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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 82 194 it is the complementary color RGB 216 173 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 82 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 39 82 194: RGB 44 82 189, RGB 61 100 208, RGB 78 118 227, RGB 95 136 246 and RGB 112 154 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 82 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 39 82 194: RGB 39 82 194, RGB 22 64 175, RGB 5 46 156, RGB 0 28 137 and RGB 0 10 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 58 / 0 / 24

HEX #2752C2

RGB 39 82 194

HSL 223.35, 0.67%, 0.46%

LAB 38.48, 26.63, -62.72

 

Complementary color

CMYK 0 / 20 / 72 / 15

HEX #D8AD3D

RGB 216 173 61

HSL 43.35, 0.67%, 0.54%

LAB 72.78, 4.44, 60.65

 

CMYK 77 / 57 / 0 / 26

HEX #2C52BD

RGB 44 82 189

HSL 224.28, 0.62%, 0.46%

LAB 38.28, 25.25, -60.12

 

CMYK 71 / 52 / 0 / 18

HEX #3D64D0

RGB 61 100 208

HSL 224.08, 0.61%, 0.53%

LAB 45.17, 22.78, -59.92

 

CMYK 66 / 48 / 0 / 11

HEX #4E76E3

RGB 78 118 227

HSL 223.89, 0.73%, 0.6%

LAB 51.98, 20.76, -59.68

 

CMYK 61 / 45 / 0 / 4

HEX #5F88F6

RGB 95 136 246

HSL 223.71, 0.89%, 0.67%

LAB 58.69, 19.09, -59.44

 

CMYK 56 / 40 / 0 / 0

HEX #709AFF

RGB 112 154 255

HSL 222.38, 1%, 0.72%

LAB 64.78, 14.52, -54.61

 

CMYK 80 / 58 / 0 / 24

HEX #2752C2

RGB 39 82 194

HSL 223.35, 0.67%, 0.46%

LAB 38.48, 26.63, -62.72

 

CMYK 87 / 63 / 0 / 31

HEX #1640AF

RGB 22 64 175

HSL 223.53, 0.78%, 0.39%

LAB 31.65, 29.87, -62.7

 

CMYK 97 / 71 / 0 / 39

HEX #052E9C

RGB 5 46 156

HSL 223.71, 0.94%, 0.32%

LAB 24.91, 33.65, -62.34

 

CMYK 100 / 80 / 0 / 46

HEX #001C89

RGB 0 28 137

HSL 227.74, 1%, 0.27%

LAB 18.53, 37.66, -61.14

 

CMYK 100 / 92 / 0 / 54

HEX #000A76

RGB 0 10 118

HSL 234.92, 1%, 0.23%

LAB 12.77, 40.41, -58.63

 

CMYK 80 / 58 / 0 / 24

HEX #2752C2

RGB 39 82 194

HSL 223.35, 0.67%, 0.46%

LAB 38.48, 26.63, -62.72

 

CMYK 81 / 71 / 0 / 24

HEX #2639C3

RGB 38 57 195

HSL 232.74, 0.67%, 0.46%

LAB 32.43, 42.85, -73.22

 

CMYK 76 / 81 / 0 / 24

HEX #2E26C3

RGB 46 38 195

HSL 243.06, 0.67%, 0.46%

LAB 29.18, 53.78, -78.59

 

CMYK 63 / 81 / 0 / 24

HEX #4826C3

RGB 72 38 195

HSL 252.99, 0.67%, 0.46%

LAB 31.12, 55.92, -75.31

 

CMYK 50 / 81 / 0 / 24

HEX #6226C3

RGB 98 38 195

HSL 262.93, 0.67%, 0.46%

LAB 33.82, 58.89, -70.77

 

CMYK 80 / 58 / 0 / 24

HEX #2752C2

RGB 39 82 194

HSL 223.35, 0.67%, 0.46%

LAB 38.48, 26.63, -62.72

 

CMYK 80 / 58 / 0 / 4

HEX #3168F5

RGB 49 104 245

HSL 223.16, 0.91%, 0.58%

LAB 48.44, 32.44, -75.54

 

CMYK 80 / 59 / 0 / 84

HEX #081129

RGB 8 17 41

HSL 223.64, 0.67%, 0.1%

LAB 5.53, 4.86, -17.17

 

CMYK 80 / 58 / 0 / 64

HEX #12275C

RGB 18 39 92

HSL 222.97, 0.67%, 0.22%

LAB 17.24, 13.1, -34.19

 

CMYK 80 / 58 / 0 / 44

HEX #1D3C8F

RGB 29 60 143

HSL 223.68, 0.66%, 0.34%

LAB 28.05, 20.51, -49.19

 

CMYK 80 / 58 / 0 / 24

HEX #2752C2

RGB 39 82 194

HSL 223.35, 0.67%, 0.46%

LAB 38.48, 26.63, -62.72

 

CMYK 7 / 81 / 0 / 24

HEX #B626C3

RGB 182 38 195

HSL 295.03, 0.67%, 0.46%

LAB 46, 72.55, -50.43

 

CMYK 25 / 0 / 81 / 24

HEX #92C326

RGB 146 195 38

HSL 78.73, 0.67%, 0.46%

LAB 73.08, -37.14, 66.78

 

CMYK 80 / 58 / 0 / 24

HEX #2752C2

RGB 39 82 194

HSL 223.35, 0.67%, 0.46%

LAB 38.48, 26.63, -62.72

 

CMYK 0 / 81 / 57 / 24

HEX #C32653

RGB 195 38 83

HSL 342.8, 0.67%, 0.46%

LAB 43.67, 62.12, 14.16

 

CMYK 57 / 0 / 81 / 24

HEX #53C326

RGB 83 195 38

HSL 102.8, 0.67%, 0.46%

LAB 70.18, -57.96, 63.07

 

CMYK 80 / 58 / 0 / 24

HEX #2752C2

RGB 39 82 194

HSL 223.35, 0.67%, 0.46%

LAB 38.48, 26.63, -62.72

 

CMYK 7 / 81 / 0 / 24

HEX #B626C3

RGB 182 38 195

HSL 295.03, 0.67%, 0.46%

LAB 46, 72.55, -50.43

 

CMYK 0 / 23 / 81 / 24

HEX #C39726

RGB 195 151 38

HSL 43.18, 0.67%, 0.46%

LAB 64.86, 6.12, 60.92

 

CMYK 74 / 0 / 81 / 24

HEX #33C326

RGB 51 195 38

HSL 115.03, 0.67%, 0.46%

LAB 69.38, -64.64, 62.03

 

CMYK 80 / 58 / 0 / 24

HEX #2752C2

RGB 39 82 194

HSL 223.35, 0.67%, 0.46%

LAB 38.48, 26.63, -62.72

 

CMYK 0 / 81 / 17 / 24

HEX #C326A1

RGB 195 38 161

HSL 312.99, 0.67%, 0.46%

LAB 46.39, 70.09, -29.64

 

CMYK 0 / 23 / 81 / 24

HEX #C39726

RGB 195 151 38

HSL 43.18, 0.67%, 0.46%

LAB 64.86, 6.12, 60.92

 

CMYK 81 / 0 / 63 / 24

HEX #26C348

RGB 38 195 72

HSL 132.99, 0.67%, 0.46%

LAB 69.41, -63.55, 49.53

 

Description

Color code: RGB 39 82 194 | qconv.com Color code: RGB 39 82 194 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 82 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 82 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 58 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 58% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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