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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 37 91 157 it is the complementary color RGB 218 164 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 37 91 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 37 91 157: RGB 42 91 152, RGB 59 109 171, RGB 76 127 190, RGB 93 145 209 and RGB 110 163 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 37 91 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 37 91 157: RGB 37 91 157, RGB 20 73 138, RGB 3 55 119, RGB 0 37 100 and RGB 0 19 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 42 / 0 / 38

HEX #255B9D

RGB 37 91 157

HSL 213, 0.62%, 0.38%

LAB 38.39, 6.14, -41.01

 

Complementary color

CMYK 0 / 25 / 55 / 15

HEX #DAA462

RGB 218 164 98

HSL 33, 0.62%, 0.62%

LAB 71.1, 12.49, 41.67

 

CMYK 72 / 40 / 0 / 40

HEX #2A5B98

RGB 42 91 152

HSL 213.27, 0.57%, 0.38%

LAB 38.27, 4.94, -38.19

 

CMYK 65 / 36 / 0 / 33

HEX #3B6DAB

RGB 59 109 171

HSL 213.21, 0.49%, 0.45%

LAB 45.37, 3.4, -38.16

 

CMYK 60 / 33 / 0 / 25

HEX #4C7FBE

RGB 76 127 190

HSL 213.16, 0.47%, 0.52%

LAB 52.32, 2.22, -38.14

 

CMYK 56 / 31 / 0 / 18

HEX #5D91D1

RGB 93 145 209

HSL 213.1, 0.56%, 0.59%

LAB 59.14, 1.3, -38.14

 

CMYK 52 / 29 / 0 / 11

HEX #6EA3E4

RGB 110 163 228

HSL 213.05, 0.69%, 0.66%

LAB 65.83, 0.56, -38.17

 

CMYK 76 / 42 / 0 / 38

HEX #255B9D

RGB 37 91 157

HSL 213, 0.62%, 0.38%

LAB 38.39, 6.14, -41.01

 

CMYK 86 / 47 / 0 / 46

HEX #14498A

RGB 20 73 138

HSL 213.05, 0.75%, 0.31%

LAB 31.23, 8.56, -40.98

 

CMYK 97 / 54 / 0 / 53

HEX #033777

RGB 3 55 119

HSL 213.1, 0.95%, 0.24%

LAB 23.95, 11.78, -40.88

 

CMYK 100 / 63 / 0 / 61

HEX #002564

RGB 0 37 100

HSL 217.8, 1%, 0.2%

LAB 16.72, 16.33, -40.36

 

CMYK 100 / 77 / 0 / 68

HEX #001351

RGB 0 19 81

HSL 225.93, 1%, 0.16%

LAB 9.48, 21.39, -39.48

 

CMYK 76 / 42 / 0 / 38

HEX #255B9D

RGB 37 91 157

HSL 213, 0.62%, 0.38%

LAB 38.39, 6.14, -41.01

 

CMYK 77 / 55 / 0 / 39

HEX #24469C

RGB 36 70 156

HSL 223, 0.63%, 0.38%

LAB 32.16, 19.63, -50.44

 

CMYK 77 / 68 / 0 / 39

HEX #24329C

RGB 36 50 156

HSL 233, 0.63%, 0.38%

LAB 26.9, 33.03, -59.03

 

CMYK 73 / 77 / 0 / 39

HEX #2A249C

RGB 42 36 156

HSL 243, 0.63%, 0.38%

LAB 24.18, 42.11, -63.5

 

CMYK 60 / 77 / 0 / 39

HEX #3E249C

RGB 62 36 156

HSL 253, 0.63%, 0.38%

LAB 25.82, 44.36, -60.73

 

CMYK 76 / 42 / 0 / 38

HEX #255B9D

RGB 37 91 157

HSL 213, 0.62%, 0.38%

LAB 38.39, 6.14, -41.01

 

CMYK 76 / 42 / 0 / 18

HEX #3179D0

RGB 49 121 208

HSL 212.83, 0.63%, 0.5%

LAB 50.55, 7.99, -51.29

 

CMYK 75 / 50 / 0 / 98

HEX #010204

RGB 1 2 4

HSL 220, 0.6%, 0.01%

LAB 0.53, 0.02, -0.85

 

CMYK 76 / 42 / 0 / 78

HEX #0D2037

RGB 13 32 55

HSL 212.86, 0.62%, 0.13%

LAB 11.92, 1.4, -17.28

 

CMYK 76 / 42 / 0 / 58

HEX #193D6A

RGB 25 61 106

HSL 213.33, 0.62%, 0.26%

LAB 25.52, 4.19, -30.02

 

CMYK 76 / 42 / 0 / 38

HEX #255B9D

RGB 37 91 157

HSL 213, 0.62%, 0.38%

LAB 38.39, 6.14, -41.01

 

CMYK 19 / 77 / 0 / 39

HEX #7E249C

RGB 126 36 156

HSL 285, 0.63%, 0.38%

LAB 34.19, 55.29, -46.74

 

CMYK 12 / 0 / 77 / 39

HEX #8A9C24

RGB 138 156 36

HSL 69, 0.63%, 0.38%

LAB 61.05, -21.96, 56.19

 

CMYK 76 / 42 / 0 / 38

HEX #255B9D

RGB 37 91 157

HSL 213, 0.62%, 0.38%

LAB 38.39, 6.14, -41.01

 

CMYK 0 / 77 / 42 / 39

HEX #9C245A

RGB 156 36 90

HSL 333, 0.63%, 0.38%

LAB 36.11, 52.51, -2.07

 

CMYK 42 / 0 / 77 / 39

HEX #5A9C24

RGB 90 156 36

HSL 93, 0.63%, 0.38%

LAB 58.11, -40.95, 52.37

 

CMYK 76 / 42 / 0 / 38

HEX #255B9D

RGB 37 91 157

HSL 213, 0.62%, 0.38%

LAB 38.39, 6.14, -41.01

 

CMYK 19 / 77 / 0 / 39

HEX #7E249C

RGB 126 36 156

HSL 285, 0.63%, 0.38%

LAB 34.19, 55.29, -46.74

 

CMYK 0 / 35 / 77 / 39

HEX #9C6624

RGB 156 102 36

HSL 33, 0.63%, 0.38%

LAB 47.88, 15.89, 44.19

 

CMYK 58 / 0 / 77 / 39

HEX #429C24

RGB 66 156 36

HSL 105, 0.63%, 0.38%

LAB 57.14, -48.36, 51.08

 

CMYK 76 / 42 / 0 / 38

HEX #255B9D

RGB 37 91 157

HSL 213, 0.62%, 0.38%

LAB 38.39, 6.14, -41.01

 

CMYK 0 / 77 / 4 / 39

HEX #9C2496

RGB 156 36 150

HSL 303, 0.63%, 0.38%

LAB 38.78, 60.51, -35.46

 

CMYK 0 / 35 / 77 / 39

HEX #9C6624

RGB 156 102 36

HSL 33, 0.63%, 0.38%

LAB 47.88, 15.89, 44.19

 

CMYK 77 / 0 / 73 / 39

HEX #249C2A

RGB 36 156 42

HSL 123, 0.63%, 0.38%

LAB 56.41, -54.26, 47.9

 

Description

Color code: RGB 37 91 157 | qconv.com Color code: RGB 37 91 157 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 91 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 91 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 42 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 42% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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