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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 32 20 it is the complementary color RGB 215 223 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 32 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 40 32 20: RGB 45 32 15, RGB 62 50 34, RGB 79 68 53, RGB 96 86 72 and RGB 113 104 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 32 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 40 32 20: RGB 40 32 20, RGB 23 14 1, RGB 6 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 50 / 84

HEX #282014

RGB 40 32 20

HSL 36, 0.33%, 0.12%

LAB 12.83, 1.66, 9.56

 

Complementary color

CMYK 9 / 5 / 0 / 8

HEX #D7DFEB

RGB 215 223 235

HSL 216, 0.33%, 0.88%

LAB 88.55, -0.4, -6.79

 

CMYK 0 / 29 / 67 / 82

HEX #2D200F

RGB 45 32 15

HSL 34, 0.5%, 0.12%

LAB 13.38, 3.72, 13.39

 

CMYK 0 / 19 / 45 / 76

HEX #3E3222

RGB 62 50 34

HSL 34.29, 0.29%, 0.19%

LAB 21.66, 2.69, 12.21

 

CMYK 0 / 14 / 33 / 69

HEX #4F4435

RGB 79 68 53

HSL 34.62, 0.2%, 0.26%

LAB 29.55, 2.03, 10.83

 

CMYK 0 / 10 / 25 / 62

HEX #605648

RGB 96 86 72

HSL 35, 0.14%, 0.33%

LAB 37.13, 1.55, 9.65

 

CMYK 0 / 8 / 19 / 56

HEX #71685B

RGB 113 104 91

HSL 35.45, 0.11%, 0.4%

LAB 44.47, 1.18, 8.6

 

CMYK 0 / 20 / 50 / 84

HEX #282014

RGB 40 32 20

HSL 36, 0.33%, 0.12%

LAB 12.83, 1.66, 9.56

 

CMYK 0 / 39 / 96 / 91

HEX #170E01

RGB 23 14 1

HSL 35.45, 0.92%, 0.05%

LAB 4.5, 1.73, 6.36

 

CMYK 0 / 100 / 100 / 98

HEX #060000

RGB 6 0 0

HSL 0, 1%, 0.01%

LAB 0.35, 1.57, 0.55

 

CMYK 0 / 20 / 50 / 84

HEX #282014

RGB 40 32 20

HSL 36, 0.33%, 0.12%

LAB 12.83, 1.66, 9.56

 

CMYK 0 / 13 / 50 / 84

HEX #282314

RGB 40 35 20

HSL 45, 0.33%, 0.12%

LAB 13.85, -0.45, 10.91

 

CMYK 0 / 2 / 50 / 84

HEX #282714

RGB 40 39 20

HSL 57, 0.33%, 0.12%

LAB 15.24, -3.2, 12.71

 

CMYK 5 / 0 / 50 / 84

HEX #262814

RGB 38 40 20

HSL 66, 0.33%, 0.12%

LAB 15.38, -4.91, 12.86

 

CMYK 13 / 0 / 50 / 84

HEX #232814

RGB 35 40 20

HSL 75, 0.33%, 0.12%

LAB 15.09, -6.45, 12.43

 

CMYK 0 / 20 / 50 / 84

HEX #282014

RGB 40 32 20

HSL 36, 0.33%, 0.12%

LAB 12.83, 1.66, 9.56

 

CMYK 0 / 20 / 49 / 64

HEX #5B492E

RGB 91 73 46

HSL 36, 0.33%, 0.27%

LAB 32.23, 3.59, 19

 

CMYK 0 / 20 / 50 / 44

HEX #8E7247

RGB 142 114 71

HSL 36.34, 0.33%, 0.42%

LAB 49.79, 5.21, 27.89

 

CMYK 0 / 20 / 50 / 24

HEX #C19A61

RGB 193 154 97

HSL 35.63, 0.44%, 0.57%

LAB 65.99, 7.37, 35.29

 

CMYK 0 / 20 / 50 / 4

HEX #F4C37A

RGB 244 195 122

HSL 35.9, 0.85%, 0.72%

LAB 81.66, 8.78, 43.11

 

CMYK 0 / 20 / 50 / 84

HEX #282014

RGB 40 32 20

HSL 36, 0.33%, 0.12%

LAB 12.83, 1.66, 9.56

 

CMYK 40 / 0 / 50 / 84

HEX #182814

RGB 24 40 20

HSL 108, 0.33%, 0.12%

LAB 14.19, -11.73, 11.08

 

CMYK 40 / 50 / 0 / 84

HEX #181428

RGB 24 20 40

HSL 252, 0.33%, 0.12%

LAB 7.66, 7.95, -13

 

CMYK 0 / 20 / 50 / 84

HEX #282014

RGB 40 32 20

HSL 36, 0.33%, 0.12%

LAB 12.83, 1.66, 9.56

 

CMYK 50 / 0 / 20 / 84

HEX #142820

RGB 20 40 32

HSL 156, 0.33%, 0.12%

LAB 14.23, -10.5, 2.74

 

CMYK 20 / 50 / 0 / 84

HEX #201428

RGB 32 20 40

HSL 276, 0.33%, 0.12%

LAB 8.66, 11.06, -11.36

 

CMYK 0 / 20 / 50 / 84

HEX #282014

RGB 40 32 20

HSL 36, 0.33%, 0.12%

LAB 12.83, 1.66, 9.56

 

CMYK 40 / 0 / 50 / 84

HEX #182814

RGB 24 40 20

HSL 108, 0.33%, 0.12%

LAB 14.19, -11.73, 11.08

 

CMYK 50 / 30 / 0 / 84

HEX #141C28

RGB 20 28 40

HSL 216, 0.33%, 0.12%

LAB 10.05, 0.36, -9.3

 

CMYK 10 / 50 / 0 / 84

HEX #241428

RGB 36 20 40

HSL 288, 0.33%, 0.12%

LAB 9.23, 12.67, -10.43

 

CMYK 0 / 20 / 50 / 84

HEX #282014

RGB 40 32 20

HSL 36, 0.33%, 0.12%

LAB 12.83, 1.66, 9.56

 

CMYK 50 / 0 / 45 / 84

HEX #142816

RGB 20 40 22

HSL 126, 0.33%, 0.12%

LAB 13.97, -13, 9.38

 

CMYK 50 / 30 / 0 / 84

HEX #141C28

RGB 20 28 40

HSL 216, 0.33%, 0.12%

LAB 10.05, 0.36, -9.3

 

CMYK 0 / 50 / 5 / 84

HEX #281426

RGB 40 20 38

HSL 306, 0.33%, 0.12%

LAB 9.73, 13.81, -8.11

 

Description

Color code: RGB 40 32 20 | qconv.com Color code: RGB 40 32 20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 32 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 32 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 50 yellow and 84 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 50% 84% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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