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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 25 199 it is the complementary color RGB 221 230 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 25 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 34 25 199: RGB 39 25 194, RGB 56 43 213, RGB 73 61 232, RGB 90 79 251 and RGB 107 97 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 25 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 34 25 199: RGB 34 25 199, RGB 17 7 180, RGB 0 0 161, RGB 0 0 142 and RGB 0 0 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 87 / 0 / 22

HEX #2219C7

RGB 34 25 199

HSL 243.1, 0.78%, 0.44%

LAB 27.18, 59.84, -84.28

 

Complementary color

CMYK 4 / 0 / 76 / 10

HEX #DDE638

RGB 221 230 56

HSL 63.1, 0.78%, 0.56%

LAB 88.09, -22.55, 77.13

 

CMYK 80 / 87 / 0 / 24

HEX #2719C2

RGB 39 25 194

HSL 244.97, 0.77%, 0.43%

LAB 26.8, 58.62, -81.97

 

CMYK 74 / 80 / 0 / 16

HEX #382BD5

RGB 56 43 213

HSL 244.59, 0.67%, 0.5%

LAB 32.64, 57.54, -83.33

 

CMYK 69 / 74 / 0 / 9

HEX #493DE8

RGB 73 61 232

HSL 244.21, 0.79%, 0.57%

LAB 38.86, 55.78, -83.89

 

CMYK 64 / 69 / 0 / 2

HEX #5A4FFB

RGB 90 79 251

HSL 243.84, 0.96%, 0.65%

LAB 45.26, 53.82, -84.01

 

CMYK 58 / 62 / 0 / 0

HEX #6B61FF

RGB 107 97 255

HSL 243.8, 1%, 0.69%

LAB 50.56, 47.31, -77.52

 

CMYK 83 / 87 / 0 / 22

HEX #2219C7

RGB 34 25 199

HSL 243.1, 0.78%, 0.44%

LAB 27.18, 59.84, -84.28

 

CMYK 91 / 96 / 0 / 29

HEX #1107B4

RGB 17 7 180

HSL 243.47, 0.93%, 0.37%

LAB 22.18, 59.41, -81.38

 

CMYK 100 / 100 / 0 / 37

HEX #0000A1

RGB 0 0 161

HSL 240, 1%, 0.32%

LAB 18.25, 56.15, -76.48

 

CMYK 100 / 100 / 0 / 44

HEX #00008E

RGB 0 0 142

HSL 240, 1%, 0.28%

LAB 15.24, 51.22, -69.76

 

CMYK 100 / 100 / 0 / 52

HEX #00007B

RGB 0 0 123

HSL 240, 1%, 0.24%

LAB 12.16, 46.16, -62.88

 

CMYK 83 / 87 / 0 / 22

HEX #2219C7

RGB 34 25 199

HSL 243.1, 0.78%, 0.44%

LAB 27.18, 59.84, -84.28

 

CMYK 69 / 88 / 0 / 22

HEX #3E18C7

RGB 62 24 199

HSL 253.03, 0.78%, 0.44%

LAB 28.9, 61.54, -81.36

 

CMYK 54 / 88 / 0 / 22

HEX #5B18C7

RGB 91 24 199

HSL 262.97, 0.78%, 0.44%

LAB 31.81, 63.83, -76.46

 

CMYK 40 / 88 / 0 / 22

HEX #7818C7

RGB 120 24 199

HSL 272.91, 0.78%, 0.44%

LAB 35.54, 67, -70.19

 

CMYK 25 / 88 / 0 / 22

HEX #9618C7

RGB 150 24 199

HSL 283.2, 0.78%, 0.44%

LAB 40.02, 71.09, -62.68

 

CMYK 83 / 87 / 0 / 22

HEX #2219C7

RGB 34 25 199

HSL 243.1, 0.78%, 0.44%

LAB 27.18, 59.84, -84.28

 

CMYK 83 / 88 / 0 / 2

HEX #2B1FFA

RGB 43 31 250

HSL 243.29, 0.96%, 0.55%

LAB 34.79, 72.08, -100.87

 

CMYK 83 / 87 / 0 / 82

HEX #08062E

RGB 8 6 46

HSL 243, 0.77%, 0.1%

LAB 3.42, 12.21, -24.27

 

CMYK 82 / 88 / 0 / 62

HEX #110C61

RGB 17 12 97

HSL 243.53, 0.78%, 0.21%

LAB 10.89, 33.21, -47.95

 

CMYK 83 / 87 / 0 / 42

HEX #191394

RGB 25 19 148

HSL 242.79, 0.77%, 0.33%

LAB 19.27, 46.83, -66.74

 

CMYK 83 / 87 / 0 / 22

HEX #2219C7

RGB 34 25 199

HSL 243.1, 0.78%, 0.44%

LAB 27.18, 59.84, -84.28

 

CMYK 0 / 88 / 22 / 22

HEX #C7189B

RGB 199 24 155

HSL 315.09, 0.78%, 0.44%

LAB 45.86, 73.04, -26.83

 

CMYK 57 / 0 / 88 / 22

HEX #55C718

RGB 85 199 24

HSL 99.09, 0.78%, 0.44%

LAB 71.45, -59.44, 67.53

 

CMYK 83 / 87 / 0 / 22

HEX #2219C7

RGB 34 25 199

HSL 243.1, 0.78%, 0.44%

LAB 27.18, 59.84, -84.28

 

CMYK 0 / 83 / 88 / 22

HEX #C72118

RGB 199 33 24

HSL 3.09, 0.78%, 0.44%

LAB 43.21, 61.98, 48.01

 

CMYK 88 / 0 / 83 / 22

HEX #18C721

RGB 24 199 33

HSL 123.09, 0.78%, 0.44%

LAB 70.28, -69.27, 64.06

 

CMYK 83 / 87 / 0 / 22

HEX #2219C7

RGB 34 25 199

HSL 243.1, 0.78%, 0.44%

LAB 27.18, 59.84, -84.28

 

CMYK 0 / 88 / 22 / 22

HEX #C7189B

RGB 199 24 155

HSL 315.09, 0.78%, 0.44%

LAB 45.86, 73.04, -26.83

 

CMYK 5 / 0 / 88 / 22

HEX #BEC718

RGB 190 199 24

HSL 63.09, 0.78%, 0.44%

LAB 77.2, -21.41, 74.64

 

CMYK 88 / 0 / 66 / 22

HEX #18C744

RGB 24 199 68

HSL 135.09, 0.78%, 0.44%

LAB 70.5, -66.56, 52.4

 

CMYK 83 / 87 / 0 / 22

HEX #2219C7

RGB 34 25 199

HSL 243.1, 0.78%, 0.44%

LAB 27.18, 59.84, -84.28

 

CMYK 0 / 88 / 48 / 22

HEX #C71867

RGB 199 24 103

HSL 332.91, 0.78%, 0.44%

LAB 43.91, 67.71, 2.1

 

CMYK 5 / 0 / 88 / 22

HEX #BEC718

RGB 190 199 24

HSL 63.09, 0.78%, 0.44%

LAB 77.2, -21.41, 74.64

 

CMYK 88 / 0 / 40 / 22

HEX #18C778

RGB 24 199 120

HSL 152.91, 0.78%, 0.44%

LAB 71.14, -58.76, 28.31

 

Description

Color code: RGB 34 25 199 | qconv.com Color code: RGB 34 25 199 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 25 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 25 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 87 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 87% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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