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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 36 243 143 it is the complementary color RGB 219 12 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 36 243 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 36 243 143: RGB 41 243 138, RGB 58 255 157, RGB 75 255 176, RGB 92 255 195 and RGB 109 255 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 36 243 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 36 243 143: RGB 36 243 143, RGB 19 225 124, RGB 2 207 105, RGB 0 189 86 and RGB 0 171 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 41 / 5

HEX #24F38F

RGB 36 243 143

HSL 151.01, 0.9%, 0.55%

LAB 85.23, -68.85, 35.19

 

Complementary color

CMYK 0 / 95 / 49 / 14

HEX #DB0C70

RGB 219 12 112

HSL 331.01, 0.9%, 0.45%

LAB 47.61, 74.61, 2.38

 

CMYK 83 / 0 / 43 / 5

HEX #29F38A

RGB 41 243 138

HSL 148.81, 0.89%, 0.56%

LAB 85.2, -69.33, 37.64

 

CMYK 77 / 0 / 38 / 0

HEX #3AFF9D

RGB 58 255 157

HSL 150.15, 1%, 0.61%

LAB 89.32, -68.4, 33.68

 

CMYK 71 / 0 / 31 / 0

HEX #4BFFB0

RGB 75 255 176

HSL 153.67, 1%, 0.65%

LAB 89.93, -62.62, 24.99

 

CMYK 64 / 0 / 24 / 0

HEX #5CFFC3

RGB 92 255 195

HSL 157.91, 1%, 0.68%

LAB 90.66, -56.05, 16.36

 

CMYK 57 / 0 / 16 / 0

HEX #6DFFD6

RGB 109 255 214

HSL 163.15, 1%, 0.71%

LAB 91.52, -48.8, 7.86

 

CMYK 85 / 0 / 41 / 5

HEX #24F38F

RGB 36 243 143

HSL 151.01, 0.9%, 0.55%

LAB 85.23, -68.85, 35.19

 

CMYK 92 / 0 / 45 / 12

HEX #13E17C

RGB 19 225 124

HSL 150.58, 0.84%, 0.48%

LAB 79.3, -67.21, 36.9

 

CMYK 99 / 0 / 49 / 19

HEX #02CF69

RGB 2 207 105

HSL 150.15, 0.98%, 0.41%

LAB 73.32, -65.14, 38.7

 

CMYK 100 / 0 / 54 / 26

HEX #00BD56

RGB 0 189 86

HSL 147.3, 1%, 0.37%

LAB 67.33, -62.38, 40.58

 

CMYK 100 / 0 / 61 / 33

HEX #00AB43

RGB 0 171 67

HSL 143.51, 1%, 0.34%

LAB 61.25, -59.35, 42.38

 

CMYK 85 / 0 / 41 / 5

HEX #24F38F

RGB 36 243 143

HSL 151.01, 0.9%, 0.55%

LAB 85.23, -68.85, 35.19

 

CMYK 85 / 0 / 27 / 5

HEX #24F3B2

RGB 36 243 178

HSL 161.16, 0.9%, 0.55%

LAB 85.85, -61.8, 18.25

 

CMYK 85 / 0 / 13 / 5

HEX #24F3D4

RGB 36 243 212

HSL 171.01, 0.9%, 0.55%

LAB 86.62, -53.6, 1.65

 

CMYK 85 / 1 / 0 / 5

HEX #24F0F3

RGB 36 240 243

HSL 180.87, 0.9%, 0.55%

LAB 86.59, -43.83, -14.65

 

CMYK 85 / 16 / 0 / 5

HEX #24CDF3

RGB 36 205 243

HSL 191.01, 0.9%, 0.55%

LAB 76.38, -27.48, -30.14

 

CMYK 85 / 0 / 41 / 5

HEX #24F38F

RGB 36 243 143

HSL 151.01, 0.9%, 0.55%

LAB 85.23, -68.85, 35.19

 

CMYK 85 / 0 / 41 / 85

HEX #062717

RGB 6 39 23

HSL 150.91, 0.73%, 0.09%

LAB 12.93, -16.81, 7.18

 

CMYK 86 / 0 / 41 / 65

HEX #0D5A35

RGB 13 90 53

HSL 151.17, 0.75%, 0.2%

LAB 33.25, -31.89, 15.21

 

CMYK 85 / 0 / 41 / 45

HEX #158D53

RGB 21 141 83

HSL 151, 0.74%, 0.32%

LAB 51.65, -45.04, 22.34

 

CMYK 85 / 0 / 41 / 25

HEX #1CC071

RGB 28 192 113

HSL 151.1, 0.75%, 0.43%

LAB 68.85, -57.31, 28.93

 

CMYK 85 / 0 / 41 / 5

HEX #24F38F

RGB 36 243 143

HSL 151.01, 0.9%, 0.55%

LAB 85.23, -68.85, 35.19

 

CMYK 85 / 61 / 0 / 5

HEX #245FF3

RGB 36 95 243

HSL 222.9, 0.9%, 0.55%

LAB 45.68, 36.41, -78.96

 

CMYK 0 / 75 / 85 / 5

HEX #F33D24

RGB 243 61 36

HSL 7.25, 0.9%, 0.55%

LAB 54.57, 67.19, 55.4

 

CMYK 85 / 0 / 41 / 5

HEX #24F38F

RGB 36 243 143

HSL 151.01, 0.9%, 0.55%

LAB 85.23, -68.85, 35.19

 

CMYK 41 / 85 / 0 / 5

HEX #8F24F3

RGB 143 36 243

HSL 271.01, 0.9%, 0.55%

LAB 43.61, 76.28, -82.04

 

CMYK 0 / 41 / 85 / 5

HEX #F38F24

RGB 243 143 36

HSL 31.01, 0.9%, 0.55%

LAB 68.63, 30.91, 67.02

 

CMYK 85 / 0 / 41 / 5

HEX #24F38F

RGB 36 243 143

HSL 151.01, 0.9%, 0.55%

LAB 85.23, -68.85, 35.19

 

CMYK 85 / 61 / 0 / 5

HEX #245FF3

RGB 36 95 243

HSL 222.9, 0.9%, 0.55%

LAB 45.68, 36.41, -78.96

 

CMYK 0 / 85 / 44 / 5

HEX #F32488

RGB 243 36 136

HSL 331.01, 0.9%, 0.55%

LAB 54.13, 78.68, -2.12

 

CMYK 0 / 24 / 85 / 5

HEX #F3B924

RGB 243 185 36

HSL 43.19, 0.9%, 0.55%

LAB 78.39, 8.86, 75.02

 

CMYK 85 / 0 / 41 / 5

HEX #24F38F

RGB 36 243 143

HSL 151.01, 0.9%, 0.55%

LAB 85.23, -68.85, 35.19

 

CMYK 84 / 85 / 0 / 5

HEX #2824F3

RGB 40 36 243

HSL 241.16, 0.9%, 0.55%

LAB 34.36, 68.36, -97.64

 

CMYK 0 / 85 / 44 / 5

HEX #F32488

RGB 243 36 136

HSL 331.01, 0.9%, 0.55%

LAB 54.13, 78.68, -2.12

 

CMYK 1 / 0 / 85 / 5

HEX #F0F324

RGB 240 243 36

HSL 60.87, 0.9%, 0.55%

LAB 92.91, -21.57, 86.72

 

Description

Color code: RGB 36 243 143 | qconv.com Color code: RGB 36 243 143 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 243 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 243 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 41 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 41% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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