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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 36 199 127 it is the complementary color RGB 219 56 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 36 199 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 36 199 127 shade: RGB 41 199 122, RGB 58 217 141, RGB 75 235 160, RGB 92 253 179 and RGB 109 255 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 36 199 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 36 199 127 shade: RGB 36 199 127, RGB 19 181 108, RGB 2 163 89, RGB 0 145 70 and RGB 0 127 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 36 199 127 shade: RGB 36 198 127, RGB 36 198 83, RGB 36 198 39, RGB 77 198 36 and RGB 121 198 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 36 199 127 shade: RGB 36 198 127, RGB 36 198 170, RGB 36 182 198, RGB 36 139 198 and RGB 36 95 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 36 199 127 shade matches the following richer shades: RGB 36 198 127 and RGB 17 217 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 36 199 127 shade: RGB 36 198 127, RGB 55 179 125, RGB 74 160 122, RGB 93 141 120 and RGB 112 122 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 36 199 127 shade: RGB 36 198 39, RGB 36 198 82, RGB 36 198 125, RGB 36 198 169 and RGB 36 185 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 36 199 127 shade: RGB 24 129 82, RGB 30 163 104, RGB 36 198 127, RGB 57 219 147 and RGB 92 225 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 36 199 127 shade: RGB 36 199 127, RGB 36 77 198 and RGB 198 61 36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 36 199 127 shade: RGB 36 199 127, RGB 125 36 198 and RGB 198 125 36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 36 199 127 shade: RGB 36 199 127, RGB 36 77 198, RGB 198 36 109 and RGB 198 158 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 36 199 127 shade: RGB 36 199 127, RGB 44 36 198, RGB 198 36 109 and RGB 190 198 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 36 / 22

HEX #24C77F

RGB 36 199 127

HSL 153.5, 0.69%, 0.46%

LAB 71.39, -56.39, 25

 

Complementary color

CMYK 0 / 74 / 42 / 14

HEX #DB3880

RGB 219 56 128

HSL 333.5, 0.69%, 0.54%

LAB 51.21, 67.07, -2.12

 

CMYK 79 / 0 / 39 / 22

HEX #29C77A

RGB 41 199 122

HSL 150.76, 0.66%, 0.47%

LAB 71.37, -56.86, 27.6

 

CMYK 73 / 0 / 35 / 15

HEX #3AD98D

RGB 58 217 141

HSL 151.32, 0.68%, 0.54%

LAB 77.55, -57.7, 26.04

 

CMYK 68 / 0 / 32 / 8

HEX #4BEBA0

RGB 75 235 160

HSL 151.88, 0.8%, 0.61%

LAB 83.68, -58.25, 24.61

 

CMYK 64 / 0 / 29 / 1

HEX #5CFDB3

RGB 92 253 179

HSL 152.42, 0.98%, 0.68%

LAB 89.76, -58.58, 23.29

 

CMYK 57 / 0 / 22 / 0

HEX #6DFFC6

RGB 109 255 198

HSL 156.58, 1%, 0.71%

LAB 91.17, -52.3, 15.6

 

CMYK 82 / 0 / 36 / 22

HEX #24C77F

RGB 36 199 127

HSL 153.5, 0.69%, 0.46%

LAB 71.39, -56.39, 25

 

CMYK 90 / 0 / 40 / 29

HEX #13B56C

RGB 19 181 108

HSL 152.96, 0.81%, 0.39%

LAB 65.18, -55, 26.7

 

CMYK 99 / 0 / 45 / 36

HEX #02A359

RGB 2 163 89

HSL 152.42, 0.98%, 0.32%

LAB 58.91, -53.13, 28.54

 

CMYK 100 / 0 / 52 / 43

HEX #009146

RGB 0 145 70

HSL 148.97, 1%, 0.28%

LAB 52.61, -50.39, 30.55

 

CMYK 100 / 0 / 60 / 50

HEX #007F33

RGB 0 127 51

HSL 144.09, 1%, 0.25%

LAB 46.2, -47.29, 32.53

 

