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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 36 198 39 it is the complementary color RGB 219 57 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 36 198 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 36 198 39: RGB 41 198 34, RGB 58 216 53, RGB 75 234 72, RGB 92 252 91 and RGB 109 255 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 36 198 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 36 198 39: RGB 36 198 39, RGB 19 180 20, RGB 2 162 1, RGB 0 144 0 and RGB 0 126 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 80 / 22

HEX #24C627

RGB 36 198 39

HSL 121.11, 0.69%, 0.46%

LAB 70.11, -67.53, 62.35

 

Complementary color

CMYK 0 / 74 / 1 / 14

HEX #DB39D8

RGB 219 57 216

HSL 301.11, 0.69%, 0.54%

LAB 55.01, 77.95, -47.78

 

CMYK 79 / 0 / 83 / 22

HEX #29C622

RGB 41 198 34

HSL 117.44, 0.71%, 0.45%

LAB 70.16, -67.21, 63.77

 

CMYK 73 / 0 / 75 / 15

HEX #3AD835

RGB 58 216 53

HSL 118.16, 0.68%, 0.53%

LAB 76.23, -69.1, 64.07

 

CMYK 68 / 0 / 69 / 8

HEX #4BEA48

RGB 75 234 72

HSL 118.89, 0.79%, 0.6%

LAB 82.28, -70.44, 63.68

 

CMYK 63 / 0 / 64 / 1

HEX #5CFC5B

RGB 92 252 91

HSL 119.63, 0.96%, 0.67%

LAB 88.28, -71.35, 62.88

 

CMYK 57 / 0 / 57 / 0

HEX #6DFF6E

RGB 109 255 110

HSL 120.41, 1%, 0.71%

LAB 89.81, -66.73, 56.73

 

CMYK 82 / 0 / 80 / 22

HEX #24C627

RGB 36 198 39

HSL 121.11, 0.69%, 0.46%

LAB 70.11, -67.53, 62.35

 

CMYK 89 / 0 / 89 / 29

HEX #13B414

RGB 19 180 20

HSL 120.37, 0.81%, 0.39%

LAB 64.02, -64.8, 61.37

 

CMYK 99 / 0 / 99 / 36

HEX #02A201

RGB 2 162 1

HSL 119.63, 0.99%, 0.32%

LAB 57.9, -61.24, 59.11

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 82 / 0 / 80 / 22

HEX #24C627

RGB 36 198 39

HSL 121.11, 0.69%, 0.46%

LAB 70.11, -67.53, 62.35

 

CMYK 82 / 0 / 67 / 22

HEX #24C642

RGB 36 198 66

HSL 131.11, 0.69%, 0.46%

LAB 70.29, -65.37, 53.03

 

CMYK 82 / 0 / 53 / 22

HEX #24C65D

RGB 36 198 93

HSL 141.11, 0.69%, 0.46%

LAB 70.56, -62, 41.19

 

CMYK 82 / 0 / 40 / 22

HEX #24C677

RGB 36 198 119

HSL 150.74, 0.69%, 0.46%

LAB 70.94, -57.6, 28.58

 

CMYK 82 / 0 / 26 / 22

HEX #24C692

RGB 36 198 146

HSL 160.74, 0.69%, 0.46%

LAB 71.45, -51.89, 14.97

 

CMYK 82 / 0 / 80 / 22

HEX #24C627

RGB 36 198 39

HSL 121.11, 0.69%, 0.46%

LAB 70.11, -67.53, 62.35

 

CMYK 82 / 0 / 80 / 2

HEX #2DF931

RGB 45 249 49

HSL 121.18, 0.94%, 0.58%

LAB 86.27, -80.7, 74.76

 

CMYK 82 / 0 / 80 / 82

HEX #082D09

RGB 8 45 9

HSL 121.62, 0.7%, 0.1%

LAB 15.21, -21.86, 17.97

 

CMYK 82 / 0 / 80 / 62

HEX #116013

RGB 17 96 19

HSL 121.52, 0.7%, 0.22%

LAB 35.07, -38.81, 35.07

 

CMYK 82 / 0 / 80 / 42

HEX #1B931D

RGB 27 147 29

HSL 121, 0.69%, 0.34%

LAB 53.16, -53.63, 49.24

 

CMYK 82 / 0 / 80 / 22

HEX #24C627

RGB 36 198 39

HSL 121.11, 0.69%, 0.46%

LAB 70.11, -67.53, 62.35

 

CMYK 82 / 18 / 0 / 22

HEX #24A3C6

RGB 36 163 198

HSL 192.96, 0.69%, 0.46%

LAB 62.21, -21, -27.35

 

CMYK 0 / 82 / 51 / 22

HEX #C62462

RGB 198 36 98

HSL 337.04, 0.69%, 0.46%

LAB 44.45, 64.55, 5.96

 

CMYK 82 / 0 / 80 / 22

HEX #24C627

RGB 36 198 39

HSL 121.11, 0.69%, 0.46%

LAB 70.11, -67.53, 62.35

 

CMYK 80 / 82 / 0 / 22

HEX #2724C6

RGB 39 36 198

HSL 241.11, 0.69%, 0.46%

LAB 28.83, 55.23, -80.95

 

CMYK 0 / 80 / 82 / 22

HEX #C62724

RGB 198 39 36

HSL 1.11, 0.69%, 0.46%

LAB 43.63, 60.45, 42.35

 

CMYK 82 / 0 / 80 / 22

HEX #24C627

RGB 36 198 39

HSL 121.11, 0.69%, 0.46%

LAB 70.11, -67.53, 62.35

 

CMYK 82 / 18 / 0 / 22

HEX #24A3C6

RGB 36 163 198

HSL 192.96, 0.69%, 0.46%

LAB 62.21, -21, -27.35

 

CMYK 0 / 82 / 2 / 22

HEX #C624C3

RGB 198 36 195

HSL 301.11, 0.69%, 0.46%

LAB 48.52, 76.03, -46.25

 

CMYK 0 / 64 / 82 / 22

HEX #C64724

RGB 198 71 36

HSL 12.96, 0.69%, 0.46%

LAB 47.8, 48.98, 46.31

 

CMYK 82 / 0 / 80 / 22

HEX #24C627

RGB 36 198 39

HSL 121.11, 0.69%, 0.46%

LAB 70.11, -67.53, 62.35

 

CMYK 82 / 42 / 0 / 22

HEX #2472C6

RGB 36 114 198

HSL 211.11, 0.69%, 0.46%

LAB 47.61, 7.2, -50.3

 

CMYK 0 / 82 / 2 / 22

HEX #C624C3

RGB 198 36 195

HSL 301.11, 0.69%, 0.46%

LAB 48.52, 76.03, -46.25

 

CMYK 0 / 40 / 82 / 22

HEX #C67724

RGB 198 119 36

HSL 30.74, 0.69%, 0.46%

LAB 57.39, 24.86, 55.08

 

Description

Color code: RGB 36 198 39 | qconv.com Color code: RGB 36 198 39 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 198 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 198 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 80 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 80% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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