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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 233 21 it is the complementary color RGB 221 22 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 233 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 34 233 21 shade: RGB 39 233 16, RGB 56 251 35, RGB 73 255 54, RGB 90 255 73 and RGB 107 255 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 233 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 34 233 21 shade: RGB 34 233 21, RGB 17 215 2, RGB 0 197 0, RGB 0 179 0 and RGB 0 161 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 34 233 21 shade: RGB 34 233 21, RGB 91 233 21, RGB 148 233 21, RGB 205 233 21 and RGB 233 203 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 34 233 21 shade: RGB 34 233 21, RGB 21 233 65, RGB 21 233 122, RGB 21 233 179 and RGB 21 229 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 34 233 21 shade matches the following richer shades: RGB 34 233 21 and RGB 16 253 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 34 233 21 shade: RGB 34 233 21, RGB 52 212 42, RGB 70 192 62, RGB 88 171 83 and RGB 107 150 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 34 233 21 shade: RGB 148 233 21, RGB 92 233 21, RGB 35 233 21, RGB 21 233 64 and RGB 21 233 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 34 233 21 shade: RGB 23 157 14, RGB 29 195 18, RGB 34 233 21, RGB 70 236 59 and RGB 105 240 97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 34 233 21 shade: RGB 34 233 21, RGB 21 205 233 and RGB 233 21 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 34 233 21 shade: RGB 34 233 21, RGB 21 35 233 and RGB 233 21 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 34 233 21 shade: RGB 34 233 21, RGB 21 205 233, RGB 219 21 233 and RGB 233 49 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 34 233 21 shade: RGB 34 233 21, RGB 21 141 233, RGB 219 21 233 and RGB 233 113 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 91 / 9

HEX #22E915

RGB 34 233 21

HSL 116.32, 0.83%, 0.5%

LAB 81.11, -78.4, 75.84

 

Complementary color

CMYK 6 / 91 / 0 / 8

HEX #DD16EA

RGB 221 22 234

HSL 296.32, 0.83%, 0.5%

LAB 53.91, 88.25, -59.71

 

CMYK 83 / 0 / 93 / 9

HEX #27E910

RGB 39 233 16

HSL 113.64, 0.87%, 0.49%

LAB 81.15, -78.07, 76.54

 

CMYK 78 / 0 / 86 / 2

HEX #38FB23

RGB 56 251 35

HSL 114.17, 0.96%, 0.56%

LAB 86.98, -80.66, 78.63

 

CMYK 71 / 0 / 79 / 0

HEX #49FF36

RGB 73 255 54

HSL 114.33, 1%, 0.61%

LAB 88.54, -78.53, 75.7

 

CMYK 65 / 0 / 71 / 0

HEX #5AFF49

RGB 90 255 73

HSL 114.4, 1%, 0.64%

LAB 89, -74.27, 70.37

 

CMYK 58 / 0 / 64 / 0

HEX #6BFF5C

RGB 107 255 92

HSL 114.48, 1%, 0.68%

LAB 89.59, -69.05, 64.02

 

CMYK 85 / 0 / 91 / 9

HEX #22E915

RGB 34 233 21

HSL 116.32, 0.83%, 0.5%

LAB 81.11, -78.4, 75.84

 

CMYK 92 / 0 / 99 / 16

HEX #11D702

RGB 17 215 2

HSL 115.77, 0.98%, 0.43%

LAB 75.28, -75.05, 73.03

 

CMYK 100 / 0 / 100 / 23

HEX #00C500

RGB 0 197 0

HSL 120, 1%, 0.39%

LAB 69.42, -70.97, 68.49

 

CMYK 100 / 0 / 100 / 30

HEX #00B300

RGB 0 179 0

HSL 120, 1%, 0.35%

LAB 63.54, -66.08, 63.78

 

CMYK 100 / 0 / 100 / 37

HEX #00A100

RGB 0 161 0

HSL 120, 1%, 0.32%

LAB 57.55, -61.1, 58.98

 

