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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 229 142 it is the complementary color RGB 220 26 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 229 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 35 229 142: RGB 40 229 137, RGB 57 247 156, RGB 74 255 175, RGB 91 255 194 and RGB 108 255 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 229 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 35 229 142: RGB 35 229 142, RGB 18 211 123, RGB 1 193 104, RGB 0 175 85 and RGB 0 157 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 38 / 10

HEX #23E58E

RGB 35 229 142

HSL 153.09, 0.79%, 0.52%

LAB 80.93, -64.29, 30.01

 

Complementary color

CMYK 0 / 88 / 49 / 14

HEX #DC1A71

RGB 220 26 113

HSL 333.09, 0.79%, 0.48%

LAB 48.44, 73.17, 3

 

CMYK 83 / 0 / 40 / 10

HEX #28E589

RGB 40 229 137

HSL 150.79, 0.78%, 0.53%

LAB 80.9, -64.82, 32.52

 

CMYK 77 / 0 / 37 / 3

HEX #39F79C

RGB 57 247 156

HSL 151.26, 0.92%, 0.6%

LAB 86.89, -65.88, 30.94

 

CMYK 71 / 0 / 31 / 0

HEX #4AFFAF

RGB 74 255 175

HSL 153.48, 1%, 0.65%

LAB 89.89, -62.96, 25.45

 

CMYK 64 / 0 / 24 / 0

HEX #5BFFC2

RGB 91 255 194

HSL 157.68, 1%, 0.68%

LAB 90.62, -56.43, 16.81

 

CMYK 58 / 0 / 16 / 0

HEX #6CFFD5

RGB 108 255 213

HSL 162.86, 1%, 0.71%

LAB 91.47, -49.21, 8.3

 

CMYK 85 / 0 / 38 / 10

HEX #23E58E

RGB 35 229 142

HSL 153.09, 0.79%, 0.52%

LAB 80.93, -64.29, 30.01

 

CMYK 91 / 0 / 42 / 17

HEX #12D37B

RGB 18 211 123

HSL 152.64, 0.84%, 0.45%

LAB 74.92, -62.72, 31.72

 

CMYK 99 / 0 / 46 / 24

HEX #01C168

RGB 1 193 104

HSL 152.19, 0.99%, 0.38%

LAB 68.86, -60.73, 33.54

 

CMYK 100 / 0 / 51 / 31

HEX #00AF55

RGB 0 175 85

HSL 149.14, 1%, 0.34%

LAB 62.77, -57.99, 35.49

 

CMYK 100 / 0 / 58 / 38

HEX #009D42

RGB 0 157 66

HSL 145.22, 1%, 0.31%

LAB 56.59, -55.02, 37.41

 

CMYK 85 / 0 / 38 / 10

HEX #23E58E

RGB 35 229 142

HSL 153.09, 0.79%, 0.52%

LAB 80.93, -64.29, 30.01

 

CMYK 85 / 0 / 24 / 10

HEX #23E5AE

RGB 35 229 174

HSL 162.99, 0.79%, 0.52%

LAB 81.54, -57.49, 14.28

 

CMYK 85 / 0 / 10 / 10

HEX #23E5CE

RGB 35 229 206

HSL 172.89, 0.79%, 0.52%

LAB 82.3, -49.47, -1.5

 

CMYK 85 / 4 / 0 / 10

HEX #23DBE5

RGB 35 219 229

HSL 183.09, 0.79%, 0.52%

LAB 80, -38.57, -17.15

 

CMYK 85 / 18 / 0 / 10

HEX #23BBE5

RGB 35 187 229

HSL 192.99, 0.79%, 0.52%

LAB 70.56, -23.1, -31.55

 

CMYK 85 / 0 / 38 / 10

HEX #23E58E

RGB 35 229 142

HSL 153.09, 0.79%, 0.52%

LAB 80.93, -64.29, 30.01

 

CMYK 84 / 0 / 36 / 90

HEX #041910

RGB 4 25 16

HSL 154.29, 0.72%, 0.06%

LAB 6.85, -9.41, 3.08

 

CMYK 84 / 0 / 38 / 70

HEX #0C4C2F

RGB 12 76 47

HSL 152.81, 0.73%, 0.17%

LAB 27.99, -27.32, 11.82

 

CMYK 85 / 0 / 38 / 50

HEX #137F4F

RGB 19 127 79

HSL 153.33, 0.74%, 0.29%

LAB 46.82, -40.62, 18.15

 

CMYK 85 / 0 / 38 / 30

HEX #1BB26E

RGB 27 178 110

HSL 152.98, 0.74%, 0.4%

LAB 64.32, -52.91, 24.52

 

CMYK 85 / 0 / 38 / 10

HEX #23E58E

RGB 35 229 142

HSL 153.09, 0.79%, 0.52%

LAB 80.93, -64.29, 30.01

 

CMYK 85 / 63 / 0 / 10

HEX #2354E5

RGB 35 84 229

HSL 224.85, 0.79%, 0.52%

LAB 41.78, 38.14, -77.46

 

CMYK 0 / 72 / 85 / 10

HEX #E54023

RGB 229 64 35

HSL 8.97, 0.79%, 0.52%

LAB 52.34, 61.93, 52.92

 

CMYK 85 / 0 / 38 / 10

HEX #23E58E

RGB 35 229 142

HSL 153.09, 0.79%, 0.52%

LAB 80.93, -64.29, 30.01

 

CMYK 38 / 85 / 0 / 10

HEX #8E23E5

RGB 142 35 229

HSL 273.09, 0.79%, 0.52%

LAB 42.17, 73.42, -76.49

 

CMYK 0 / 38 / 85 / 10

HEX #E58E23

RGB 229 142 35

HSL 33.09, 0.79%, 0.52%

LAB 66.62, 25.61, 64.95

 

CMYK 85 / 0 / 38 / 10

HEX #23E58E

RGB 35 229 142

HSL 153.09, 0.79%, 0.52%

LAB 80.93, -64.29, 30.01

 

CMYK 85 / 63 / 0 / 10

HEX #2354E5

RGB 35 84 229

HSL 224.85, 0.79%, 0.52%

LAB 41.78, 38.14, -77.46

 

CMYK 0 / 85 / 47 / 10

HEX #E5237A

RGB 229 35 122

HSL 333.09, 0.79%, 0.52%

LAB 51, 74.41, 1.42

 

CMYK 0 / 21 / 85 / 10

HEX #E5B423

RGB 229 180 35

HSL 44.85, 0.79%, 0.52%

LAB 75.71, 5.43, 72.48

 

CMYK 85 / 0 / 38 / 10

HEX #23E58E

RGB 35 229 142

HSL 153.09, 0.79%, 0.52%

LAB 80.93, -64.29, 30.01

 

CMYK 80 / 85 / 0 / 10

HEX #2D23E5

RGB 45 35 229

HSL 243.09, 0.79%, 0.52%

LAB 32.74, 64.99, -92.38

 

CMYK 0 / 85 / 47 / 10

HEX #E5237A

RGB 229 35 122

HSL 333.09, 0.79%, 0.52%

LAB 51, 74.41, 1.42

 

CMYK 4 / 0 / 85 / 10

HEX #DBE523

RGB 219 229 35

HSL 63.09, 0.79%, 0.52%

LAB 87.59, -23.55, 81.91

 

Description

Color code: RGB 35 229 142 | qconv.com Color code: RGB 35 229 142 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 229 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 229 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 38 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 38% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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