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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 125 97 it is the complementary color RGB 216 130 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 125 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 39 125 97: RGB 44 125 92, RGB 61 143 111, RGB 78 161 130, RGB 95 179 149 and RGB 112 197 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 125 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 39 125 97: RGB 39 125 97, RGB 22 107 78, RGB 5 89 59, RGB 0 71 40 and RGB 0 53 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 22 / 51

HEX #277D61

RGB 39 125 97

HSL 160.47, 0.52%, 0.32%

LAB 46.92, -32.63, 7.92

 

Complementary color

CMYK 0 / 40 / 27 / 15

HEX #D8829E

RGB 216 130 158

HSL 340.47, 0.52%, 0.68%

LAB 64.19, 36.63, -0.66

 

CMYK 65 / 0 / 26 / 51

HEX #2C7D5C

RGB 44 125 92

HSL 155.56, 0.48%, 0.33%

LAB 46.94, -32.89, 10.89

 

CMYK 57 / 0 / 22 / 44

HEX #3D8F6F

RGB 61 143 111

HSL 156.59, 0.4%, 0.4%

LAB 53.8, -32.98, 9.62

 

CMYK 52 / 0 / 19 / 37

HEX #4EA182

RGB 78 161 130

HSL 157.59, 0.35%, 0.47%

LAB 60.53, -32.91, 8.5

 

CMYK 47 / 0 / 17 / 30

HEX #5FB395

RGB 95 179 149

HSL 158.57, 0.36%, 0.54%

LAB 67.16, -32.77, 7.48

 

CMYK 43 / 0 / 15 / 23

HEX #70C5A8

RGB 112 197 168

HSL 159.53, 0.42%, 0.61%

LAB 73.68, -32.6, 6.54

 

CMYK 69 / 0 / 22 / 51

HEX #277D61

RGB 39 125 97

HSL 160.47, 0.52%, 0.32%

LAB 46.92, -32.63, 7.92

 

CMYK 79 / 0 / 27 / 58

HEX #166B4E

RGB 22 107 78

HSL 159.53, 0.66%, 0.25%

LAB 39.98, -32.05, 9.36

 

CMYK 94 / 0 / 34 / 65

HEX #05593B

RGB 5 89 59

HSL 158.57, 0.89%, 0.18%

LAB 32.9, -30.93, 11.06

 

CMYK 100 / 0 / 44 / 72

HEX #004728

RGB 0 71 40

HSL 153.8, 1%, 0.14%

LAB 25.74, -28.57, 13.16

 

CMYK 100 / 0 / 60 / 79

HEX #003515

RGB 0 53 21

HSL 143.77, 1%, 0.1%

LAB 18.37, -25.32, 15.54

 

CMYK 69 / 0 / 22 / 51

HEX #277D61

RGB 39 125 97

HSL 160.47, 0.52%, 0.32%

LAB 46.92, -32.63, 7.92

 

CMYK 69 / 0 / 12 / 51

HEX #277C6D

RGB 39 124 109

HSL 169.41, 0.52%, 0.32%

LAB 46.91, -28.95, 0.82

 

CMYK 69 / 0 / 0 / 51

HEX #277C7C

RGB 39 124 124

HSL 180, 0.52%, 0.32%

LAB 47.37, -24.54, -7.39

 

CMYK 69 / 12 / 0 / 51

HEX #276D7C

RGB 39 109 124

HSL 190.59, 0.52%, 0.32%

LAB 42.5, -16.54, -14.73

 

CMYK 69 / 23 / 0 / 51

HEX #275F7C

RGB 39 95 124

HSL 200.47, 0.52%, 0.32%

LAB 37.97, -8.45, -21.69

 

CMYK 69 / 0 / 22 / 51

HEX #277D61

RGB 39 125 97

HSL 160.47, 0.52%, 0.32%

LAB 46.92, -32.63, 7.92

 

CMYK 69 / 0 / 22 / 31

HEX #37B089

RGB 55 176 137

HSL 160.66, 0.52%, 0.45%

LAB 64.7, -42.64, 10.42

 

CMYK 69 / 0 / 22 / 11

HEX #47E3B0

RGB 71 227 176

HSL 160.38, 0.74%, 0.58%

LAB 81.52, -52.3, 13.28

 

CMYK 70 / 0 / 22 / 91

HEX #071712

RGB 7 23 18

HSL 161.25, 0.53%, 0.06%

LAB 6.34, -6.71, 1.18

 

CMYK 69 / 0 / 23 / 71

HEX #174A39

RGB 23 74 57

HSL 160, 0.53%, 0.19%

LAB 27.78, -21.71, 5.21

 

CMYK 69 / 0 / 22 / 51

HEX #277D61

RGB 39 125 97

HSL 160.47, 0.52%, 0.32%

LAB 46.92, -32.63, 7.92

 

CMYK 69 / 60 / 0 / 51

HEX #27327C

RGB 39 50 124

HSL 232.24, 0.52%, 0.32%

LAB 24.22, 21.38, -43.54

 

CMYK 0 / 51 / 69 / 51

HEX #7C3D27

RGB 124 61 39

HSL 15.53, 0.52%, 0.32%

LAB 33.5, 25.39, 25.79

 

CMYK 69 / 0 / 22 / 51

HEX #277D61

RGB 39 125 97

HSL 160.47, 0.52%, 0.32%

LAB 46.92, -32.63, 7.92

 

CMYK 23 / 69 / 0 / 51

HEX #5F277C

RGB 95 39 124

HSL 279.53, 0.52%, 0.32%

LAB 27.68, 40.32, -37.66

 

CMYK 0 / 23 / 69 / 51

HEX #7C5F27

RGB 124 95 39

HSL 39.53, 0.52%, 0.32%

LAB 42.18, 5.32, 35.64

 

CMYK 69 / 0 / 22 / 51

HEX #277D61

RGB 39 125 97

HSL 160.47, 0.52%, 0.32%

LAB 46.92, -32.63, 7.92

 

CMYK 69 / 60 / 0 / 51

HEX #27327C

RGB 39 50 124

HSL 232.24, 0.52%, 0.32%

LAB 24.22, 21.38, -43.54

 

CMYK 0 / 69 / 46 / 51

HEX #7C2743

RGB 124 39 67

HSL 340.24, 0.52%, 0.32%

LAB 29.77, 39.17, 2.94

 

CMYK 0 / 10 / 69 / 51

HEX #7C7027

RGB 124 112 39

HSL 51.53, 0.52%, 0.32%

LAB 47, -4.56, 40.78

 

CMYK 69 / 0 / 22 / 51

HEX #277D61

RGB 39 125 97

HSL 160.47, 0.52%, 0.32%

LAB 46.92, -32.63, 7.92

 

CMYK 57 / 69 / 0 / 51

HEX #35277C

RGB 53 39 124

HSL 249.88, 0.52%, 0.32%

LAB 22.53, 31.15, -46.25

 

CMYK 0 / 69 / 46 / 51

HEX #7C2743

RGB 124 39 67

HSL 340.24, 0.52%, 0.32%

LAB 29.77, 39.17, 2.94

 

CMYK 12 / 0 / 69 / 51

HEX #6D7C27

RGB 109 124 39

HSL 70.59, 0.52%, 0.32%

LAB 49.27, -18.02, 42.74

 

Description

Color code: RGB 39 125 97 | qconv.com Color code: RGB 39 125 97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 125 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 125 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 22 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 22% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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