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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 73 117 it is the complementary color RGB 215 182 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 73 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 40 73 117: RGB 45 73 112, RGB 62 91 131, RGB 79 109 150, RGB 96 127 169 and RGB 113 145 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 73 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 40 73 117: RGB 40 73 117, RGB 23 55 98, RGB 6 37 79, RGB 0 19 60 and RGB 0 1 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 38 / 0 / 54

HEX #284975

RGB 40 73 117

HSL 214.29, 0.49%, 0.31%

LAB 30.64, 3.1, -28.83

 

Complementary color

CMYK 0 / 15 / 36 / 16

HEX #D7B68A

RGB 215 182 138

HSL 34.29, 0.49%, 0.69%

LAB 75.91, 5.69, 26.83

 

CMYK 60 / 35 / 0 / 56

HEX #2D4970

RGB 45 73 112

HSL 214.93, 0.43%, 0.31%

LAB 30.62, 2.34, -25.69

 

CMYK 53 / 31 / 0 / 49

HEX #3E5B83

RGB 62 91 131

HSL 214.78, 0.36%, 0.38%

LAB 38.1, 1.46, -25.68

 

CMYK 47 / 27 / 0 / 41

HEX #4F6D96

RGB 79 109 150

HSL 214.65, 0.31%, 0.45%

LAB 45.36, 0.81, -25.72

 

CMYK 43 / 25 / 0 / 34

HEX #607FA9

RGB 96 127 169

HSL 214.52, 0.3%, 0.52%

LAB 52.43, 0.31, -25.81

 

CMYK 40 / 23 / 0 / 26

HEX #7191BC

RGB 113 145 188

HSL 214.4, 0.36%, 0.59%

LAB 59.34, -0.1, -25.93

 

CMYK 66 / 38 / 0 / 54

HEX #284975

RGB 40 73 117

HSL 214.29, 0.49%, 0.31%

LAB 30.64, 3.1, -28.83

 

CMYK 77 / 44 / 0 / 62

HEX #173762

RGB 23 55 98

HSL 214.4, 0.62%, 0.24%

LAB 22.99, 4.77, -28.89

 

CMYK 92 / 53 / 0 / 69

HEX #06254F

RGB 6 37 79

HSL 214.52, 0.86%, 0.17%

LAB 15.1, 7.33, -28.93

 

CMYK 100 / 68 / 0 / 76

HEX #00133C

RGB 0 19 60

HSL 221, 1%, 0.12%

LAB 7.15, 11.5, -28.57

 

CMYK 100 / 98 / 0 / 84

HEX #000129

RGB 0 1 41

HSL 238.54, 1%, 0.08%

LAB 1.64, 9.76, -23.31

 

CMYK 66 / 38 / 0 / 54

HEX #284975

RGB 40 73 117

HSL 214.29, 0.49%, 0.31%

LAB 30.64, 3.1, -28.83

 

CMYK 66 / 49 / 0 / 54

HEX #283C75

RGB 40 60 117

HSL 224.42, 0.49%, 0.31%

LAB 26.64, 11.93, -35.2

 

CMYK 66 / 59 / 0 / 54

HEX #283075

RGB 40 48 117

HSL 233.77, 0.49%, 0.31%

LAB 23.17, 20.29, -40.8

 

CMYK 62 / 66 / 0 / 54

HEX #2D2875

RGB 45 40 117

HSL 243.9, 0.49%, 0.31%

LAB 21.43, 26.65, -43.6

 

CMYK 50 / 66 / 0 / 54

HEX #3A2875

RGB 58 40 117

HSL 254.03, 0.49%, 0.31%

LAB 22.66, 29.24, -41.55

 

CMYK 66 / 38 / 0 / 54

HEX #284975

RGB 40 73 117

HSL 214.29, 0.49%, 0.31%

LAB 30.64, 3.1, -28.83

 

CMYK 66 / 38 / 0 / 34

HEX #3969A8

RGB 57 105 168

HSL 214.05, 0.49%, 0.44%

LAB 43.94, 4.45, -38.66

 

CMYK 66 / 37 / 0 / 14

HEX #4B89DB

RGB 75 137 219

HSL 214.17, 0.67%, 0.58%

LAB 56.59, 5.91, -47.83

 

CMYK 67 / 40 / 0 / 94

HEX #05090F

RGB 5 9 15

HSL 216, 0.5%, 0.04%

LAB 2.37, -0.11, -2.92

 

CMYK 65 / 38 / 0 / 74

HEX #172942

RGB 23 41 66

HSL 214.88, 0.48%, 0.17%

LAB 16.31, 1.68, -18.04

 

CMYK 66 / 38 / 0 / 54

HEX #284975

RGB 40 73 117

HSL 214.29, 0.49%, 0.31%

LAB 30.64, 3.1, -28.83

 

CMYK 15 / 66 / 0 / 54

HEX #632875

RGB 99 40 117

HSL 285.97, 0.49%, 0.31%

LAB 27.99, 39.24, -32.69

 

CMYK 11 / 0 / 66 / 54

HEX #687528

RGB 104 117 40

HSL 70.13, 0.49%, 0.31%

LAB 46.74, -16.46, 39.51

 

CMYK 66 / 38 / 0 / 54

HEX #284975

RGB 40 73 117

HSL 214.29, 0.49%, 0.31%

LAB 30.64, 3.1, -28.83

 

CMYK 0 / 66 / 38 / 54

HEX #752849

RGB 117 40 73

HSL 334.29, 0.49%, 0.31%

LAB 28.85, 37.05, -2.52

 

CMYK 38 / 0 / 66 / 54

HEX #497528

RGB 73 117 40

HSL 94.29, 0.49%, 0.31%

LAB 44.65, -29.44, 36.64

 

CMYK 66 / 38 / 0 / 54

HEX #284975

RGB 40 73 117

HSL 214.29, 0.49%, 0.31%

LAB 30.64, 3.1, -28.83

 

CMYK 15 / 66 / 0 / 54

HEX #632875

RGB 99 40 117

HSL 285.97, 0.49%, 0.31%

LAB 27.99, 39.24, -32.69

 

CMYK 0 / 28 / 66 / 54

HEX #755428

RGB 117 84 40

HSL 34.29, 0.49%, 0.31%

LAB 38.33, 8.65, 30.59

 

CMYK 50 / 0 / 66 / 54

HEX #3A7528

RGB 58 117 40

HSL 105.97, 0.49%, 0.31%

LAB 43.91, -34.73, 35.61

 

CMYK 66 / 38 / 0 / 54

HEX #284975

RGB 40 73 117

HSL 214.29, 0.49%, 0.31%

LAB 30.64, 3.1, -28.83

 

CMYK 0 / 66 / 4 / 54

HEX #752870

RGB 117 40 112

HSL 303.9, 0.49%, 0.31%

LAB 30.57, 43.09, -25.25

 

CMYK 0 / 28 / 66 / 54

HEX #755428

RGB 117 84 40

HSL 34.29, 0.49%, 0.31%

LAB 38.33, 8.65, 30.59

 

CMYK 66 / 0 / 62 / 54

HEX #28752D

RGB 40 117 45

HSL 123.9, 0.49%, 0.31%

LAB 43.31, -39.18, 32.31

 

Description

Color code: RGB 40 73 117 | qconv.com Color code: RGB 40 73 117 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 73 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 73 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 38 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 38% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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