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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 55 31 it is the complementary color RGB 217 200 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 55 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 38 55 31: RGB 43 55 26, RGB 60 73 45, RGB 77 91 64, RGB 94 109 83 and RGB 111 127 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 55 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 38 55 31: RGB 38 55 31, RGB 21 37 12, RGB 4 19 0, RGB 0 1 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 44 / 78

HEX #26371F

RGB 38 55 31

HSL 102.5, 0.28%, 0.17%

LAB 20.99, -12.51, 12.88

 

Complementary color

CMYK 3 / 11 / 0 / 12

HEX #D9C8E0

RGB 217 200 224

HSL 282.5, 0.28%, 0.83%

LAB 82.62, 10.25, -9.74

 

CMYK 22 / 0 / 53 / 78

HEX #2B371A

RGB 43 55 26

HSL 84.83, 0.36%, 0.16%

LAB 21.28, -11.05, 16.51

 

CMYK 18 / 0 / 38 / 71

HEX #3C492D

RGB 60 73 45

HSL 87.86, 0.24%, 0.23%

LAB 29.2, -11.04, 15.1

 

CMYK 15 / 0 / 30 / 64

HEX #4D5B40

RGB 77 91 64

HSL 91.11, 0.17%, 0.3%

LAB 36.8, -10.98, 13.83

 

CMYK 14 / 0 / 24 / 57

HEX #5E6D53

RGB 94 109 83

HSL 94.62, 0.14%, 0.38%

LAB 44.15, -10.92, 12.69

 

CMYK 13 / 0 / 20 / 50

HEX #6F7F66

RGB 111 127 102

HSL 98.4, 0.11%, 0.45%

LAB 51.29, -10.86, 11.66

 

CMYK 31 / 0 / 44 / 78

HEX #26371F

RGB 38 55 31

HSL 102.5, 0.28%, 0.17%

LAB 20.99, -12.51, 12.88

 

CMYK 43 / 0 / 68 / 85

HEX #15250C

RGB 21 37 12

HSL 98.4, 0.51%, 0.1%

LAB 12.67, -12.66, 13.48

 

CMYK 79 / 0 / 100 / 93

HEX #041300

RGB 4 19 0

HSL 107.37, 1%, 0.04%

LAB 4.44, -7.55, 6.51

 

CMYK 100 / 0 / 100 / 100

HEX #000100

RGB 0 1 0

HSL 120, 1%, 0%

LAB 0.2, -0.4, 0.29

 

CMYK 31 / 0 / 44 / 78

HEX #26371F

RGB 38 55 31

HSL 102.5, 0.28%, 0.17%

LAB 20.99, -12.51, 12.88

 

CMYK 38 / 0 / 44 / 78

HEX #22371F

RGB 34 55 31

HSL 112.5, 0.28%, 0.17%

LAB 20.72, -14.21, 12.46

 

CMYK 44 / 0 / 42 / 78

HEX #1F3720

RGB 31 55 32

HSL 122.5, 0.28%, 0.17%

LAB 20.55, -15.22, 11.56

 

CMYK 44 / 0 / 35 / 78

HEX #1F3724

RGB 31 55 36

HSL 132.5, 0.28%, 0.17%

LAB 20.64, -14.37, 9.04

 

CMYK 44 / 0 / 27 / 78

HEX #1F3728

RGB 31 55 40

HSL 142.5, 0.28%, 0.17%

LAB 20.74, -13.44, 6.51

 

CMYK 31 / 0 / 44 / 78

HEX #26371F

RGB 38 55 31

HSL 102.5, 0.28%, 0.17%

LAB 20.99, -12.51, 12.88

 

CMYK 31 / 0 / 43 / 58

HEX #496A3C

RGB 73 106 60

HSL 103.04, 0.28%, 0.33%

LAB 41.3, -21.48, 22.09

 

CMYK 31 / 0 / 44 / 38

HEX #6C9D58

RGB 108 157 88

HSL 102.61, 0.28%, 0.48%

LAB 59.89, -29.72, 30.92

 

CMYK 31 / 0 / 44 / 18

HEX #90D075

RGB 144 208 117

HSL 102.2, 0.49%, 0.64%

LAB 77.48, -36.95, 38.75

 

CMYK 25 / 0 / 50 / 98

HEX #030402

RGB 3 4 2

HSL 90, 0.33%, 0.01%

LAB 1, -0.54, 0.66

 

CMYK 31 / 0 / 44 / 78

HEX #26371F

RGB 38 55 31

HSL 102.5, 0.28%, 0.17%

LAB 20.99, -12.51, 12.88

 

CMYK 44 / 0 / 4 / 78

HEX #1F3735

RGB 31 55 53

HSL 175, 0.28%, 0.17%

LAB 21.13, -9.92, -1.71

 

CMYK 0 / 44 / 13 / 78

HEX #371F30

RGB 55 31 48

HSL 317.5, 0.28%, 0.17%

LAB 15.52, 14.79, -6.38

 

CMYK 31 / 0 / 44 / 78

HEX #26371F

RGB 38 55 31

HSL 102.5, 0.28%, 0.17%

LAB 20.99, -12.51, 12.88

 

CMYK 44 / 31 / 0 / 78

HEX #1F2637

RGB 31 38 55

HSL 222.5, 0.28%, 0.17%

LAB 15.24, 2.17, -12

 

CMYK 0 / 44 / 31 / 78

HEX #371F26

RGB 55 31 38

HSL 342.5, 0.28%, 0.17%

LAB 15.13, 12.83, 0.21

 

CMYK 31 / 0 / 44 / 78

HEX #26371F

RGB 38 55 31

HSL 102.5, 0.28%, 0.17%

LAB 20.99, -12.51, 12.88

 

CMYK 44 / 0 / 4 / 78

HEX #1F3735

RGB 31 55 53

HSL 175, 0.28%, 0.17%

LAB 21.13, -9.92, -1.71

 

CMYK 13 / 44 / 0 / 78

HEX #301F37

RGB 48 31 55

HSL 282.5, 0.28%, 0.17%

LAB 14.87, 13.61, -12.43

 

CMYK 0 / 44 / 40 / 78

HEX #371F21

RGB 55 31 33

HSL 355, 0.28%, 0.17%

LAB 14.96, 11.99, 3.57

 

CMYK 31 / 0 / 44 / 78

HEX #26371F

RGB 38 55 31

HSL 102.5, 0.28%, 0.17%

LAB 20.99, -12.51, 12.88

 

CMYK 44 / 9 / 0 / 78

HEX #1F3237

RGB 31 50 55

HSL 192.5, 0.28%, 0.17%

LAB 19.43, -6.11, -5.62

 

CMYK 13 / 44 / 0 / 78

HEX #301F37

RGB 48 31 55

HSL 282.5, 0.28%, 0.17%

LAB 14.87, 13.61, -12.43

 

CMYK 0 / 35 / 44 / 78

HEX #37241F

RGB 55 36 31

HSL 12.5, 0.28%, 0.17%

LAB 16.37, 8.25, 6.96

 

Description

Color code: RGB 38 55 31 | qconv.com Color code: RGB 38 55 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 55 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 55 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 44 yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 44% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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