CMYK 82 / 0 / 36 / 22

HEX #24C67F

RGB 36 198 127

HSL 153.7, 0.69%, 0.46%

LAB 71.07, -56.02, 24.57

 

CMYK 82 / 0 / 58 / 22

HEX #24C653

RGB 36 198 83

HSL 137.41, 0.69%, 0.46%

LAB 70.45, -63.39, 45.78

 

CMYK 82 / 0 / 80 / 22

HEX #24C627

RGB 36 198 39

HSL 121.11, 0.69%, 0.46%

LAB 70.11, -67.53, 62.35

 

CMYK 61 / 0 / 82 / 22

HEX #4DC624

RGB 77 198 36

HSL 104.81, 0.69%, 0.46%

LAB 70.94, -60.58, 64.24

 

CMYK 39 / 0 / 82 / 22

HEX #79C624

RGB 121 198 36

HSL 88.52, 0.69%, 0.46%

LAB 72.61, -47.7, 66.39

 

CMYK 82 / 0 / 36 / 22

HEX #24C67F

RGB 36 198 127

HSL 153.7, 0.69%, 0.46%

LAB 71.07, -56.02, 24.57

 

CMYK 82 / 0 / 14 / 22

HEX #24C6AA

RGB 36 198 170

HSL 169.63, 0.69%, 0.46%

LAB 72, -45.94, 2.79

 

CMYK 82 / 8 / 0 / 22

HEX #24B6C6

RGB 36 182 198

HSL 185.93, 0.69%, 0.46%

LAB 67.95, -30.57, -18.57

 

CMYK 82 / 30 / 0 / 22

HEX #248BC6

RGB 36 139 198

HSL 201.85, 0.69%, 0.46%

LAB 54.99, -7.83, -38.6

 

CMYK 82 / 52 / 0 / 22

HEX #245FC6

RGB 36 95 198

HSL 218.15, 0.69%, 0.46%

LAB 42.21, 19.37, -58.99

 

CMYK 82 / 0 / 36 / 22

HEX #24C67F

RGB 36 198 127

HSL 153.7, 0.69%, 0.46%

LAB 71.07, -56.02, 24.57

 

CMYK 92 / 0 / 41 / 15

HEX #11D981

RGB 17 217 129

HSL 153.6, 0.85%, 0.46%

LAB 76.88, -63.71, 31.24

 

CMYK 82 / 0 / 36 / 22

HEX #24C67F

RGB 36 198 127

HSL 153.7, 0.69%, 0.46%

LAB 71.07, -56.02, 24.57

 

CMYK 69 / 0 / 30 / 30

HEX #37B37D

RGB 55 179 125

HSL 153.87, 0.53%, 0.46%

LAB 65.38, -46.63, 17.95

 

CMYK 54 / 0 / 24 / 37

HEX #4AA07A

RGB 74 160 122

HSL 153.49, 0.37%, 0.46%

LAB 59.89, -35.24, 12.05

 

CMYK 34 / 0 / 15 / 45

HEX #5D8D78

RGB 93 141 120

HSL 153.75, 0.21%, 0.46%

LAB 54.8, -21.09, 6.07

 

CMYK 8 / 0 / 3 / 52

HEX #707A76

RGB 112 122 118

HSL 156, 0.04%, 0.46%

LAB 50.3, -4.56, 0.9

 

CMYK 82 / 0 / 80 / 22

HEX #24C627

RGB 36 198 39

HSL 121.11, 0.69%, 0.46%

LAB 70.11, -67.53, 62.35

 

CMYK 82 / 0 / 59 / 22

HEX #24C652

RGB 36 198 82

HSL 137.04, 0.69%, 0.46%

LAB 70.44, -63.52, 46.23

 

CMYK 82 / 0 / 37 / 22

HEX #24C67D

RGB 36 198 125

HSL 152.96, 0.69%, 0.46%

LAB 71.04, -56.43, 25.58

 

CMYK 82 / 0 / 15 / 22

HEX #24C6A9

RGB 36 198 169

HSL 169.26, 0.69%, 0.46%

LAB 71.98, -46.2, 3.29

 

