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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 36 213 48 it is the complementary color RGB 219 42 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 36 213 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 36 213 48: RGB 41 213 43, RGB 58 231 62, RGB 75 249 81, RGB 92 255 100 and RGB 109 255 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 36 213 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 36 213 48: RGB 36 213 48, RGB 19 195 29, RGB 2 177 10, RGB 0 159 0 and RGB 0 141 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 77 / 16

HEX #24D530

RGB 36 213 48

HSL 124.07, 0.71%, 0.49%

LAB 74.94, -71.37, 64.28

 

Complementary color

CMYK 0 / 81 / 5 / 14

HEX #DB2ACF

RGB 219 42 207

HSL 304.07, 0.71%, 0.51%

LAB 53.19, 80.49, -45.54

 

CMYK 81 / 0 / 80 / 16

HEX #29D52B

RGB 41 213 43

HSL 120.7, 0.68%, 0.5%

LAB 74.97, -71.15, 65.81

 

CMYK 75 / 0 / 73 / 9

HEX #3AE73E

RGB 58 231 62

HSL 121.39, 0.78%, 0.57%

LAB 80.96, -73.06, 65.78

 

CMYK 70 / 0 / 67 / 2

HEX #4BF951

RGB 75 249 81

HSL 122.07, 0.94%, 0.64%

LAB 86.92, -74.43, 65.2

 

CMYK 64 / 0 / 61 / 0

HEX #5CFF64

RGB 92 255 100

HSL 122.94, 1%, 0.68%

LAB 89.26, -71.44, 60.27

 

CMYK 57 / 0 / 53 / 0

HEX #6DFF77

RGB 109 255 119

HSL 124.11, 1%, 0.71%

LAB 89.91, -65.66, 52.82

 

CMYK 83 / 0 / 77 / 16

HEX #24D530

RGB 36 213 48

HSL 124.07, 0.71%, 0.49%

LAB 74.94, -71.37, 64.28

 

CMYK 90 / 0 / 85 / 24

HEX #13C31D

RGB 19 195 29

HSL 123.41, 0.82%, 0.42%

LAB 68.94, -68.69, 63.79

 

CMYK 99 / 0 / 94 / 31

HEX #02B10A

RGB 2 177 10

HSL 122.74, 0.98%, 0.35%

LAB 62.91, -65.2, 61.98

 

CMYK 100 / 0 / 100 / 38

HEX #009F00

RGB 0 159 0

HSL 120, 1%, 0.31%

LAB 56.88, -60.55, 58.44

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 83 / 0 / 77 / 16

HEX #24D530

RGB 36 213 48

HSL 124.07, 0.71%, 0.49%

LAB 74.94, -71.37, 64.28

 

CMYK 83 / 0 / 64 / 16

HEX #24D54D

RGB 36 213 77

HSL 133.9, 0.71%, 0.49%

LAB 75.14, -68.84, 53.8

 

CMYK 83 / 0 / 50 / 16

HEX #24D56B

RGB 36 213 107

HSL 144.07, 0.71%, 0.49%

LAB 75.47, -64.86, 40.45

 

CMYK 83 / 0 / 36 / 16

HEX #24D588

RGB 36 213 136

HSL 153.9, 0.71%, 0.49%

LAB 75.91, -59.69, 26.38

 

CMYK 83 / 0 / 22 / 16

HEX #24D5A6

RGB 36 213 166

HSL 164.07, 0.71%, 0.49%

LAB 76.51, -53.07, 11.4

 

CMYK 83 / 0 / 77 / 16

HEX #24D530

RGB 36 213 48

HSL 124.07, 0.71%, 0.49%

LAB 74.94, -71.37, 64.28

 

CMYK 78 / 0 / 78 / 96

HEX #020902

RGB 2 9 2

HSL 120, 0.64%, 0.02%

LAB 1.92, -2.8, 2

 

CMYK 83 / 0 / 77 / 76

HEX #0A3C0E

RGB 10 60 14

HSL 124.8, 0.71%, 0.14%

LAB 21.31, -27.05, 22.99

 

CMYK 83 / 0 / 77 / 56

HEX #136F19

RGB 19 111 25

HSL 123.91, 0.71%, 0.25%

LAB 40.54, -43.2, 38.22

 

CMYK 83 / 0 / 77 / 36

HEX #1BA225

RGB 27 162 37

HSL 124.44, 0.71%, 0.37%

LAB 58.23, -57.77, 51.52

 

CMYK 83 / 0 / 77 / 16

HEX #24D530

RGB 36 213 48

HSL 124.07, 0.71%, 0.49%

LAB 74.94, -71.37, 64.28

 

CMYK 83 / 22 / 0 / 16

HEX #24A6D5

RGB 36 166 213

HSL 195.93, 0.71%, 0.49%

LAB 63.71, -17.47, -33.37

 

CMYK 0 / 83 / 55 / 16

HEX #D5245F

RGB 213 36 95

HSL 340, 0.71%, 0.49%

LAB 47.28, 68.19, 12.23

 

CMYK 83 / 0 / 77 / 16

HEX #24D530

RGB 36 213 48

HSL 124.07, 0.71%, 0.49%

LAB 74.94, -71.37, 64.28

 

CMYK 77 / 83 / 0 / 16

HEX #3024D5

RGB 48 36 213

HSL 244.07, 0.71%, 0.49%

LAB 31.1, 60.16, -85.9

 

CMYK 0 / 77 / 83 / 16

HEX #D53024

RGB 213 48 36

HSL 4.07, 0.71%, 0.49%

LAB 47.48, 62.28, 47.01

 

CMYK 83 / 0 / 77 / 16

HEX #24D530

RGB 36 213 48

HSL 124.07, 0.71%, 0.49%

LAB 74.94, -71.37, 64.28

 

CMYK 83 / 22 / 0 / 16

HEX #24A6D5

RGB 36 166 213

HSL 195.93, 0.71%, 0.49%

LAB 63.71, -17.47, -33.37

 

CMYK 0 / 83 / 6 / 16

HEX #D524C9

RGB 213 36 201

HSL 304.07, 0.71%, 0.49%

LAB 51.41, 79.75, -44.97

 

CMYK 0 / 61 / 83 / 16

HEX #D55324

RGB 213 83 36

HSL 15.93, 0.71%, 0.49%

LAB 52.35, 49, 51.41

 

CMYK 83 / 0 / 77 / 16

HEX #24D530

RGB 36 213 48

HSL 124.07, 0.71%, 0.49%

LAB 74.94, -71.37, 64.28

 

CMYK 83 / 47 / 0 / 16

HEX #2471D5

RGB 36 113 213

HSL 213.9, 0.71%, 0.49%

LAB 48.25, 13.59, -57.85

 

CMYK 0 / 83 / 6 / 16

HEX #D524C9

RGB 213 36 201

HSL 304.07, 0.71%, 0.49%

LAB 51.41, 79.75, -44.97

 

CMYK 0 / 36 / 83 / 16

HEX #D58824

RGB 213 136 36

HSL 33.9, 0.71%, 0.49%

LAB 63.25, 22.07, 60.97

 

Description

Color code: RGB 36 213 48 | qconv.com Color code: RGB 36 213 48 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 213 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 213 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 77 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 77% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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