #5DFB28, #28C9FB, #C228FB and #FB5928

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 84 / 2

HEX #5DFB28

RGB 93 251 40

HSL 104.93, 0.96%, 0.57%

LAB 87.72, -74.25, 78.53

 

Complementary color

CMYK 25 / 98 / 0 / 16

HEX #A204D7

RGB 162 4 215

HSL 284.93, 0.96%, 0.43%

LAB 42.27, 78.37, -68.2

 

CMYK 61 / 0 / 86 / 2

HEX #62FB23

RGB 98 251 35

HSL 102.5, 0.96%, 0.56%

LAB 87.83, -73.36, 79.7

 

CMYK 55 / 0 / 79 / 0

HEX #73FF36

RGB 115 255 54

HSL 101.79, 1%, 0.61%

LAB 89.59, -69.84, 77.06

 

CMYK 48 / 0 / 71 / 0

HEX #84FF49

RGB 132 255 73

HSL 100.55, 1%, 0.64%

LAB 90.28, -64.18, 72.07

 

CMYK 42 / 0 / 64 / 0

HEX #95FF5C

RGB 149 255 92

HSL 99.02, 1%, 0.68%

LAB 91.09, -57.74, 66.1

 

CMYK 35 / 0 / 56 / 0

HEX #A6FF6F

RGB 166 255 111

HSL 97.08, 1%, 0.72%

LAB 92.03, -50.63, 59.43

 

CMYK 63 / 0 / 84 / 2

HEX #5DFB28

RGB 93 251 40

HSL 104.93, 0.96%, 0.57%

LAB 87.72, -74.25, 78.53

 

CMYK 67 / 0 / 91 / 9

HEX #4CE915

RGB 76 233 21

HSL 104.43, 0.83%, 0.5%

LAB 81.77, -72.65, 76.66

 

CMYK 73 / 0 / 99 / 16

HEX #3BD702

RGB 59 215 2

HSL 103.94, 0.98%, 0.43%

LAB 75.78, -70.56, 73.64

 

CMYK 79 / 0 / 100 / 23

HEX #2AC500

RGB 42 197 0

HSL 107.21, 1%, 0.39%

LAB 69.77, -67.81, 68.92

 

CMYK 86 / 0 / 100 / 30

HEX #19B300

RGB 25 179 0

HSL 111.62, 1%, 0.35%

LAB 63.71, -64.54, 63.99

 

CMYK 63 / 0 / 84 / 2

HEX #5DFB28

RGB 93 251 40

HSL 104.93, 0.96%, 0.57%

LAB 87.72, -74.25, 78.53

 

CMYK 40 / 0 / 84 / 2

HEX #96FB28

RGB 150 251 40

HSL 88.72, 0.96%, 0.57%

LAB 89.69, -58.88, 81.02

 

CMYK 18 / 0 / 84 / 2

HEX #CFFB28

RGB 207 251 40

HSL 72.51, 0.96%, 0.57%

LAB 92.76, -38.41, 84.86

 

CMYK 0 / 5 / 84 / 2

HEX #FBEE28

RGB 251 238 40

HSL 56.3, 0.96%, 0.57%

LAB 92.49, -14.51, 85.94

 

CMYK 0 / 28 / 84 / 2

HEX #FBB528

RGB 251 181 40

HSL 40.09, 0.96%, 0.57%

LAB 78.29, 14.45, 74.22

 

CMYK 63 / 0 / 84 / 2

HEX #5DFB28

RGB 93 251 40

HSL 104.93, 0.96%, 0.57%

LAB 87.72, -74.25, 78.53

 

CMYK 84 / 0 / 82 / 2

HEX #28FB2C

RGB 40 251 44

HSL 121.14, 0.96%, 0.57%

LAB 86.81, -81.98, 76.48

 

CMYK 84 / 0 / 60 / 2

HEX #28FB65

RGB 40 251 101

HSL 137.35, 0.96%, 0.57%

LAB 87.19, -77.33, 57.24

 

CMYK 84 / 0 / 37 / 2

HEX #28FB9E

RGB 40 251 158

HSL 153.55, 0.96%, 0.57%

LAB 87.93, -68.51, 31.28

 

CMYK 84 / 0 / 15 / 2

HEX #28FBD6

RGB 40 251 214

HSL 169.48, 0.96%, 0.57%

LAB 89.06, -56.05, 4.16

 

CMYK 63 / 0 / 84 / 2

HEX #5DFB28

RGB 93 251 40

HSL 104.93, 0.96%, 0.57%

LAB 87.72, -74.25, 78.53

 

CMYK 63 / 0 / 84 / 2

HEX #5DFB28

RGB 93 251 40

HSL 104.93, 0.96%, 0.57%

LAB 87.72, -74.25, 78.53

 

CMYK 56 / 0 / 75 / 9

HEX #66E93A

RGB 102 233 58

HSL 104.91, 0.8%, 0.57%

LAB 82.6, -65.31, 69.07

 

CMYK 48 / 0 / 65 / 16

HEX #6FD74C

RGB 111 215 76

HSL 104.89, 0.63%, 0.57%

LAB 77.58, -54.95, 57.42

 

