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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 174 219 it is the complementary color RGB 215 81 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 174 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 40 174 219: RGB 45 174 214, RGB 62 192 233, RGB 79 210 252, RGB 96 228 255 and RGB 113 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 174 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 40 174 219: RGB 40 174 219, RGB 23 156 200, RGB 6 138 181, RGB 0 120 162 and RGB 0 102 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 21 / 0 / 14

HEX #28AEDB

RGB 40 174 219

HSL 195.08, 0.71%, 0.51%

LAB 66.4, -19.33, -32.52

 

Complementary color

CMYK 0 / 62 / 83 / 16

HEX #D75124

RGB 215 81 36

HSL 15.08, 0.71%, 0.49%

LAB 52.35, 50.6, 51.53

 

CMYK 79 / 19 / 0 / 16

HEX #2DAED6

RGB 45 174 214

HSL 194.2, 0.67%, 0.51%

LAB 66.28, -20.55, -29.94

 

CMYK 73 / 18 / 0 / 9

HEX #3EC0E9

RGB 62 192 233

HSL 194.39, 0.8%, 0.58%

LAB 72.63, -21.8, -30.49

 

CMYK 69 / 17 / 0 / 1

HEX #4FD2FC

RGB 79 210 252

HSL 194.57, 0.97%, 0.65%

LAB 78.92, -22.8, -30.99

 

CMYK 62 / 11 / 0 / 0

HEX #60E4FF

RGB 96 228 255

HSL 190.19, 1%, 0.69%

LAB 84.58, -28.27, -23.87

 

CMYK 56 / 4 / 0 / 0

HEX #71F6FF

RGB 113 246 255

HSL 183.8, 1%, 0.72%

LAB 90.16, -33.92, -15.41

 

CMYK 82 / 21 / 0 / 14

HEX #28AEDB

RGB 40 174 219

HSL 195.08, 0.71%, 0.51%

LAB 66.4, -19.33, -32.52

 

CMYK 89 / 22 / 0 / 22

HEX #179CC8

RGB 23 156 200

HSL 194.92, 0.79%, 0.44%

LAB 60.01, -17.54, -31.9

 

CMYK 97 / 24 / 0 / 29

HEX #068AB5

RGB 6 138 181

HSL 194.74, 0.94%, 0.37%

LAB 53.55, -15.31, -31.19

 

CMYK 100 / 26 / 0 / 36

HEX #0078A2

RGB 0 120 162

HSL 195.56, 1%, 0.32%

LAB 47.03, -12.5, -30.37

 

CMYK 100 / 29 / 0 / 44

HEX #00668F

RGB 0 102 143

HSL 197.2, 1%, 0.28%

LAB 40.39, -9.32, -29.5

 

CMYK 82 / 21 / 0 / 14

HEX #28AEDB

RGB 40 174 219

HSL 195.08, 0.71%, 0.51%

LAB 66.4, -19.33, -32.52

 

CMYK 81 / 34 / 0 / 15

HEX #2990DA

RGB 41 144 218

HSL 205.08, 0.71%, 0.51%

LAB 57.54, -2.97, -45.83

 

CMYK 81 / 47 / 0 / 15

HEX #2973DA

RGB 41 115 218

HSL 214.92, 0.71%, 0.51%

LAB 49.25, 14.67, -59.07

 

CMYK 81 / 61 / 0 / 15

HEX #2955DA

RGB 41 85 218

HSL 225.08, 0.71%, 0.51%

LAB 41.26, 33.87, -72.03

 

CMYK 81 / 74 / 0 / 15

HEX #2938DA

RGB 41 56 218

HSL 234.92, 0.71%, 0.51%

LAB 34.73, 51.46, -82.79

 

CMYK 82 / 21 / 0 / 14

HEX #28AEDB

RGB 40 174 219

HSL 195.08, 0.71%, 0.51%

LAB 66.4, -19.33, -32.52

 

CMYK 80 / 20 / 0 / 94

HEX #030C0F

RGB 3 12 15

HSL 195, 0.67%, 0.04%

LAB 2.86, -1.88, -2.21

 

CMYK 82 / 21 / 0 / 74

HEX #0C3442

RGB 12 52 66

HSL 195.56, 0.69%, 0.15%

LAB 19.75, -8.17, -12.71

 

CMYK 82 / 21 / 0 / 54

HEX #155D75

RGB 21 93 117

HSL 195, 0.7%, 0.27%

LAB 36.5, -12.48, -19.7

 

CMYK 82 / 21 / 0 / 34

HEX #1F85A8

RGB 31 133 168

HSL 195.33, 0.69%, 0.39%

LAB 51.72, -15.69, -26.54

 

CMYK 82 / 21 / 0 / 14

HEX #28AEDB

RGB 40 174 219

HSL 195.08, 0.71%, 0.51%

LAB 66.4, -19.33, -32.52

 

CMYK 44 / 81 / 0 / 15

HEX #7929DA

RGB 121 41 218

HSL 267.12, 0.71%, 0.51%

LAB 39.09, 66.39, -75.36

 

CMYK 0 / 12 / 81 / 15

HEX #DAC029

RGB 218 192 41

HSL 51.19, 0.71%, 0.51%

LAB 77.74, -5.41, 72.16

 

CMYK 82 / 21 / 0 / 14

HEX #28AEDB

RGB 40 174 219

HSL 195.08, 0.71%, 0.51%

LAB 66.4, -19.33, -32.52

 

CMYK 0 / 81 / 20 / 15

HEX #DA29AE

RGB 218 41 174

HSL 314.92, 0.71%, 0.51%

LAB 51.32, 76.04, -29.34

 

CMYK 20 / 0 / 81 / 15

HEX #AEDA29

RGB 174 218 41

HSL 74.92, 0.71%, 0.51%

LAB 81.46, -36.45, 74.09

 

CMYK 82 / 21 / 0 / 14

HEX #28AEDB

RGB 40 174 219

HSL 195.08, 0.71%, 0.51%

LAB 66.4, -19.33, -32.52

 

CMYK 44 / 81 / 0 / 15

HEX #7929DA

RGB 121 41 218

HSL 267.12, 0.71%, 0.51%

LAB 39.09, 66.39, -75.36

 

CMYK 0 / 61 / 81 / 15

HEX #DA5529

RGB 218 85 41

HSL 14.92, 0.71%, 0.51%

LAB 53.56, 50.03, 50.56

 

CMYK 37 / 0 / 81 / 15

HEX #8ADA29

RGB 138 218 41

HSL 87.12, 0.71%, 0.51%

LAB 79.45, -49.8, 71.54

 

CMYK 82 / 21 / 0 / 14

HEX #28AEDB

RGB 40 174 219

HSL 195.08, 0.71%, 0.51%

LAB 66.4, -19.33, -32.52

 

CMYK 20 / 81 / 0 / 15

HEX #AE29DA

RGB 174 41 218

HSL 285.08, 0.71%, 0.51%

LAB 46.51, 74.39, -62.95

 

CMYK 0 / 61 / 81 / 15

HEX #DA5529

RGB 218 85 41

HSL 14.92, 0.71%, 0.51%

LAB 53.56, 50.03, 50.56

 

CMYK 61 / 0 / 81 / 15

HEX #55DA29

RGB 85 218 41

HSL 105.08, 0.71%, 0.51%

LAB 77.42, -65.23, 68.95

 

Description

Color code: RGB 40 174 219 | qconv.com Color code: RGB 40 174 219 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 174 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 174 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 21 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 21% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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