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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 36 16 74 it is the complementary color RGB 219 239 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 36 16 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 36 16 74: RGB 41 16 69, RGB 58 34 88, RGB 75 52 107, RGB 92 70 126 and RGB 109 88 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 36 16 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 36 16 74: RGB 36 16 74, RGB 19 0 55, RGB 2 0 36, RGB 0 0 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 78 / 0 / 71

HEX #24104A

RGB 36 16 74

HSL 260.69, 0.64%, 0.18%

LAB 10.85, 25.65, -32.29

 

Complementary color

CMYK 8 / 0 / 24 / 6

HEX #DBEFB5

RGB 219 239 181

HSL 80.69, 0.64%, 0.82%

LAB 91.74, -16.3, 25.93

 

CMYK 41 / 77 / 0 / 73

HEX #291045

RGB 41 16 69

HSL 268.3, 0.62%, 0.17%

LAB 11.08, 25.22, -28.4

 

CMYK 34 / 61 / 0 / 65

HEX #3A2258

RGB 58 34 88

HSL 266.67, 0.44%, 0.24%

LAB 19.01, 24.16, -28.5

 

CMYK 30 / 51 / 0 / 58

HEX #4B346B

RGB 75 52 107

HSL 265.09, 0.35%, 0.31%

LAB 26.77, 23.03, -28.43

 

CMYK 27 / 44 / 0 / 51

HEX #5C467E

RGB 92 70 126

HSL 263.57, 0.29%, 0.38%

LAB 34.32, 22.03, -28.37

 

CMYK 25 / 39 / 0 / 43

HEX #6D5891

RGB 109 88 145

HSL 262.11, 0.24%, 0.46%

LAB 41.65, 21.15, -28.35

 

CMYK 51 / 78 / 0 / 71

HEX #24104A

RGB 36 16 74

HSL 260.69, 0.64%, 0.18%

LAB 10.85, 25.65, -32.29

 

CMYK 65 / 100 / 0 / 78

HEX #130037

RGB 19 0 55

HSL 260.73, 1%, 0.11%

LAB 3.74, 22.92, -30.41

 

CMYK 94 / 100 / 0 / 86

HEX #020024

RGB 2 0 36

HSL 243.33, 1%, 0.07%

LAB 1.27, 8.61, -20

 

CMYK 100 / 100 / 0 / 93

HEX #000011

RGB 0 0 17

HSL 240, 1%, 0.03%

LAB 0.37, 2.57, -6.99

 

CMYK 51 / 78 / 0 / 71

HEX #24104A

RGB 36 16 74

HSL 260.69, 0.64%, 0.18%

LAB 10.85, 25.65, -32.29

 

CMYK 40 / 79 / 0 / 71

HEX #2D104B

RGB 45 16 75

HSL 269.49, 0.65%, 0.18%

LAB 12.2, 27.89, -30.73

 

CMYK 27 / 79 / 0 / 71

HEX #37104B

RGB 55 16 75

HSL 279.66, 0.65%, 0.18%

LAB 13.77, 30.22, -28.11

 

CMYK 13 / 79 / 0 / 71

HEX #41104B

RGB 65 16 75

HSL 289.83, 0.65%, 0.18%

LAB 15.5, 32.69, -25.24

 

CMYK 0 / 79 / 0 / 71

HEX #4B104B

RGB 75 16 75

HSL 300, 0.65%, 0.18%

LAB 17.34, 35.23, -22.2

 

CMYK 51 / 78 / 0 / 71

HEX #24104A

RGB 36 16 74

HSL 260.69, 0.64%, 0.18%

LAB 10.85, 25.65, -32.29

 

CMYK 51 / 78 / 0 / 51

HEX #3D1B7D

RGB 61 27 125

HSL 260.82, 0.64%, 0.3%

LAB 21.04, 39.61, -49.28

 

CMYK 51 / 78 / 0 / 31

HEX #5626B0

RGB 86 38 176

HSL 260.87, 0.64%, 0.42%

LAB 30.64, 52.34, -64.8

 

CMYK 52 / 78 / 0 / 11

HEX #6E31E3

RGB 110 49 227

HSL 260.56, 0.76%, 0.54%

LAB 39.68, 64.16, -79.59

 

CMYK 52 / 78 / 0 / 91

HEX #0B0517

RGB 11 5 23

HSL 260, 0.64%, 0.05%

LAB 2.18, 4.81, -8.24

 

CMYK 51 / 78 / 0 / 71

HEX #24104A

RGB 36 16 74

HSL 260.69, 0.64%, 0.18%

LAB 10.85, 25.65, -32.29

 

CMYK 0 / 79 / 43 / 71

HEX #4B102B

RGB 75 16 43

HSL 332.54, 0.65%, 0.18%

LAB 15.7, 30.07, -2.14

 

CMYK 73 / 0 / 79 / 71

HEX #144B10

RGB 20 75 16

HSL 115.93, 0.65%, 0.18%

LAB 27.35, -30.64, 28.51

 

CMYK 51 / 78 / 0 / 71

HEX #24104A

RGB 36 16 74

HSL 260.69, 0.64%, 0.18%

LAB 10.85, 25.65, -32.29

 

CMYK 0 / 52 / 79 / 71

HEX #4B2410

RGB 75 36 16

HSL 20.34, 0.65%, 0.18%

LAB 19.2, 16.58, 21.11

 

CMYK 79 / 0 / 52 / 71

HEX #104B24

RGB 16 75 36

HSL 140.34, 0.65%, 0.18%

LAB 27.49, -28.6, 17.94

 

CMYK 51 / 78 / 0 / 71

HEX #24104A

RGB 36 16 74

HSL 260.69, 0.64%, 0.18%

LAB 10.85, 25.65, -32.29

 

CMYK 0 / 79 / 43 / 71

HEX #4B102B

RGB 75 16 43

HSL 332.54, 0.65%, 0.18%

LAB 15.7, 30.07, -2.14

 

CMYK 27 / 0 / 79 / 71

HEX #374B10

RGB 55 75 16

HSL 80.34, 0.65%, 0.18%

LAB 29.11, -17.89, 30.87

 

CMYK 79 / 0 / 37 / 71

HEX #104B2F

RGB 16 75 47

HSL 151.53, 0.65%, 0.18%

LAB 27.7, -26.21, 11.45

 

CMYK 51 / 78 / 0 / 71

HEX #24104A

RGB 36 16 74

HSL 260.69, 0.64%, 0.18%

LAB 10.85, 25.65, -32.29

 

CMYK 0 / 79 / 65 / 71

HEX #4B101A

RGB 75 16 26

HSL 349.83, 0.65%, 0.18%

LAB 15.17, 28.3, 9.5

 

CMYK 27 / 0 / 79 / 71

HEX #374B10

RGB 55 75 16

HSL 80.34, 0.65%, 0.18%

LAB 29.11, -17.89, 30.87

 

CMYK 79 / 0 / 13 / 71

HEX #104B41

RGB 16 75 65

HSL 169.83, 0.65%, 0.18%

LAB 28.18, -21.21, 0.6

 

Description

Color code: RGB 36 16 74 | qconv.com Color code: RGB 36 16 74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 16 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 16 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 78 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 78% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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