CMYK 40 / 0 / 53 / 23

HEX #77C55D

RGB 119 197 93

HSL 105, 0.47%, 0.57%

LAB 72.66, -43.42, 44.29

 

CMYK 29 / 0 / 38 / 29

HEX #80B46F

RGB 128 180 111

HSL 105.22, 0.32%, 0.57%

LAB 68.3, -30.3, 29.85

 

CMYK 17 / 0 / 84 / 2

HEX #D1FB28

RGB 209 251 40

HSL 71.94, 0.96%, 0.57%

LAB 92.88, -37.63, 85.02

 

CMYK 39 / 0 / 84 / 2

HEX #98FB28

RGB 152 251 40

HSL 88.15, 0.96%, 0.57%

LAB 89.78, -58.24, 81.14

 

CMYK 62 / 0 / 84 / 2

HEX #60FB28

RGB 96 251 40

HSL 104.08, 0.96%, 0.57%

LAB 87.79, -73.61, 78.63

 

CMYK 84 / 0 / 84 / 2

HEX #28FB28

RGB 40 251 40

HSL 120, 0.96%, 0.57%

LAB 86.8, -82.16, 77.37

 

CMYK 84 / 0 / 62 / 2

HEX #28FB60

RGB 40 251 96

HSL 135.92, 0.96%, 0.57%

LAB 87.14, -77.9, 59.31

 

CMYK 74 / 0 / 98 / 20

HEX #36CC04

RGB 54 204 4

HSL 105, 0.96%, 0.41%

LAB 72.21, -68.04, 70.53

 

CMYK 73 / 0 / 98 / 4

HEX #41F405

RGB 65 244 5

HSL 104.94, 0.96%, 0.49%

LAB 84.91, -78.1, 80.76

 

CMYK 63 / 0 / 84 / 2

HEX #5DFB28

RGB 93 251 40

HSL 104.93, 0.96%, 0.57%

LAB 87.72, -74.25, 78.53

 

CMYK 51 / 0 / 68 / 2

HEX #7BFB51

RGB 123 251 81

HSL 105.18, 0.96%, 0.65%

LAB 88.83, -64.61, 67.61

 

CMYK 39 / 0 / 52 / 1

HEX #9AFC79

RGB 154 252 121

HSL 104.89, 0.96%, 0.73%

LAB 90.72, -52.15, 53.28

 

CMYK 63 / 0 / 84 / 2

HEX #5DFB28

RGB 93 251 40

HSL 104.93, 0.96%, 0.57%

LAB 87.72, -74.25, 78.53

 

CMYK 84 / 0 / 6 / 2

HEX #28FBED

RGB 40 251 237

HSL 176.02, 0.96%, 0.57%

LAB 89.65, -50.02, -6.94

 

CMYK 0 / 84 / 28 / 2

HEX #FB28B4

RGB 251 40 180

HSL 320.19, 0.96%, 0.57%

LAB 57.39, 83.99, -22.99

 

CMYK 63 / 0 / 84 / 2

HEX #5DFB28

RGB 93 251 40

HSL 104.93, 0.96%, 0.57%

LAB 87.72, -74.25, 78.53

 

CMYK 84 / 62 / 0 / 2

HEX #2860FB

RGB 40 96 251

HSL 224.08, 0.96%, 0.57%

LAB 46.69, 38.97, -81.77

 

CMYK 0 / 84 / 62 / 2

HEX #FB2860

RGB 251 40 96

HSL 344.08, 0.96%, 0.57%

LAB 54.94, 77.03, 23.24

 

CMYK 63 / 0 / 84 / 2

HEX #5DFB28

RGB 93 251 40

HSL 104.93, 0.96%, 0.57%

LAB 87.72, -74.25, 78.53

 

CMYK 84 / 0 / 6 / 2

HEX #28FBED

RGB 40 251 237

HSL 176.02, 0.96%, 0.57%

LAB 89.65, -50.02, -6.94

 

CMYK 23 / 84 / 0 / 2

HEX #C228FB

RGB 194 40 251

HSL 283.79, 0.96%, 0.57%

LAB 51.78, 83.83, -72.88

 

CMYK 0 / 84 / 78 / 2

HEX #FB2836

RGB 251 40 54

HSL 356.02, 0.96%, 0.57%

LAB 54.34, 75.25, 46.8

 

CMYK 63 / 0 / 84 / 2

HEX #5DFB28

RGB 93 251 40

HSL 104.93, 0.96%, 0.57%

LAB 87.72, -74.25, 78.53

 

CMYK 84 / 20 / 0 / 2

HEX #28C9FB

RGB 40 201 251

HSL 194.22, 0.96%, 0.57%

LAB 75.57, -22.6, -35.68

 

CMYK 23 / 84 / 0 / 2

HEX #C228FB

RGB 194 40 251

HSL 283.79, 0.96%, 0.57%

LAB 51.78, 83.83, -72.88

 

CMYK 0 / 65 / 84 / 2

HEX #FB5928

RGB 251 89 40

HSL 13.93, 0.96%, 0.57%

LAB 59.71, 59.67, 58.59

 

Description

Color code: HEX #5DFB28 | qconv.com Color code: HEX #5DFB28 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 251 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 251 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 84 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 84% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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