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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 37 129 it is the complementary color RGB 216 218 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 37 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 39 37 129: RGB 44 37 124, RGB 61 55 143, RGB 78 73 162, RGB 95 91 181 and RGB 112 109 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 37 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 39 37 129: RGB 39 37 129, RGB 22 19 110, RGB 5 1 91, RGB 0 0 72 and RGB 0 0 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 71 / 0 / 49

HEX #272581

RGB 39 37 129

HSL 241.3, 0.55%, 0.33%

LAB 21.36, 31.92, -51.38

 

Complementary color

CMYK 1 / 0 / 42 / 15

HEX #D8DA7E

RGB 216 218 126

HSL 61.3, 0.55%, 0.67%

LAB 85.12, -13.84, 44.92

 

CMYK 65 / 70 / 0 / 51

HEX #2C257C

RGB 44 37 124

HSL 244.83, 0.54%, 0.32%

LAB 21.26, 30.88, -48.35

 

CMYK 57 / 62 / 0 / 44

HEX #3D378F

RGB 61 55 143

HSL 244.09, 0.44%, 0.39%

LAB 28.66, 28.86, -48.11

 

CMYK 52 / 55 / 0 / 36

HEX #4E49A2

RGB 78 73 162

HSL 243.37, 0.38%, 0.46%

LAB 35.97, 27.14, -47.77

 

CMYK 48 / 50 / 0 / 29

HEX #5F5BB5

RGB 95 91 181

HSL 242.67, 0.38%, 0.53%

LAB 43.14, 25.7, -47.44

 

CMYK 44 / 46 / 0 / 22

HEX #706DC8

RGB 112 109 200

HSL 241.98, 0.45%, 0.61%

LAB 50.16, 24.48, -47.15

 

CMYK 70 / 71 / 0 / 49

HEX #272581

RGB 39 37 129

HSL 241.3, 0.55%, 0.33%

LAB 21.36, 31.92, -51.38

 

CMYK 80 / 83 / 0 / 57

HEX #16136E

RGB 22 19 110

HSL 241.98, 0.71%, 0.25%

LAB 14.19, 34.28, -51.05

 

CMYK 95 / 99 / 0 / 64

HEX #05015B

RGB 5 1 91

HSL 242.67, 0.98%, 0.18%

LAB 7.31, 36.68, -49.9

 

CMYK 100 / 100 / 0 / 72

HEX #000048

RGB 0 0 72

HSL 240, 1%, 0.14%

LAB 4.23, 28.26, -41.9

 

CMYK 100 / 100 / 0 / 79

HEX #000035

RGB 0 0 53

HSL 240, 1%, 0.1%

LAB 2.32, 16.32, -31.29

 

CMYK 70 / 71 / 0 / 49

HEX #272581

RGB 39 37 129

HSL 241.3, 0.55%, 0.33%

LAB 21.36, 31.92, -51.38

 

CMYK 58 / 72 / 0 / 49

HEX #362582

RGB 54 37 130

HSL 250.97, 0.56%, 0.33%

LAB 22.72, 34.51, -49.72

 

CMYK 46 / 72 / 0 / 49

HEX #462582

RGB 70 37 130

HSL 261.29, 0.56%, 0.33%

LAB 24.44, 37.41, -46.84

 

CMYK 35 / 72 / 0 / 49

HEX #552582

RGB 85 37 130

HSL 270.97, 0.56%, 0.33%

LAB 26.35, 40.5, -43.65

 

CMYK 22 / 72 / 0 / 49

HEX #652582

RGB 101 37 130

HSL 281.29, 0.56%, 0.33%

LAB 28.65, 44.05, -39.83

 

CMYK 70 / 71 / 0 / 49

HEX #272581

RGB 39 37 129

HSL 241.3, 0.55%, 0.33%

LAB 21.36, 31.92, -51.38

 

CMYK 70 / 71 / 0 / 29

HEX #3634B4

RGB 54 52 180

HSL 240.94, 0.55%, 0.45%

LAB 30.73, 42.17, -67.15

 

CMYK 70 / 71 / 0 / 9

HEX #4642E7

RGB 70 66 231

HSL 241.45, 0.77%, 0.58%

LAB 39.53, 52.49, -82.24

 

CMYK 70 / 70 / 0 / 89

HEX #08081B

RGB 8 8 27

HSL 240, 0.54%, 0.07%

LAB 2.75, 3.91, -10.58

 

CMYK 69 / 72 / 0 / 69

HEX #18164E

RGB 24 22 78

HSL 242.14, 0.56%, 0.2%

LAB 11.4, 20.82, -34.21

 

CMYK 70 / 71 / 0 / 49

HEX #272581

RGB 39 37 129

HSL 241.3, 0.55%, 0.33%

LAB 21.36, 31.92, -51.38

 

CMYK 0 / 72 / 15 / 49

HEX #82256E

RGB 130 37 110

HSL 312.9, 0.56%, 0.33%

LAB 32.25, 47.54, -21.18

 

CMYK 44 / 0 / 72 / 49

HEX #498225

RGB 73 130 37

HSL 96.77, 0.56%, 0.33%

LAB 48.9, -35.62, 42.51

 

CMYK 70 / 71 / 0 / 49

HEX #272581

RGB 39 37 129

HSL 241.3, 0.55%, 0.33%

LAB 21.36, 31.92, -51.38

 

CMYK 0 / 70 / 72 / 49

HEX #822725

RGB 130 39 37

HSL 1.29, 0.56%, 0.33%

LAB 30.23, 38.84, 23.39

 

CMYK 72 / 0 / 70 / 49

HEX #258227

RGB 37 130 39

HSL 121.29, 0.56%, 0.33%

LAB 47.63, -45.43, 39.92

 

CMYK 70 / 71 / 0 / 49

HEX #272581

RGB 39 37 129

HSL 241.3, 0.55%, 0.33%

LAB 21.36, 31.92, -51.38

 

CMYK 0 / 72 / 15 / 49

HEX #82256E

RGB 130 37 110

HSL 312.9, 0.56%, 0.33%

LAB 32.25, 47.54, -21.18

 

CMYK 2 / 0 / 72 / 49

HEX #808225

RGB 128 130 37

HSL 61.29, 0.56%, 0.33%

LAB 52.61, -12.8, 47.46

 

CMYK 72 / 0 / 56 / 49

HEX #258239

RGB 37 130 57

HSL 132.9, 0.56%, 0.33%

LAB 47.82, -43.18, 31.53

 

CMYK 70 / 71 / 0 / 49

HEX #272581

RGB 39 37 129

HSL 241.3, 0.55%, 0.33%

LAB 21.36, 31.92, -51.38

 

CMYK 0 / 72 / 37 / 49

HEX #822552

RGB 130 37 82

HSL 330.97, 0.56%, 0.33%

LAB 31.06, 43.66, -4.9

 

CMYK 2 / 0 / 72 / 49

HEX #808225

RGB 128 130 37

HSL 61.29, 0.56%, 0.33%

LAB 52.61, -12.8, 47.46

 

CMYK 72 / 0 / 35 / 49

HEX #258255

RGB 37 130 85

HSL 150.97, 0.56%, 0.33%

LAB 48.28, -38.03, 16.75

 

Description

Color code: RGB 39 37 129 | qconv.com Color code: RGB 39 37 129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 37 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 37 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 71 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 71% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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