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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 179 213 it is the complementary color RGB 221 76 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 179 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 34 179 213: RGB 39 179 208, RGB 56 197 227, RGB 73 215 246, RGB 90 233 255 and RGB 107 251 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 179 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 34 179 213: RGB 34 179 213, RGB 17 161 194, RGB 0 143 175, RGB 0 125 156 and RGB 0 107 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 16 / 0 / 16

HEX #22B3D5

RGB 34 179 213

HSL 191.4, 0.72%, 0.48%

LAB 67.56, -24.4, -27.42

 

Complementary color

CMYK 0 / 66 / 81 / 13

HEX #DD4C2A

RGB 221 76 42

HSL 11.4, 0.72%, 0.52%

LAB 52.63, 54.97, 49.39

 

CMYK 81 / 14 / 0 / 18

HEX #27B3D0

RGB 39 179 208

HSL 190.3, 0.68%, 0.48%

LAB 67.45, -25.64, -24.85

 

CMYK 75 / 13 / 0 / 11

HEX #38C5E3

RGB 56 197 227

HSL 190.53, 0.75%, 0.55%

LAB 73.75, -26.91, -25.53

 

CMYK 70 / 13 / 0 / 4

HEX #49D7F6

RGB 73 215 246

HSL 190.75, 0.91%, 0.63%

LAB 79.99, -27.91, -26.15

 

CMYK 65 / 9 / 0 / 0

HEX #5AE9FF

RGB 90 233 255

HSL 188, 1%, 0.68%

LAB 85.84, -31.6, -21.98

 

CMYK 58 / 2 / 0 / 0

HEX #6BFBFF

RGB 107 251 255

HSL 181.62, 1%, 0.71%

LAB 91.39, -37.3, -13.59

 

CMYK 84 / 16 / 0 / 16

HEX #22B3D5

RGB 34 179 213

HSL 191.4, 0.72%, 0.48%

LAB 67.56, -24.4, -27.42

 

CMYK 91 / 17 / 0 / 24

HEX #11A1C2

RGB 17 161 194

HSL 191.19, 0.84%, 0.41%

LAB 61.22, -22.58, -26.65

 

CMYK 100 / 18 / 0 / 31

HEX #008FAF

RGB 0 143 175

HSL 190.97, 1%, 0.34%

LAB 54.8, -20.41, -25.81

 

CMYK 100 / 20 / 0 / 39

HEX #007D9C

RGB 0 125 156

HSL 191.92, 1%, 0.31%

LAB 48.35, -17.54, -24.81

 

CMYK 100 / 22 / 0 / 46

HEX #006B89

RGB 0 107 137

HSL 193.14, 1%, 0.27%

LAB 41.72, -14.56, -23.81

 

CMYK 84 / 16 / 0 / 16

HEX #22B3D5

RGB 34 179 213

HSL 191.4, 0.72%, 0.48%

LAB 67.56, -24.4, -27.42

 

CMYK 84 / 30 / 0 / 18

HEX #2294D2

RGB 34 148 210

HSL 201.14, 0.72%, 0.48%

LAB 58.2, -8.79, -40.31

 

CMYK 84 / 43 / 0 / 18

HEX #2277D2

RGB 34 119 210

HSL 211.02, 0.72%, 0.48%

LAB 49.72, 8.5, -53.77

 

CMYK 84 / 57 / 0 / 18

HEX #225AD2

RGB 34 90 210

HSL 220.91, 0.72%, 0.48%

LAB 41.7, 27.08, -66.74

 

CMYK 84 / 71 / 0 / 18

HEX #223CD2

RGB 34 60 210

HSL 231.14, 0.72%, 0.48%

LAB 34.45, 46.04, -78.64

 

CMYK 84 / 16 / 0 / 16

HEX #22B3D5

RGB 34 179 213

HSL 191.4, 0.72%, 0.48%

LAB 67.56, -24.4, -27.42

 

CMYK 89 / 11 / 0 / 96

HEX #010809

RGB 1 8 9

HSL 187.5, 0.8%, 0.02%

LAB 1.81, -1.69, -1.02

 

CMYK 83 / 17 / 0 / 76

HEX #0A323C

RGB 10 50 60

HSL 192, 0.71%, 0.14%

LAB 18.68, -9.59, -10.27

 

CMYK 84 / 16 / 0 / 56

HEX #125D6F

RGB 18 93 111

HSL 191.61, 0.72%, 0.25%

LAB 36.19, -15.03, -16.49

 

CMYK 84 / 16 / 0 / 36

HEX #1A88A2

RGB 26 136 162

HSL 191.47, 0.72%, 0.37%

LAB 52.33, -19.87, -22.13

 

CMYK 84 / 16 / 0 / 16

HEX #22B3D5

RGB 34 179 213

HSL 191.4, 0.72%, 0.48%

LAB 67.56, -24.4, -27.42

 

CMYK 52 / 84 / 0 / 18

HEX #6522D2

RGB 101 34 210

HSL 262.84, 0.72%, 0.48%

LAB 35.13, 64.45, -77.35

 

CMYK 0 / 18 / 84 / 18

HEX #D2AC22

RGB 210 172 34

HSL 47.05, 0.72%, 0.48%

LAB 71.77, 1.35, 68.69

 

CMYK 84 / 16 / 0 / 16

HEX #22B3D5

RGB 34 179 213

HSL 191.4, 0.72%, 0.48%

LAB 67.56, -24.4, -27.42

 

CMYK 0 / 84 / 15 / 18

HEX #D222B2

RGB 210 34 178

HSL 310.91, 0.72%, 0.48%

LAB 49.57, 76.39, -34.53

 

CMYK 15 / 0 / 84 / 18

HEX #B2D222

RGB 178 210 34

HSL 70.91, 0.72%, 0.48%

LAB 79.43, -31.41, 74.11

 

CMYK 84 / 16 / 0 / 16

HEX #22B3D5

RGB 34 179 213

HSL 191.4, 0.72%, 0.48%

LAB 67.56, -24.4, -27.42

 

CMYK 52 / 84 / 0 / 18

HEX #6522D2

RGB 101 34 210

HSL 262.84, 0.72%, 0.48%

LAB 35.13, 64.45, -77.35

 

CMYK 0 / 69 / 84 / 18

HEX #D24222

RGB 210 66 34

HSL 10.91, 0.72%, 0.48%

LAB 49.15, 55.09, 49.26

 

CMYK 32 / 0 / 84 / 18

HEX #8ED222

RGB 142 210 34

HSL 83.18, 0.72%, 0.48%

LAB 77.26, -45.33, 71.39

 

CMYK 84 / 16 / 0 / 16

HEX #22B3D5

RGB 34 179 213

HSL 191.4, 0.72%, 0.48%

LAB 67.56, -24.4, -27.42

 

CMYK 27 / 84 / 0 / 18

HEX #9A22D2

RGB 154 34 210

HSL 280.91, 0.72%, 0.48%

LAB 42.26, 71.5, -65.39

 

CMYK 0 / 69 / 84 / 18

HEX #D24222

RGB 210 66 34

HSL 10.91, 0.72%, 0.48%

LAB 49.15, 55.09, 49.26

 

CMYK 57 / 0 / 84 / 18

HEX #5AD222

RGB 90 210 34

HSL 100.91, 0.72%, 0.48%

LAB 75.07, -61.62, 68.62

 

Description

Color code: RGB 34 179 213 | qconv.com Color code: RGB 34 179 213 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 179 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 179 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 16 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 16% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to Sherwin Williams®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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