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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 200 213 it is the complementary color RGB 216 55 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 200 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 39 200 213: RGB 44 200 208, RGB 61 218 227, RGB 78 236 246, RGB 95 254 255 and RGB 112 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 200 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 39 200 213: RGB 39 200 213, RGB 22 182 194, RGB 5 164 175, RGB 0 146 156 and RGB 0 128 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 6 / 0 / 16

HEX #27C8D5

RGB 39 200 213

HSL 184.48, 0.69%, 0.49%

LAB 73.9, -34.3, -17.76

 

Complementary color

CMYK 0 / 75 / 81 / 15

HEX #D8372A

RGB 216 55 42

HSL 4.48, 0.69%, 0.51%

LAB 48.88, 61.16, 45.48

 

CMYK 79 / 4 / 0 / 18

HEX #2CC8D0

RGB 44 200 208

HSL 182.93, 0.65%, 0.49%

LAB 73.8, -35.38, -15.18

 

CMYK 73 / 4 / 0 / 11

HEX #3DDAE3

RGB 61 218 227

HSL 183.25, 0.75%, 0.56%

LAB 80, -36.43, -16.04

 

CMYK 68 / 4 / 0 / 4

HEX #4EECF6

RGB 78 236 246

HSL 183.57, 0.9%, 0.64%

LAB 86.14, -37.24, -16.83

 

CMYK 63 / 0 / 0 / 0

HEX #5FFEFF

RGB 95 254 255

HSL 180.38, 1%, 0.69%

LAB 91.93, -40.58, -12.82

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 82 / 6 / 0 / 16

HEX #27C8D5

RGB 39 200 213

HSL 184.48, 0.69%, 0.49%

LAB 73.9, -34.3, -17.76

 

CMYK 89 / 6 / 0 / 24

HEX #16B6C2

RGB 22 182 194

HSL 184.19, 0.8%, 0.42%

LAB 67.67, -32.78, -16.81

 

CMYK 97 / 6 / 0 / 31

HEX #05A4AF

RGB 5 164 175

HSL 183.88, 0.94%, 0.35%

LAB 61.38, -30.88, -15.76

 

CMYK 100 / 6 / 0 / 39

HEX #00929C

RGB 0 146 156

HSL 183.85, 1%, 0.31%

LAB 55.03, -28.48, -14.57

NCS® S2555-B30G

CMYK 100 / 7 / 0 / 46

HEX #008089

RGB 0 128 137

HSL 183.94, 1%, 0.27%

LAB 48.57, -25.85, -13.31

 

CMYK 82 / 6 / 0 / 16

HEX #27C8D5

RGB 39 200 213

HSL 184.48, 0.69%, 0.49%

LAB 73.9, -34.3, -17.76

 

CMYK 82 / 19 / 0 / 17

HEX #26AAD3

RGB 38 170 211

HSL 194.22, 0.69%, 0.49%

LAB 64.86, -20.11, -30.49

 

CMYK 82 / 33 / 0 / 17

HEX #268ED3

RGB 38 142 211

HSL 203.93, 0.69%, 0.49%

LAB 56.55, -4.64, -43.48

 

CMYK 82 / 46 / 0 / 17

HEX #2671D3

RGB 38 113 211

HSL 213.99, 0.69%, 0.49%

LAB 48.17, 12.99, -56.83

 

CMYK 82 / 60 / 0 / 17

HEX #2654D3

RGB 38 84 211

HSL 224.05, 0.69%, 0.49%

LAB 40.34, 31.67, -69.53

 

CMYK 82 / 6 / 0 / 16

HEX #27C8D5

RGB 39 200 213

HSL 184.48, 0.69%, 0.49%

LAB 73.9, -34.3, -17.76

 

CMYK 78 / 11 / 0 / 96

HEX #020809

RGB 2 8 9

HSL 188.57, 0.64%, 0.02%

LAB 1.86, -1.43, -0.93

 

CMYK 82 / 7 / 0 / 76

HEX #0B383C

RGB 11 56 60

HSL 184.9, 0.69%, 0.14%

LAB 20.93, -13.14, -6.85

 

CMYK 82 / 6 / 0 / 56

HEX #14686F

RGB 20 104 111

HSL 184.62, 0.69%, 0.26%

LAB 39.91, -20.89, -10.82

 

CMYK 81 / 6 / 0 / 36

HEX #1E98A2

RGB 30 152 162

HSL 184.55, 0.69%, 0.38%

LAB 57.41, -27.77, -14.38

 

CMYK 82 / 6 / 0 / 16

HEX #27C8D5

RGB 39 200 213

HSL 184.48, 0.69%, 0.49%

LAB 73.9, -34.3, -17.76

 

CMYK 60 / 82 / 0 / 17

HEX #5426D3

RGB 84 38 211

HSL 255.95, 0.69%, 0.49%

LAB 33.93, 61.48, -79.97

 

CMYK 0 / 27 / 82 / 17

HEX #D39926

RGB 211 153 38

HSL 39.88, 0.69%, 0.49%

LAB 67.11, 12.08, 63.56

 

CMYK 82 / 6 / 0 / 16

HEX #27C8D5

RGB 39 200 213

HSL 184.48, 0.69%, 0.49%

LAB 73.9, -34.3, -17.76

 

CMYK 0 / 82 / 6 / 17

HEX #D326C7

RGB 211 38 199

HSL 304.16, 0.69%, 0.49%

LAB 51.1, 78.67, -44.33

 

CMYK 6 / 0 / 82 / 17

HEX #C7D326

RGB 199 211 38

HSL 64.16, 0.69%, 0.49%

LAB 81.22, -23.11, 75.3

 

CMYK 82 / 6 / 0 / 16

HEX #27C8D5

RGB 39 200 213

HSL 184.48, 0.69%, 0.49%

LAB 73.9, -34.3, -17.76

 

CMYK 60 / 82 / 0 / 17

HEX #5426D3

RGB 84 38 211

HSL 255.95, 0.69%, 0.49%

LAB 33.93, 61.48, -79.97

 

CMYK 0 / 76 / 82 / 17

HEX #D33226

RGB 211 50 38

HSL 4.16, 0.69%, 0.49%

LAB 47.33, 61.13, 45.72

 

CMYK 22 / 0 / 82 / 17

HEX #A5D326

RGB 165 211 38

HSL 75.95, 0.69%, 0.49%

LAB 78.88, -36.93, 72.37

 

CMYK 82 / 6 / 0 / 16

HEX #27C8D5

RGB 39 200 213

HSL 184.48, 0.69%, 0.49%

LAB 73.9, -34.3, -17.76

 

CMYK 36 / 82 / 0 / 17

HEX #8826D3

RGB 136 38 211

HSL 273.99, 0.69%, 0.49%

LAB 40.12, 67.88, -69.56

 

CMYK 0 / 76 / 82 / 17

HEX #D33226

RGB 211 50 38

HSL 4.16, 0.69%, 0.49%

LAB 47.33, 61.13, 45.72

 

CMYK 46 / 0 / 82 / 17

HEX #71D326

RGB 113 211 38

HSL 93.99, 0.69%, 0.49%

LAB 76.22, -55.34, 68.98

 

Description

Color code: RGB 39 200 213 | qconv.com Color code: RGB 39 200 213 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 200 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 200 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 6 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 6% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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CMYK to PANTONE®

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HEX to RAL®

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HEX to HKS®

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to RGB

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to CMYK

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to RGBA

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NCS® to CMYK

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NCS® to HKS®

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