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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 91 / 0 / 73 / 9 it is the complementary color CMYK 0 / 90 / 18 / 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 91 / 0 / 73 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 91 / 0 / 73 / 9: CMYK 89 / 0 / 75 / 9, CMYK 83 / 0 / 69 / 2, CMYK 76 / 0 / 62 / 0, CMYK 70 / 0 / 55 / 0 and CMYK 63 / 0 / 47 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 91 / 0 / 73 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 91 / 0 / 73 / 9: CMYK 91 / 0 / 73 / 9, CMYK 98 / 0 / 79 / 16, CMYK 100 / 0 / 87 / 23, CMYK 100 / 0 / 97 / 30 and CMYK 100 / 0 / 100 / 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 73 / 9

HEX #15E83F

RGB 21 232 63

HSL 131.94, 0.83%, 0.5%

LAB 80.87, -76.86, 65.21

 

Complementary color

CMYK 0 / 90 / 18 / 8

HEX #EA17C0

RGB 234 23 192

HSL 311.94, 0.83%, 0.5%

LAB 53.93, 84.63, -35.55

 

CMYK 89 / 0 / 75 / 9

HEX #1AE83A

RGB 26 232 58

HSL 129.32, 0.82%, 0.51%

LAB 80.87, -76.94, 66.9

 

CMYK 83 / 0 / 69 / 2

HEX #2BFA4D

RGB 43 250 77

HSL 129.86, 0.95%, 0.57%

LAB 86.71, -79.22, 66.32

 

CMYK 76 / 0 / 62 / 0

HEX #3CFF60

RGB 60 255 96

HSL 131.08, 1%, 0.62%

LAB 88.6, -77.01, 61.02

 

CMYK 70 / 0 / 55 / 0

HEX #4DFF73

RGB 77 255 115

HSL 132.81, 1%, 0.65%

LAB 89.08, -72.35, 53.45

 

CMYK 63 / 0 / 47 / 0

HEX #5EFF86

RGB 94 255 134

HSL 134.91, 1%, 0.68%

LAB 89.68, -66.76, 45.48

 

CMYK 91 / 0 / 73 / 9

HEX #15E83F

RGB 21 232 63

HSL 131.94, 0.83%, 0.5%

LAB 80.87, -76.86, 65.21

 

CMYK 98 / 0 / 79 / 16

HEX #04D62C

RGB 4 214 44

HSL 131.43, 0.96%, 0.43%

LAB 75.01, -73.87, 65.46

 

CMYK 100 / 0 / 87 / 23

HEX #00C419

RGB 0 196 25

HSL 127.65, 1%, 0.38%

LAB 69.15, -70.04, 64.81

 

CMYK 100 / 0 / 97 / 30

HEX #00B206

RGB 0 178 6

HSL 122.02, 1%, 0.35%

LAB 63.22, -65.67, 62.75

 

CMYK 100 / 0 / 100 / 37

HEX #00A000

RGB 0 160 0

HSL 120, 1%, 0.31%

LAB 57.21, -60.83, 58.71

 

CMYK 91 / 0 / 73 / 9

HEX #15E83F

RGB 21 232 63

HSL 131.94, 0.83%, 0.5%

LAB 80.87, -76.86, 65.21

 

CMYK 91 / 0 / 59 / 9

HEX #15E95F

RGB 21 233 95

HSL 140.94, 0.83%, 0.5%

LAB 81.44, -73.92, 53.17

 

CMYK 91 / 0 / 44 / 9

HEX #15E983

RGB 21 233 131

HSL 151.13, 0.83%, 0.5%

LAB 81.88, -68.55, 36.76

 

CMYK 91 / 0 / 29 / 9

HEX #15E9A6

RGB 21 233 166

HSL 161.04, 0.83%, 0.5%

LAB 82.48, -61.62, 19.75

 

CMYK 91 / 0 / 14 / 9

HEX #15E9C9

RGB 21 233 201

HSL 170.94, 0.83%, 0.5%

LAB 83.26, -53.18, 2.53

 