CMYK 85 / 0 / 91 / 9

HEX #22E915

RGB 34 233 21

HSL 116.32, 0.83%, 0.5%

LAB 81.11, -78.4, 75.84

 

CMYK 61 / 0 / 91 / 9

HEX #5BE915

RGB 91 233 21

HSL 100.19, 0.83%, 0.5%

LAB 82.14, -69.52, 77.12

 

CMYK 36 / 0 / 91 / 9

HEX #94E915

RGB 148 233 21

HSL 84.06, 0.83%, 0.5%

LAB 84.29, -53.01, 79.78

 

CMYK 12 / 0 / 91 / 9

HEX #CDE915

RGB 205 233 21

HSL 67.92, 0.83%, 0.5%

LAB 87.64, -31.44, 83.86

 

CMYK 0 / 13 / 91 / 9

HEX #E9CB15

RGB 233 203 21

HSL 51.51, 0.83%, 0.5%

LAB 81.89, -5.03, 80.36

 

CMYK 85 / 0 / 91 / 9

HEX #22E915

RGB 34 233 21

HSL 116.32, 0.83%, 0.5%

LAB 81.11, -78.4, 75.84

 

CMYK 91 / 0 / 72 / 9

HEX #15E941

RGB 21 233 65

HSL 132.45, 0.83%, 0.5%

LAB 81.19, -76.98, 64.85

 

CMYK 91 / 0 / 48 / 9

HEX #15E97A

RGB 21 233 122

HSL 148.58, 0.83%, 0.5%

LAB 81.75, -70.06, 41.01

 

CMYK 91 / 0 / 23 / 9

HEX #15E9B3

RGB 21 233 179

HSL 164.72, 0.83%, 0.5%

LAB 82.75, -58.65, 13.35

 

CMYK 91 / 2 / 0 / 9

HEX #15E5E9

RGB 21 229 233

HSL 181.13, 0.83%, 0.5%

LAB 82.96, -42.59, -14.83

 

CMYK 85 / 0 / 91 / 9

HEX #22E915

RGB 34 233 21

HSL 116.32, 0.83%, 0.5%

LAB 81.11, -78.4, 75.84

 

CMYK 94 / 0 / 100 / 1

HEX #10FD01

RGB 16 253 1

HSL 116.43, 0.99%, 0.5%

LAB 87.17, -85.16, 82.68

 

CMYK 85 / 0 / 91 / 9

HEX #22E915

RGB 34 233 21

HSL 116.32, 0.83%, 0.5%

LAB 81.11, -78.4, 75.84

 

CMYK 75 / 0 / 80 / 17

HEX #34D42A

RGB 52 212 42

HSL 116.47, 0.67%, 0.5%

LAB 74.81, -69.48, 66

 

CMYK 64 / 0 / 68 / 25

HEX #46C03E

RGB 70 192 62

HSL 116.31, 0.51%, 0.5%

LAB 69, -58.26, 53.47

 

CMYK 49 / 0 / 51 / 33

HEX #58AB53

RGB 88 171 83

HSL 116.59, 0.35%, 0.5%

LAB 63.2, -43.24, 37.4

 

CMYK 29 / 0 / 31 / 41

HEX #6B9668

RGB 107 150 104

HSL 116.09, 0.18%, 0.5%

LAB 57.98, -24.13, 19.69

 

CMYK 36 / 0 / 91 / 9

HEX #94E915

RGB 148 233 21

HSL 84.06, 0.83%, 0.5%

LAB 84.29, -53.01, 79.78

 

CMYK 61 / 0 / 91 / 9

HEX #5CE915

RGB 92 233 21

HSL 99.91, 0.83%, 0.5%

LAB 82.17, -69.29, 77.16

 

CMYK 85 / 0 / 91 / 9

HEX #23E915

RGB 35 233 21

HSL 116.04, 0.83%, 0.5%

LAB 81.12, -78.31, 75.86

 

CMYK 91 / 0 / 73 / 9

HEX #15E940

RGB 21 233 64

HSL 132.17, 0.83%, 0.5%

LAB 81.19, -77.06, 65.19

 

