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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 36 227 11 it is the complementary color RGB 219 28 244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 36 227 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 36 227 11: RGB 41 227 6, RGB 58 245 25, RGB 75 255 44, RGB 92 255 63 and RGB 109 255 82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 36 227 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 36 227 11: RGB 36 227 11, RGB 19 209 0, RGB 2 191 0, RGB 0 173 0 and RGB 0 155 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 95 / 11

HEX #24E30B

RGB 36 227 11

HSL 113.06, 0.91%, 0.47%

LAB 79.24, -76.79, 75.47

 

Complementary color

CMYK 10 / 89 / 0 / 4

HEX #DB1CF4

RGB 219 28 244

HSL 293.06, 0.91%, 0.53%

LAB 54.47, 88.68, -64.43

 

CMYK 82 / 0 / 97 / 11

HEX #29E306

RGB 41 227 6

HSL 110.5, 0.95%, 0.46%

LAB 79.28, -76.37, 75.98

 

CMYK 76 / 0 / 90 / 4

HEX #3AF519

RGB 58 245 25

HSL 111, 0.92%, 0.53%

LAB 85.14, -79.01, 78.78

 

CMYK 71 / 0 / 83 / 0

HEX #4BFF2C

RGB 75 255 44

HSL 111.18, 1%, 0.59%

LAB 88.54, -78.7, 78.23

 

CMYK 64 / 0 / 75 / 0

HEX #5CFF3F

RGB 92 255 63

HSL 110.94, 1%, 0.62%

LAB 89, -74.56, 73.65

 

CMYK 57 / 0 / 68 / 0

HEX #6DFF52

RGB 109 255 82

HSL 110.64, 1%, 0.66%

LAB 89.57, -69.46, 67.89

 

CMYK 84 / 0 / 95 / 11

HEX #24E30B

RGB 36 227 11

HSL 113.06, 0.91%, 0.47%

LAB 79.24, -76.79, 75.47

 

CMYK 91 / 0 / 100 / 18

HEX #13D100

RGB 19 209 0

HSL 114.55, 1%, 0.41%

LAB 73.38, -73.35, 71.7

 

CMYK 99 / 0 / 100 / 25

HEX #02BF00

RGB 2 191 0

HSL 119.37, 1%, 0.37%

LAB 67.48, -69.26, 66.94

 

CMYK 100 / 0 / 100 / 32

HEX #00AD00

RGB 0 173 0

HSL 120, 1%, 0.34%

LAB 61.56, -64.43, 62.19

 

CMYK 100 / 0 / 100 / 39

HEX #009B00

RGB 0 155 0

HSL 120, 1%, 0.3%

LAB 55.53, -59.42, 57.35

 

CMYK 84 / 0 / 95 / 11

HEX #24E30B

RGB 36 227 11

HSL 113.06, 0.91%, 0.47%

LAB 79.24, -76.79, 75.47

 

CMYK 96 / 0 / 91 / 11

HEX #0AE415

RGB 10 228 21

HSL 123.03, 0.92%, 0.47%

LAB 79.39, -78.45, 74.33

 

CMYK 96 / 0 / 75 / 11

HEX #0AE43A

RGB 10 228 58

HSL 133.21, 0.92%, 0.47%

LAB 79.53, -76.6, 65.54

 

CMYK 96 / 0 / 59 / 11

HEX #0AE45E

RGB 10 228 94

HSL 143.12, 0.92%, 0.47%

LAB 79.82, -73, 51.72

 

CMYK 96 / 0 / 43 / 11

HEX #0AE482

RGB 10 228 130

HSL 153.03, 0.92%, 0.47%

LAB 80.27, -67.5, 35.16

 

CMYK 84 / 0 / 95 / 11

HEX #24E30B

RGB 36 227 11

HSL 113.06, 0.91%, 0.47%

LAB 79.24, -76.79, 75.47

 

CMYK 83 / 0 / 96 / 91

HEX #041701

RGB 4 23 1

HSL 111.82, 0.92%, 0.05%

LAB 5.79, -10.12, 8.07

 

CMYK 84 / 0 / 95 / 71

HEX #0C4A04

RGB 12 74 4

HSL 113.14, 0.9%, 0.15%

LAB 26.69, -32.93, 32.59

 

CMYK 84 / 0 / 95 / 51

HEX #147D06

RGB 20 125 6

HSL 112.94, 0.91%, 0.26%

LAB 45.4, -48.73, 48.04

 

CMYK 84 / 0 / 95 / 31

HEX #1CB009

RGB 28 176 9

HSL 113.17, 0.9%, 0.36%

LAB 62.77, -63.16, 62.08

 

CMYK 84 / 0 / 95 / 11

HEX #24E30B

RGB 36 227 11

HSL 113.06, 0.91%, 0.47%

LAB 79.24, -76.79, 75.47

 

CMYK 96 / 8 / 0 / 11

HEX #0AD2E4

RGB 10 210 228

HSL 184.95, 0.92%, 0.47%

LAB 77.14, -35.79, -20.96

 

CMYK 0 / 96 / 46 / 11

HEX #E40A7B

RGB 228 10 123

HSL 328.9, 0.92%, 0.47%

LAB 49.67, 77.64, -1.15

 

CMYK 84 / 0 / 95 / 11

HEX #24E30B

RGB 36 227 11

HSL 113.06, 0.91%, 0.47%

LAB 79.24, -76.79, 75.47

 

CMYK 96 / 84 / 0 / 11

HEX #0A24E4

RGB 10 36 228

HSL 232.84, 0.92%, 0.47%

LAB 31.64, 63.4, -93.67

 

CMYK 0 / 96 / 84 / 11

HEX #E40A24

RGB 228 10 36

HSL 352.84, 0.92%, 0.47%

LAB 48.06, 73.25, 48.65

 

CMYK 84 / 0 / 95 / 11

HEX #24E30B

RGB 36 227 11

HSL 113.06, 0.91%, 0.47%

LAB 79.24, -76.79, 75.47

 

CMYK 96 / 8 / 0 / 11

HEX #0AD2E4

RGB 10 210 228

HSL 184.95, 0.92%, 0.47%

LAB 77.14, -35.79, -20.96

 

CMYK 11 / 96 / 0 / 11

HEX #CB0AE4

RGB 203 10 228

HSL 293.12, 0.92%, 0.47%

LAB 50.11, 85.74, -62.58

 

CMYK 0 / 88 / 96 / 11

HEX #E41C0A

RGB 228 28 10

HSL 4.95, 0.92%, 0.47%

LAB 48.69, 70.66, 59.45

 

CMYK 84 / 0 / 95 / 11

HEX #24E30B

RGB 36 227 11

HSL 113.06, 0.91%, 0.47%

LAB 79.24, -76.79, 75.47

 

CMYK 96 / 36 / 0 / 11

HEX #0A91E4

RGB 10 145 228

HSL 202.84, 0.92%, 0.47%

LAB 57.96, -1.64, -50.77

 

CMYK 11 / 96 / 0 / 11

HEX #CB0AE4

RGB 203 10 228

HSL 293.12, 0.92%, 0.47%

LAB 50.11, 85.74, -62.58

 

CMYK 0 / 59 / 96 / 11

HEX #E45E0A

RGB 228 94 10

HSL 23.12, 0.92%, 0.47%

LAB 56.61, 48.98, 63.98

 

Description

Color code: RGB 36 227 11 | qconv.com Color code: RGB 36 227 11 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 227 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 227 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 95 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 95% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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