CMYK 91 / 0 / 73 / 9

HEX #15E83F

RGB 21 232 63

HSL 131.94, 0.83%, 0.5%

LAB 80.87, -76.86, 65.21

 

CMYK 89 / 0 / 71 / 89

HEX #031C08

RGB 3 28 8

HSL 132, 0.81%, 0.06%

LAB 7.84, -13.43, 8.2

 

CMYK 91 / 0 / 73 / 69

HEX #074F15

RGB 7 79 21

HSL 131.67, 0.84%, 0.17%

LAB 28.62, -33.98, 27.45

 

CMYK 91 / 0 / 73 / 49

HEX #0C8223

RGB 12 130 35

HSL 131.69, 0.83%, 0.28%

LAB 47.19, -49.32, 41.02

 

CMYK 91 / 0 / 73 / 29

HEX #10B531

RGB 16 181 49

HSL 132, 0.84%, 0.39%

LAB 64.47, -63.52, 53.47

 

CMYK 91 / 0 / 73 / 9

HEX #15E83F

RGB 21 232 63

HSL 131.94, 0.83%, 0.5%

LAB 80.87, -76.86, 65.21

 

CMYK 91 / 35 / 0 / 9

HEX #1598E9

RGB 21 152 233

HSL 202.92, 0.83%, 0.5%

LAB 60.34, -3.45, -49.76

 

CMYK 0 / 91 / 71 / 9

HEX #E91543

RGB 233 21 67

HSL 346.98, 0.83%, 0.5%

LAB 49.82, 74.3, 33.37

 

CMYK 91 / 0 / 73 / 9

HEX #15E83F

RGB 21 232 63

HSL 131.94, 0.83%, 0.5%

LAB 80.87, -76.86, 65.21

 

CMYK 74 / 91 / 0 / 9

HEX #3C15E9

RGB 60 21 233

HSL 251.04, 0.83%, 0.5%

LAB 32.66, 71.1, -94.78

 

CMYK 0 / 74 / 91 / 9

HEX #E93C15

RGB 233 60 21

HSL 11.04, 0.83%, 0.5%

LAB 52.52, 64.25, 58.94

 

CMYK 91 / 0 / 73 / 9

HEX #15E83F

RGB 21 232 63

HSL 131.94, 0.83%, 0.5%

LAB 80.87, -76.86, 65.21

 

CMYK 91 / 35 / 0 / 9

HEX #1598E9

RGB 21 152 233

HSL 202.92, 0.83%, 0.5%

LAB 60.34, -3.45, -49.76

 

CMYK 0 / 91 / 17 / 9

HEX #E915C2

RGB 233 21 194

HSL 311.04, 0.83%, 0.5%

LAB 53.77, 84.93, -36.98

 

CMYK 0 / 56 / 91 / 9

HEX #E96615

RGB 233 102 21

HSL 22.92, 0.83%, 0.5%

LAB 58.86, 47.23, 63.32

 

CMYK 91 / 0 / 73 / 9

HEX #15E83F

RGB 21 232 63

HSL 131.94, 0.83%, 0.5%

LAB 80.87, -76.86, 65.21

 

CMYK 91 / 62 / 0 / 9

HEX #1558E9

RGB 21 88 233

HSL 221.04, 0.83%, 0.5%

LAB 42.8, 36.37, -78.06

 

CMYK 0 / 91 / 17 / 9

HEX #E915C2

RGB 233 21 194

HSL 311.04, 0.83%, 0.5%

LAB 53.77, 84.93, -36.98

 

CMYK 0 / 29 / 91 / 9

HEX #E9A615

RGB 233 166 21

HSL 41.04, 0.83%, 0.5%

LAB 72.66, 14.28, 73.39

 

Description

Color code: CMYK 91 / 0 / 73 / 9 | qconv.com Color code: CMYK 91 / 0 / 73 / 9 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 232 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 232 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 73 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 73% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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