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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 36 177 109 it is the complementary color RGB 219 78 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 36 177 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 36 177 109: RGB 41 177 104, RGB 58 195 123, RGB 75 213 142, RGB 92 231 161 and RGB 109 249 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 36 177 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 36 177 109: RGB 36 177 109, RGB 19 159 90, RGB 2 141 71, RGB 0 123 52 and RGB 0 105 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 38 / 31

HEX #24B16D

RGB 36 177 109

HSL 151.06, 0.66%, 0.42%

LAB 64.1, -51.83, 24.77

 

Complementary color

CMYK 0 / 64 / 33 / 14

HEX #DB4E92

RGB 219 78 146

HSL 331.06, 0.66%, 0.58%

LAB 54.64, 61.01, -7.76

 

CMYK 77 / 0 / 41 / 31

HEX #29B168

RGB 41 177 104

HSL 147.79, 0.62%, 0.43%

LAB 64.09, -52.18, 27.43

 

CMYK 70 / 0 / 37 / 24

HEX #3AC37B

RGB 58 195 123

HSL 148.47, 0.54%, 0.5%

LAB 70.43, -52.88, 25.87

 

CMYK 65 / 0 / 33 / 16

HEX #4BD58E

RGB 75 213 142

HSL 149.13, 0.62%, 0.56%

LAB 76.7, -53.27, 24.44

 

CMYK 60 / 0 / 30 / 9

HEX #5CE7A1

RGB 92 231 161

HSL 149.78, 0.74%, 0.63%

LAB 82.91, -53.47, 23.12

 

CMYK 56 / 0 / 28 / 2

HEX #6DF9B4

RGB 109 249 180

HSL 150.43, 0.92%, 0.7%

LAB 89.06, -53.53, 21.89

 

CMYK 80 / 0 / 38 / 31

HEX #24B16D

RGB 36 177 109

HSL 151.06, 0.66%, 0.42%

LAB 64.1, -51.83, 24.77

 

CMYK 88 / 0 / 43 / 38

HEX #139F5A

RGB 19 159 90

HSL 150.43, 0.79%, 0.35%

LAB 57.73, -50.54, 26.5

 

CMYK 99 / 0 / 50 / 45

HEX #028D47

RGB 2 141 71

HSL 149.78, 0.97%, 0.28%

LAB 51.29, -48.7, 28.36

 

CMYK 100 / 0 / 58 / 52

HEX #007B34

RGB 0 123 52

HSL 145.37, 1%, 0.24%

LAB 44.82, -45.78, 30.38

 

CMYK 100 / 0 / 69 / 59

HEX #006921

RGB 0 105 33

HSL 138.86, 1%, 0.21%

LAB 38.22, -42.38, 32.22

 

CMYK 80 / 0 / 38 / 31

HEX #24B16D

RGB 36 177 109

HSL 151.06, 0.66%, 0.42%

LAB 64.1, -51.83, 24.77

 

CMYK 80 / 0 / 25 / 31

HEX #24B185

RGB 36 177 133

HSL 161.28, 0.66%, 0.42%

LAB 64.57, -46.56, 12.39

 

CMYK 80 / 0 / 12 / 31

HEX #24B19C

RGB 36 177 156

HSL 171.06, 0.66%, 0.42%

LAB 65.14, -40.65, 0.48

 

CMYK 80 / 1 / 0 / 31

HEX #24AFB1

RGB 36 175 177

HSL 180.85, 0.66%, 0.42%

LAB 65.13, -33.69, -11.2

 

CMYK 80 / 15 / 0 / 31

HEX #2497B1

RGB 36 151 177

HSL 191.06, 0.66%, 0.42%

LAB 57.73, -21.77, -22.41

 

CMYK 80 / 0 / 38 / 31

HEX #24B16D

RGB 36 177 109

HSL 151.06, 0.66%, 0.42%

LAB 64.1, -51.83, 24.77

 

CMYK 80 / 0 / 39 / 11

HEX #2EE48C

RGB 46 228 140

HSL 150.99, 0.77%, 0.54%

LAB 80.72, -63.33, 30.77

 

CMYK 79 / 0 / 38 / 91

HEX #05180F

RGB 5 24 15

HSL 151.58, 0.66%, 0.06%

LAB 6.5, -8.56, 3.12

 

CMYK 80 / 0 / 39 / 71

HEX #0F4B2E

RGB 15 75 46

HSL 151, 0.67%, 0.18%

LAB 27.66, -26.62, 12.02

 

CMYK 79 / 0 / 38 / 51

HEX #1A7E4E

RGB 26 126 78

HSL 151.2, 0.66%, 0.3%

LAB 46.57, -39.6, 18.4

 

CMYK 80 / 0 / 38 / 31

HEX #24B16D

RGB 36 177 109

HSL 151.06, 0.66%, 0.42%

LAB 64.1, -51.83, 24.77

 

CMYK 80 / 57 / 0 / 31

HEX #244CB1

RGB 36 76 177

HSL 222.98, 0.66%, 0.42%

LAB 35.44, 23.77, -57.69

 

CMYK 0 / 71 / 80 / 31

HEX #B13424

RGB 177 52 36

HSL 6.81, 0.66%, 0.42%

LAB 41.11, 49.65, 38.49

 

CMYK 80 / 0 / 38 / 31

HEX #24B16D

RGB 36 177 109

HSL 151.06, 0.66%, 0.42%

LAB 64.1, -51.83, 24.77

 

CMYK 38 / 80 / 0 / 31

HEX #6D24B1

RGB 109 36 177

HSL 271.06, 0.66%, 0.42%

LAB 33.32, 56.84, -60.89

 

CMYK 0 / 38 / 80 / 31

HEX #B16D24

RGB 177 109 36

HSL 31.06, 0.66%, 0.42%

LAB 52.3, 21.28, 49.4

 

CMYK 80 / 0 / 38 / 31

HEX #24B16D

RGB 36 177 109

HSL 151.06, 0.66%, 0.42%

LAB 64.1, -51.83, 24.77

 

CMYK 80 / 57 / 0 / 31

HEX #244CB1

RGB 36 76 177

HSL 222.98, 0.66%, 0.42%

LAB 35.44, 23.77, -57.69

 

CMYK 0 / 80 / 41 / 31

HEX #B12468

RGB 177 36 104

HSL 331.06, 0.66%, 0.42%

LAB 40.59, 59.61, -3.9

 

CMYK 0 / 23 / 80 / 31

HEX #B18924

RGB 177 137 36

HSL 42.98, 0.66%, 0.42%

LAB 59.31, 5.66, 55.88

 

CMYK 80 / 0 / 38 / 31

HEX #24B16D

RGB 36 177 109

HSL 151.06, 0.66%, 0.42%

LAB 64.1, -51.83, 24.77

 

CMYK 79 / 80 / 0 / 31

HEX #2624B1

RGB 38 36 177

HSL 240.85, 0.66%, 0.42%

LAB 26.3, 48.63, -72.7

 

CMYK 0 / 80 / 41 / 31

HEX #B12468

RGB 177 36 104

HSL 331.06, 0.66%, 0.42%

LAB 40.59, 59.61, -3.9

 

CMYK 1 / 0 / 80 / 31

HEX #AFB124

RGB 175 177 36

HSL 60.85, 0.66%, 0.42%

LAB 69.96, -16.54, 65.33

 

Description

Color code: RGB 36 177 109 | qconv.com Color code: RGB 36 177 109 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 177 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 177 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 38 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 38% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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