CMYK 82 / 7 / 0 / 22

HEX #24B9C6

RGB 36 185 198

HSL 184.81, 0.69%, 0.46%

LAB 68.86, -32.02, -17.19

 

CMYK 81 / 0 / 36 / 49

HEX #188152

RGB 24 129 82

HSL 153.14, 0.69%, 0.3%

LAB 47.63, -40.2, 17.54

 

CMYK 82 / 0 / 36 / 36

HEX #1EA368

RGB 30 163 104

HSL 153.38, 0.69%, 0.38%

LAB 59.41, -48.2, 21.17

 

CMYK 82 / 0 / 36 / 22

HEX #24C67F

RGB 36 198 127

HSL 153.7, 0.69%, 0.46%

LAB 71.07, -56.02, 24.57

 

CMYK 74 / 0 / 33 / 14

HEX #39DB93

RGB 57 219 147

HSL 153.33, 0.69%, 0.54%

LAB 78.25, -57.39, 23.88

 

CMYK 59 / 0 / 26 / 12

HEX #5CE1A6

RGB 92 225 166

HSL 153.38, 0.69%, 0.62%

LAB 81.22, -50.02, 18.18

 

CMYK 82 / 0 / 36 / 22

HEX #24C77F

RGB 36 199 127

HSL 153.5, 0.69%, 0.46%

LAB 71.39, -56.39, 25

 

CMYK 82 / 61 / 0 / 22

HEX #244DC6

RGB 36 77 198

HSL 224.81, 0.69%, 0.46%

LAB 37.41, 31.15, -66.81

 

CMYK 0 / 69 / 82 / 22

HEX #C63D24

RGB 198 61 36

HSL 9.26, 0.69%, 0.46%

LAB 46.27, 53.12, 44.86

 

CMYK 82 / 0 / 36 / 22

HEX #24C77F

RGB 36 199 127

HSL 153.5, 0.69%, 0.46%

LAB 71.39, -56.39, 25

 

CMYK 37 / 82 / 0 / 22

HEX #7D24C6

RGB 125 36 198

HSL 272.96, 0.69%, 0.46%

LAB 37.3, 64.06, -66.69

 

CMYK 0 / 37 / 82 / 22

HEX #C67D24

RGB 198 125 36

HSL 32.96, 0.69%, 0.46%

LAB 58.79, 21.59, 56.33

 

CMYK 82 / 0 / 36 / 22

HEX #24C77F

RGB 36 199 127

HSL 153.5, 0.69%, 0.46%

LAB 71.39, -56.39, 25

 

CMYK 82 / 61 / 0 / 22

HEX #244DC6

RGB 36 77 198

HSL 224.81, 0.69%, 0.46%

LAB 37.41, 31.15, -66.81

 

CMYK 0 / 82 / 45 / 22

HEX #C6246D

RGB 198 36 109

HSL 332.96, 0.69%, 0.46%

LAB 44.76, 65.48, -0.42

 

CMYK 0 / 20 / 82 / 22

HEX #C69E24

RGB 198 158 36

HSL 45.19, 0.69%, 0.46%

LAB 66.97, 3.59, 63.53

 

CMYK 82 / 0 / 36 / 22

HEX #24C77F

RGB 36 199 127

HSL 153.5, 0.69%, 0.46%

LAB 71.39, -56.39, 25

 

CMYK 78 / 82 / 0 / 22

HEX #2C24C6

RGB 44 36 198

HSL 242.96, 0.69%, 0.46%

LAB 29.09, 55.5, -80.5

 

CMYK 0 / 82 / 45 / 22

HEX #C6246D

RGB 198 36 109

HSL 332.96, 0.69%, 0.46%

LAB 44.76, 65.48, -0.42

 

CMYK 4 / 0 / 82 / 22

HEX #BEC624

RGB 190 198 36

HSL 62.96, 0.69%, 0.46%

LAB 76.96, -20.61, 71.87

 

Description

Color code: RGB 36 199 127 | qconv.com Color code: RGB 36 199 127 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 199 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 199 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 36 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 36% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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