CMYK 91 / 0 / 48 / 9

HEX #15E978

RGB 21 233 120

HSL 148.02, 0.83%, 0.5%

LAB 81.73, -70.38, 41.95

 

CMYK 85 / 0 / 91 / 38

HEX #179D0E

RGB 23 157 14

HSL 116.22, 0.84%, 0.34%

LAB 56.41, -57.93, 55.95

 

CMYK 85 / 0 / 91 / 24

HEX #1DC312

RGB 29 195 18

HSL 116.27, 0.83%, 0.42%

LAB 68.99, -68.31, 66.03

 

CMYK 85 / 0 / 91 / 9

HEX #22E915

RGB 34 233 21

HSL 116.32, 0.83%, 0.5%

LAB 81.11, -78.4, 75.84

 

CMYK 70 / 0 / 75 / 7

HEX #46EC3B

RGB 70 236 59

HSL 116.27, 0.82%, 0.58%

LAB 82.7, -72.93, 68.58

 

CMYK 56 / 0 / 60 / 6

HEX #69F061

RGB 105 240 97

HSL 116.64, 0.83%, 0.66%

LAB 85.09, -63.74, 56.9

 

CMYK 85 / 0 / 91 / 9

HEX #22E915

RGB 34 233 21

HSL 116.32, 0.83%, 0.5%

LAB 81.11, -78.4, 75.84

 

CMYK 91 / 12 / 0 / 9

HEX #15CDE9

RGB 21 205 233

HSL 187.92, 0.83%, 0.5%

LAB 75.89, -31.49, -25.54

 

CMYK 0 / 91 / 48 / 9

HEX #E91578

RGB 233 21 120

HSL 331.98, 0.83%, 0.5%

LAB 50.94, 77.41, 2.65

 

CMYK 85 / 0 / 91 / 9

HEX #22E915

RGB 34 233 21

HSL 116.32, 0.83%, 0.5%

LAB 81.11, -78.4, 75.84

 

CMYK 91 / 85 / 0 / 9

HEX #1523E9

RGB 21 35 233

HSL 236.04, 0.83%, 0.5%

LAB 32.36, 65.43, -95.32

 

CMYK 0 / 91 / 85 / 9

HEX #E91523

RGB 233 21 35

HSL 356.04, 0.83%, 0.5%

LAB 49.47, 73.33, 50.78

 

CMYK 85 / 0 / 91 / 9

HEX #22E915

RGB 34 233 21

HSL 116.32, 0.83%, 0.5%

LAB 81.11, -78.4, 75.84

 

CMYK 91 / 12 / 0 / 9

HEX #15CDE9

RGB 21 205 233

HSL 187.92, 0.83%, 0.5%

LAB 75.89, -31.49, -25.54

 

CMYK 6 / 91 / 0 / 9

HEX #DB15E9

RGB 219 21 233

HSL 296.04, 0.83%, 0.5%

LAB 53.47, 87.9, -59.87

 

CMYK 0 / 79 / 91 / 9

HEX #E93115

RGB 233 49 21

HSL 7.92, 0.83%, 0.5%

LAB 51.35, 67.52, 58.15

 

CMYK 85 / 0 / 91 / 9

HEX #22E915

RGB 34 233 21

HSL 116.32, 0.83%, 0.5%

LAB 81.11, -78.4, 75.84

 

CMYK 91 / 39 / 0 / 9

HEX #158DE9

RGB 21 141 233

HSL 206.04, 0.83%, 0.5%

LAB 57.17, 3.02, -54.8

 

CMYK 6 / 91 / 0 / 9

HEX #DB15E9

RGB 219 21 233

HSL 296.04, 0.83%, 0.5%

LAB 53.47, 87.9, -59.87

 

CMYK 0 / 52 / 91 / 9

HEX #E97115

RGB 233 113 21

HSL 26.04, 0.83%, 0.5%

LAB 60.95, 41.91, 64.8

 

Description

Color code: RGB 34 233 21 | qconv.com Color code: RGB 34 233 21 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 233 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 233 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 91 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 91% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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