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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 159 59 it is the complementary color RGB 216 96 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 159 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 39 159 59: RGB 44 159 54, RGB 61 177 73, RGB 78 195 92, RGB 95 213 111 and RGB 112 231 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 159 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 39 159 59: RGB 39 159 59, RGB 22 141 40, RGB 5 123 21, RGB 0 105 2 and RGB 0 87 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 63 / 38

HEX #279F3B

RGB 39 159 59

HSL 130, 0.61%, 0.39%

LAB 57.6, -53.04, 42

 

Complementary color

CMYK 0 / 56 / 9 / 15

HEX #D860C4

RGB 216 96 196

HSL 310, 0.61%, 0.61%

LAB 58.93, 59.27, -30.28

 

CMYK 72 / 0 / 66 / 38

HEX #2C9F36

RGB 44 159 54

HSL 125.22, 0.57%, 0.4%

LAB 57.65, -52.77, 44.33

 

CMYK 66 / 0 / 59 / 31

HEX #3DB149

RGB 61 177 73

HSL 126.21, 0.49%, 0.47%

LAB 64.09, -53.65, 43.11

 

CMYK 60 / 0 / 53 / 24

HEX #4EC35C

RGB 78 195 92

HSL 127.18, 0.49%, 0.54%

LAB 70.47, -54.13, 41.77

 

CMYK 55 / 0 / 48 / 16

HEX #5FD56F

RGB 95 213 111

HSL 128.14, 0.58%, 0.6%

LAB 76.78, -54.33, 40.41

 

CMYK 52 / 0 / 44 / 9

HEX #70E782

RGB 112 231 130

HSL 129.08, 0.71%, 0.67%

LAB 83.02, -54.37, 39.08

 

CMYK 75 / 0 / 63 / 38

HEX #279F3B

RGB 39 159 59

HSL 130, 0.61%, 0.39%

LAB 57.6, -53.04, 42

 

CMYK 84 / 0 / 72 / 45

HEX #168D28

RGB 22 141 40

HSL 129.08, 0.73%, 0.32%

LAB 51.12, -51.41, 43.13

 

CMYK 96 / 0 / 83 / 52

HEX #057B15

RGB 5 123 21

HSL 128.14, 0.92%, 0.25%

LAB 44.59, -48.83, 43.55

 

CMYK 100 / 0 / 98 / 59

HEX #006902

RGB 0 105 2

HSL 121.14, 1%, 0.21%

LAB 38.03, -44.78, 42.77

 

CMYK 100 / 0 / 100 / 66

HEX #005700

RGB 0 87 0

HSL 120, 1%, 0.17%

LAB 31.39, -39.37, 38

 

CMYK 75 / 0 / 63 / 38

HEX #279F3B

RGB 39 159 59

HSL 130, 0.61%, 0.39%

LAB 57.6, -53.04, 42

 

CMYK 76 / 0 / 51 / 37

HEX #26A04F

RGB 38 160 79

HSL 140.16, 0.62%, 0.39%

LAB 58.15, -50.73, 32.87

 

CMYK 76 / 0 / 38 / 37

HEX #26A063

RGB 38 160 99

HSL 150, 0.62%, 0.39%

LAB 58.47, -47.09, 22.66

 

CMYK 76 / 0 / 26 / 37

HEX #26A077

RGB 38 160 119

HSL 159.84, 0.62%, 0.39%

LAB 58.87, -42.66, 12.15

 

CMYK 76 / 0 / 13 / 37

HEX #26A08B

RGB 38 160 139

HSL 169.67, 0.62%, 0.39%

LAB 59.36, -37.53, 1.59

 

CMYK 75 / 0 / 63 / 38

HEX #279F3B

RGB 39 159 59

HSL 130, 0.61%, 0.39%

LAB 57.6, -53.04, 42

 

CMYK 75 / 0 / 63 / 18

HEX #34D24E

RGB 52 210 78

HSL 129.87, 0.64%, 0.51%

LAB 74.43, -65.88, 52.64

 

CMYK 83 / 0 / 67 / 98

HEX #010602

RGB 1 6 2

HSL 132, 0.71%, 0.01%

LAB 1.27, -1.86, 1.05

 

CMYK 75 / 0 / 63 / 78

HEX #0E3915

RGB 14 57 21

HSL 129.77, 0.61%, 0.14%

LAB 20.34, -23.86, 18.03

 

CMYK 76 / 0 / 63 / 58

HEX #1A6C28

RGB 26 108 40

HSL 130.24, 0.61%, 0.26%

LAB 39.74, -39.31, 30.61

 

CMYK 75 / 0 / 63 / 38

HEX #279F3B

RGB 39 159 59

HSL 130, 0.61%, 0.39%

LAB 57.6, -53.04, 42

 

CMYK 76 / 28 / 0 / 37

HEX #2673A0

RGB 38 115 160

HSL 202.13, 0.62%, 0.39%

LAB 45.92, -7.49, -30.88

 

CMYK 0 / 76 / 58 / 37

HEX #A02643

RGB 160 38 67

HSL 345.74, 0.62%, 0.39%

LAB 36.49, 50.99, 13.37

 

CMYK 75 / 0 / 63 / 38

HEX #279F3B

RGB 39 159 59

HSL 130, 0.61%, 0.39%

LAB 57.6, -53.04, 42

 

CMYK 63 / 76 / 0 / 37

HEX #3B26A0

RGB 59 38 160

HSL 250.33, 0.62%, 0.39%

LAB 26.31, 44.16, -62.37

 

CMYK 0 / 63 / 76 / 37

HEX #A03B26

RGB 160 59 38

HSL 10.33, 0.62%, 0.39%

LAB 39.14, 40.74, 34.38

 

CMYK 75 / 0 / 63 / 38

HEX #279F3B

RGB 39 159 59

HSL 130, 0.61%, 0.39%

LAB 57.6, -53.04, 42

 

CMYK 76 / 28 / 0 / 37

HEX #2673A0

RGB 38 115 160

HSL 202.13, 0.62%, 0.39%

LAB 45.92, -7.49, -30.88

 

CMYK 0 / 76 / 13 / 37

HEX #A0268B

RGB 160 38 139

HSL 310.33, 0.62%, 0.39%

LAB 39.11, 59.1, -28.18

 

CMYK 0 / 48 / 76 / 37

HEX #A05326

RGB 160 83 38

HSL 22.13, 0.62%, 0.39%

LAB 43.94, 28.43, 39.45

 

CMYK 75 / 0 / 63 / 38

HEX #279F3B

RGB 39 159 59

HSL 130, 0.61%, 0.39%

LAB 57.6, -53.04, 42

 

CMYK 76 / 51 / 0 / 37

HEX #264FA0

RGB 38 79 160

HSL 219.84, 0.62%, 0.39%

LAB 35.09, 15.37, -48.11

 

CMYK 0 / 76 / 13 / 37

HEX #A0268B

RGB 160 38 139

HSL 310.33, 0.62%, 0.39%

LAB 39.11, 59.1, -28.18

 

CMYK 0 / 26 / 76 / 37

HEX #A07726

RGB 160 119 38

HSL 39.84, 0.62%, 0.39%

LAB 52.74, 8.1, 48.26

 

Description

Color code: RGB 39 159 59 | qconv.com Color code: RGB 39 159 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 159 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 159 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 63 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 63% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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