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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 200 129 it is the complementary color RGB 221 55 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 200 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 34 200 129: RGB 39 200 124, RGB 56 218 143, RGB 73 236 162, RGB 90 254 181 and RGB 107 255 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 200 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 34 200 129: RGB 34 200 129, RGB 17 182 110, RGB 0 164 91, RGB 0 146 72 and RGB 0 128 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 36 / 22

HEX #22C881

RGB 34 200 129

HSL 154.34, 0.71%, 0.46%

LAB 71.71, -56.54, 24.38

 

Complementary color

CMYK 0 / 75 / 43 / 13

HEX #DD377E

RGB 221 55 126

HSL 334.34, 0.71%, 0.54%

LAB 51.39, 67.72, -0.59

 

CMYK 81 / 0 / 38 / 22

HEX #27C87C

RGB 39 200 124

HSL 151.68, 0.67%, 0.47%

LAB 71.69, -57.05, 26.97

 

CMYK 74 / 0 / 34 / 15

HEX #38DA8F

RGB 56 218 143

HSL 152.22, 0.69%, 0.54%

LAB 77.86, -57.95, 25.42

 

CMYK 69 / 0 / 31 / 7

HEX #49ECA2

RGB 73 236 162

HSL 152.76, 0.81%, 0.61%

LAB 83.97, -58.54, 23.98

 

CMYK 65 / 0 / 29 / 0

HEX #5AFEB5

RGB 90 254 181

HSL 153.29, 0.99%, 0.67%

LAB 90.04, -58.91, 22.66

 

CMYK 58 / 0 / 22 / 0

HEX #6BFFC8

RGB 107 255 200

HSL 157.7, 1%, 0.71%

LAB 91.15, -52.27, 14.54

 

CMYK 83 / 0 / 36 / 22

HEX #22C881

RGB 34 200 129

HSL 154.34, 0.71%, 0.46%

LAB 71.71, -56.54, 24.38

 

CMYK 91 / 0 / 40 / 29

HEX #11B66E

RGB 17 182 110

HSL 153.82, 0.83%, 0.39%

LAB 65.52, -55.09, 26.09

 

CMYK 100 / 0 / 45 / 36

HEX #00A45B

RGB 0 164 91

HSL 153.29, 1%, 0.32%

LAB 59.26, -53.2, 27.93

 

CMYK 100 / 0 / 51 / 43

HEX #009248

RGB 0 146 72

HSL 149.59, 1%, 0.29%

LAB 52.98, -50.39, 29.95

 

CMYK 100 / 0 / 59 / 50

HEX #008035

RGB 0 128 53

HSL 144.84, 1%, 0.25%

LAB 46.57, -47.33, 31.96

 

CMYK 83 / 0 / 36 / 22

HEX #22C881

RGB 34 200 129

HSL 154.34, 0.71%, 0.46%

LAB 71.71, -56.54, 24.38

 

CMYK 83 / 0 / 22 / 22

HEX #22C89C

RGB 34 200 156

HSL 164.1, 0.71%, 0.46%

LAB 72.26, -50.48, 10.73

 

CMYK 83 / 0 / 9 / 22

HEX #22C8B7

RGB 34 200 183

HSL 173.86, 0.71%, 0.46%

LAB 72.94, -43.44, -2.92

 

CMYK 83 / 5 / 0 / 22

HEX #22BDC8

RGB 34 189 200

HSL 183.98, 0.71%, 0.46%

LAB 70.11, -33.47, -16.41

 

CMYK 83 / 20 / 0 / 22

HEX #22A1C8

RGB 34 161 200

HSL 194.1, 0.71%, 0.46%

LAB 61.65, -19.44, -29.33

 

CMYK 83 / 0 / 36 / 22

HEX #22C881

RGB 34 200 129

HSL 154.34, 0.71%, 0.46%

LAB 71.71, -56.54, 24.38

 

CMYK 83 / 0 / 35 / 2

HEX #2BFBA2

RGB 43 251 162

HSL 154.33, 0.96%, 0.58%

LAB 88.02, -67.5, 29.4

 

CMYK 83 / 0 / 36 / 82

HEX #082F1E

RGB 8 47 30

HSL 153.85, 0.71%, 0.11%

LAB 16.4, -18.52, 7.1

 

CMYK 83 / 0 / 36 / 62

HEX #11623F

RGB 17 98 63

HSL 154.07, 0.7%, 0.23%

LAB 36.39, -32.48, 13.42

 

CMYK 83 / 0 / 36 / 42

HEX #199560

RGB 25 149 96

HSL 154.35, 0.71%, 0.34%

LAB 54.6, -45, 19.08

 

CMYK 83 / 0 / 36 / 22

HEX #22C881

RGB 34 200 129

HSL 154.34, 0.71%, 0.46%

LAB 71.71, -56.54, 24.38

 

CMYK 83 / 64 / 0 / 22

HEX #2248C8

RGB 34 72 200

HSL 226.27, 0.71%, 0.46%

LAB 36.26, 34.98, -69.85

 

CMYK 0 / 70 / 83 / 22

HEX #C83D22

RGB 200 61 34

HSL 9.76, 0.71%, 0.46%

LAB 46.62, 53.72, 46.3

 

CMYK 83 / 0 / 36 / 22

HEX #22C881

RGB 34 200 129

HSL 154.34, 0.71%, 0.46%

LAB 71.71, -56.54, 24.38

 

CMYK 36 / 83 / 0 / 22

HEX #8022C8

RGB 128 34 200

HSL 273.98, 0.71%, 0.46%

LAB 37.67, 65.57, -67.24

 

CMYK 0 / 36 / 83 / 22

HEX #C88022

RGB 200 128 34

HSL 33.98, 0.71%, 0.46%

LAB 59.74, 20.75, 57.98

 

CMYK 83 / 0 / 36 / 22

HEX #22C881

RGB 34 200 129

HSL 154.34, 0.71%, 0.46%

LAB 71.71, -56.54, 24.38

 

CMYK 83 / 64 / 0 / 22

HEX #2248C8

RGB 34 72 200

HSL 226.27, 0.71%, 0.46%

LAB 36.26, 34.98, -69.85

 

CMYK 0 / 83 / 47 / 22

HEX #C8226A

RGB 200 34 106

HSL 333.98, 0.71%, 0.46%

LAB 44.89, 66.19, 1.68

 

CMYK 0 / 20 / 83 / 22

HEX #C8A122

RGB 200 161 34

HSL 45.9, 0.71%, 0.46%

LAB 67.94, 2.81, 65.04

 

CMYK 83 / 0 / 36 / 22

HEX #22C881

RGB 34 200 129

HSL 154.34, 0.71%, 0.46%

LAB 71.71, -56.54, 24.38

 

CMYK 78 / 83 / 0 / 22

HEX #2D22C8

RGB 45 34 200

HSL 243.98, 0.71%, 0.46%

LAB 29.09, 57.04, -81.68

 

CMYK 0 / 83 / 47 / 22

HEX #C8226A

RGB 200 34 106

HSL 333.98, 0.71%, 0.46%

LAB 44.89, 66.19, 1.68

 

CMYK 5 / 0 / 83 / 22

HEX #BDC822

RGB 189 200 34

HSL 63.98, 0.71%, 0.46%

LAB 77.43, -22.07, 72.73

 

Description

Color code: RGB 34 200 129 | qconv.com Color code: RGB 34 200 129 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 200 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 200 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 36 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 36% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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