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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 242 146 it is the complementary color RGB 216 13 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 242 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 39 242 146: RGB 44 242 141, RGB 61 255 160, RGB 78 255 179, RGB 95 255 198 and RGB 112 255 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 242 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 39 242 146: RGB 39 242 146, RGB 22 224 127, RGB 5 206 108, RGB 0 188 89 and RGB 0 170 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 40 / 5

HEX #27F292

RGB 39 242 146

HSL 151.63, 0.89%, 0.55%

LAB 85, -67.73, 33.4

 

Complementary color

CMYK 0 / 94 / 50 / 15

HEX #D80D6D

RGB 216 13 109

HSL 331.63, 0.89%, 0.45%

LAB 46.96, 73.61, 3.22

 

CMYK 82 / 0 / 42 / 5

HEX #2CF28D

RGB 44 242 141

HSL 149.39, 0.88%, 0.56%

LAB 84.98, -68.21, 35.87

 

CMYK 76 / 0 / 37 / 0

HEX #3DFFA0

RGB 61 255 160

HSL 150.62, 1%, 0.62%

LAB 89.42, -67.51, 32.31

 

CMYK 69 / 0 / 30 / 0

HEX #4EFFB3

RGB 78 255 179

HSL 154.24, 1%, 0.65%

LAB 90.04, -61.58, 23.63

 

CMYK 63 / 0 / 22 / 0

HEX #5FFFC6

RGB 95 255 198

HSL 158.63, 1%, 0.69%

LAB 90.79, -54.89, 15.02

 

CMYK 56 / 0 / 15 / 0

HEX #70FFD9

RGB 112 255 217

HSL 164.06, 1%, 0.72%

LAB 91.67, -47.54, 6.55

 

CMYK 84 / 0 / 40 / 5

HEX #27F292

RGB 39 242 146

HSL 151.63, 0.89%, 0.55%

LAB 85, -67.73, 33.4

 

CMYK 90 / 0 / 43 / 12

HEX #16E07F

RGB 22 224 127

HSL 151.19, 0.82%, 0.48%

LAB 79.05, -66.2, 35.09

 

CMYK 98 / 0 / 48 / 19

HEX #05CE6C

RGB 5 206 108

HSL 150.75, 0.95%, 0.41%

LAB 73.06, -64.21, 36.89

 

CMYK 100 / 0 / 53 / 26

HEX #00BC59

RGB 0 188 89

HSL 148.4, 1%, 0.37%

LAB 67.04, -61.61, 38.77

 

CMYK 100 / 0 / 59 / 33

HEX #00AA46

RGB 0 170 70

HSL 144.71, 1%, 0.33%

LAB 60.95, -58.63, 40.63

 

CMYK 84 / 0 / 40 / 5

HEX #27F292

RGB 39 242 146

HSL 151.63, 0.89%, 0.55%

LAB 85, -67.73, 33.4

 

CMYK 84 / 0 / 27 / 5

HEX #26F2B1

RGB 38 242 177

HSL 160.88, 0.89%, 0.55%

LAB 85.55, -61.5, 18.34

 

CMYK 84 / 0 / 13 / 5

HEX #26F2D3

RGB 38 242 211

HSL 170.88, 0.89%, 0.55%

LAB 86.32, -53.32, 1.73

 

CMYK 84 / 2 / 0 / 5

HEX #26EEF2

RGB 38 238 242

HSL 181.18, 0.89%, 0.55%

LAB 85.99, -43.11, -15.01

 

CMYK 84 / 16 / 0 / 5

HEX #26CCF2

RGB 38 204 242

HSL 191.18, 0.89%, 0.55%

LAB 76.07, -27.18, -30.08

 

CMYK 84 / 0 / 40 / 5

HEX #27F292

RGB 39 242 146

HSL 151.63, 0.89%, 0.55%

LAB 85, -67.73, 33.4

 

CMYK 84 / 0 / 39 / 85

HEX #062617

RGB 6 38 23

HSL 151.88, 0.73%, 0.09%

LAB 12.52, -16.28, 6.62

 

CMYK 84 / 0 / 39 / 65

HEX #0E5936

RGB 14 89 54

HSL 152, 0.73%, 0.2%

LAB 32.93, -31.11, 14.17

 

CMYK 84 / 0 / 40 / 45

HEX #178C54

RGB 23 140 84

HSL 151.28, 0.72%, 0.32%

LAB 51.36, -44.25, 21.4

 

CMYK 84 / 0 / 40 / 25

HEX #1FBF73

RGB 31 191 115

HSL 151.5, 0.72%, 0.44%

LAB 68.6, -56.31, 27.56

 

CMYK 84 / 0 / 40 / 5

HEX #27F292

RGB 39 242 146

HSL 151.63, 0.89%, 0.55%

LAB 85, -67.73, 33.4

 

CMYK 84 / 61 / 0 / 5

HEX #265FF2

RGB 38 95 242

HSL 223.24, 0.89%, 0.55%

LAB 45.64, 36.17, -78.45

 

CMYK 0 / 75 / 84 / 5

HEX #F23D26

RGB 242 61 38

HSL 6.76, 0.89%, 0.55%

LAB 54.4, 66.93, 54.28

 

CMYK 84 / 0 / 40 / 5

HEX #27F292

RGB 39 242 146

HSL 151.63, 0.89%, 0.55%

LAB 85, -67.73, 33.4

 

CMYK 41 / 84 / 0 / 5

HEX #8F26F2

RGB 143 38 242

HSL 270.88, 0.89%, 0.55%

LAB 43.71, 75.52, -81.33

 

CMYK 0 / 41 / 84 / 5

HEX #F28F26

RGB 242 143 38

HSL 30.88, 0.89%, 0.55%

LAB 68.51, 30.55, 66.23

 

CMYK 84 / 0 / 40 / 5

HEX #27F292

RGB 39 242 146

HSL 151.63, 0.89%, 0.55%

LAB 85, -67.73, 33.4

 

CMYK 84 / 61 / 0 / 5

HEX #265FF2

RGB 38 95 242

HSL 223.24, 0.89%, 0.55%

LAB 45.64, 36.17, -78.45

 

CMYK 0 / 84 / 44 / 5

HEX #F22688

RGB 242 38 136

HSL 331.18, 0.89%, 0.55%

LAB 54.07, 78.07, -2.22

 

CMYK 0 / 24 / 84 / 5

HEX #F2B826

RGB 242 184 38

HSL 42.94, 0.89%, 0.55%

LAB 78.05, 9, 74.17

 

CMYK 84 / 0 / 40 / 5

HEX #27F292

RGB 39 242 146

HSL 151.63, 0.89%, 0.55%

LAB 85, -67.73, 33.4

 

CMYK 83 / 84 / 0 / 5

HEX #2926F2

RGB 41 38 242

HSL 240.88, 0.89%, 0.55%

LAB 34.54, 67.35, -96.79

 

CMYK 0 / 84 / 44 / 5

HEX #F22688

RGB 242 38 136

HSL 331.18, 0.89%, 0.55%

LAB 54.07, 78.07, -2.22

 

CMYK 2 / 0 / 84 / 5

HEX #EEF226

RGB 238 242 38

HSL 61.18, 0.89%, 0.55%

LAB 92.5, -21.87, 85.93

 

Description

Color code: RGB 39 242 146 | qconv.com Color code: RGB 39 242 146 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 242 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 242 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 40 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 40% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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