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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 242 37 it is the complementary color RGB 216 13 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 242 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 39 242 37: RGB 44 242 32, RGB 61 255 51, RGB 78 255 70, RGB 95 255 89 and RGB 112 255 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 242 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 39 242 37: RGB 39 242 37, RGB 22 224 18, RGB 5 206 0, RGB 0 188 0 and RGB 0 170 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 85 / 5

HEX #27F225

RGB 39 242 37

HSL 119.41, 0.89%, 0.55%

LAB 84, -79.89, 75.52

 

Complementary color

CMYK 1 / 94 / 0 / 15

HEX #D80DDA

RGB 216 13 218

HSL 299.41, 0.89%, 0.45%

LAB 51.78, 86, -54.1

 

CMYK 82 / 0 / 87 / 5

HEX #2CF220

RGB 44 242 32

HSL 116.57, 0.89%, 0.54%

LAB 84.04, -79.61, 76.58

 

CMYK 76 / 0 / 80 / 0

HEX #3DFF33

RGB 61 255 51

HSL 117.06, 1%, 0.6%

LAB 88.33, -80.44, 76.23

 

CMYK 69 / 0 / 73 / 0

HEX #4EFF46

RGB 78 255 70

HSL 117.41, 1%, 0.64%

LAB 88.72, -76.68, 71.02

 

CMYK 63 / 0 / 65 / 0

HEX #5FFF59

RGB 95 255 89

HSL 117.83, 1%, 0.67%

LAB 89.24, -71.93, 64.74

 

CMYK 56 / 0 / 58 / 0

HEX #70FF6C

RGB 112 255 108

HSL 118.37, 1%, 0.71%

LAB 89.88, -66.26, 57.71

 

CMYK 84 / 0 / 85 / 5

HEX #27F225

RGB 39 242 37

HSL 119.41, 0.89%, 0.55%

LAB 84, -79.89, 75.52

 

CMYK 90 / 0 / 92 / 12

HEX #16E012

RGB 22 224 18

HSL 118.83, 0.85%, 0.47%

LAB 78.18, -76.89, 73.76

 

CMYK 98 / 0 / 100 / 19

HEX #05CE00

RGB 5 206 0

HSL 118.54, 1%, 0.4%

LAB 72.35, -73.18, 70.85

 

CMYK 100 / 0 / 100 / 26

HEX #00BC00

RGB 0 188 0

HSL 120, 1%, 0.37%

LAB 66.49, -68.54, 66.15

 

CMYK 100 / 0 / 100 / 33

HEX #00AA00

RGB 0 170 0

HSL 120, 1%, 0.33%

LAB 60.56, -63.61, 61.39

 

CMYK 84 / 0 / 85 / 5

HEX #27F225

RGB 39 242 37

HSL 119.41, 0.89%, 0.55%

LAB 84, -79.89, 75.52

 

CMYK 84 / 0 / 72 / 5

HEX #26F244

RGB 38 242 68

HSL 128.82, 0.89%, 0.55%

LAB 84.14, -78.11, 66.86

 

CMYK 84 / 0 / 58 / 5

HEX #26F266

RGB 38 242 102

HSL 138.82, 0.89%, 0.55%

LAB 84.42, -74.63, 53.6

 

CMYK 84 / 0 / 44 / 5

HEX #26F288

RGB 38 242 136

HSL 148.82, 0.89%, 0.55%

LAB 84.84, -69.59, 38.15

 

CMYK 84 / 0 / 30 / 5

HEX #26F2AA

RGB 38 242 170

HSL 158.82, 0.89%, 0.55%

LAB 85.41, -63.03, 21.76

 

CMYK 84 / 0 / 85 / 5

HEX #27F225

RGB 39 242 37

HSL 119.41, 0.89%, 0.55%

LAB 84, -79.89, 75.52

 

CMYK 84 / 0 / 84 / 85

HEX #062606

RGB 6 38 6

HSL 120, 0.73%, 0.09%

LAB 12.21, -19.81, 15.22

 

CMYK 84 / 0 / 84 / 65

HEX #0E590E

RGB 14 89 14

HSL 120, 0.73%, 0.2%

LAB 32.41, -37.22, 34.31

 

CMYK 84 / 0 / 85 / 45

HEX #178C15

RGB 23 140 21

HSL 118.99, 0.74%, 0.32%

LAB 50.68, -52.42, 49.29

 

CMYK 84 / 0 / 85 / 25

HEX #1FBF1D

RGB 31 191 29

HSL 119.26, 0.74%, 0.43%

LAB 67.76, -66.54, 62.77

 

CMYK 84 / 0 / 85 / 5

HEX #27F225

RGB 39 242 37

HSL 119.41, 0.89%, 0.55%

LAB 84, -79.89, 75.52

 

CMYK 84 / 16 / 0 / 5

HEX #26CCF2

RGB 38 204 242

HSL 191.18, 0.89%, 0.55%

LAB 76.07, -27.18, -30.08

 

CMYK 0 / 84 / 49 / 5

HEX #F2267B

RGB 242 38 123

HSL 335, 0.89%, 0.55%

LAB 53.7, 77.01, 5.04

 

CMYK 84 / 0 / 85 / 5

HEX #27F225

RGB 39 242 37

HSL 119.41, 0.89%, 0.55%

LAB 84, -79.89, 75.52

 

CMYK 84 / 83 / 0 / 5

HEX #2629F2

RGB 38 41 242

HSL 239.12, 0.89%, 0.55%

LAB 34.82, 66.04, -96.32

 

CMYK 0 / 84 / 83 / 5

HEX #F22629

RGB 242 38 41

HSL 359.12, 0.89%, 0.55%

LAB 52.31, 72.96, 51.01

 

CMYK 84 / 0 / 85 / 5

HEX #27F225

RGB 39 242 37

HSL 119.41, 0.89%, 0.55%

LAB 84, -79.89, 75.52

 

CMYK 84 / 16 / 0 / 5

HEX #26CCF2

RGB 38 204 242

HSL 191.18, 0.89%, 0.55%

LAB 76.07, -27.18, -30.08

 

CMYK 2 / 84 / 0 / 5

HEX #EE26F2

RGB 238 38 242

HSL 298.82, 0.89%, 0.55%

LAB 58.01, 89.87, -57.47

 

CMYK 0 / 69 / 84 / 5

HEX #F24B26

RGB 242 75 38

HSL 10.88, 0.89%, 0.55%

LAB 56.14, 62.14, 55.77

 

CMYK 84 / 0 / 85 / 5

HEX #27F225

RGB 39 242 37

HSL 119.41, 0.89%, 0.55%

LAB 84, -79.89, 75.52

 

CMYK 84 / 41 / 0 / 5

HEX #268FF2

RGB 38 143 242

HSL 209.12, 0.89%, 0.55%

LAB 58.48, 6.22, -57.68

 

CMYK 2 / 84 / 0 / 5

HEX #EE26F2

RGB 238 38 242

HSL 298.82, 0.89%, 0.55%

LAB 58.01, 89.87, -57.47

 

CMYK 0 / 44 / 84 / 5

HEX #F28826

RGB 242 136 38

HSL 28.82, 0.89%, 0.55%

LAB 67, 34.18, 64.97

 

Description

Color code: RGB 39 242 37 | qconv.com Color code: RGB 39 242 37 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 242 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 242 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 85 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 85% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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