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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 151 211 it is the complementary color RGB 221 104 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 151 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 34 151 211: RGB 39 151 206, RGB 56 169 225, RGB 73 187 244, RGB 90 205 255 and RGB 107 223 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 151 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 34 151 211: RGB 34 151 211, RGB 17 133 192, RGB 0 115 173, RGB 0 97 154 and RGB 0 79 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 28 / 0 / 17

HEX #2297D3

RGB 34 151 211

HSL 200.34, 0.72%, 0.48%

LAB 59.14, -10.12, -39.4

 

Complementary color

CMYK 0 / 53 / 80 / 13

HEX #DD682C

RGB 221 104 44

HSL 20.34, 0.72%, 0.52%

LAB 57.52, 42.27, 53.09

 

CMYK 81 / 27 / 0 / 19

HEX #2797CE

RGB 39 151 206

HSL 199.76, 0.68%, 0.48%

LAB 58.99, -11.47, -36.82

 

CMYK 75 / 25 / 0 / 12

HEX #38A9E1

RGB 56 169 225

HSL 199.88, 0.74%, 0.55%

LAB 65.48, -13.01, -37.22

 

CMYK 70 / 23 / 0 / 4

HEX #49BBF4

RGB 73 187 244

HSL 200, 0.89%, 0.62%

LAB 71.89, -14.24, -37.58

 

CMYK 65 / 20 / 0 / 0

HEX #5ACDFF

RGB 90 205 255

HSL 198.18, 1%, 0.68%

LAB 77.91, -17.7, -34.12

 

CMYK 58 / 13 / 0 / 0

HEX #6BDFFF

RGB 107 223 255

HSL 192.97, 1%, 0.71%

LAB 83.51, -23.93, -25.48

 

CMYK 84 / 28 / 0 / 17

HEX #2297D3

RGB 34 151 211

HSL 200.34, 0.72%, 0.48%

LAB 59.14, -10.12, -39.4

 

CMYK 91 / 31 / 0 / 25

HEX #1185C0

RGB 17 133 192

HSL 200.23, 0.84%, 0.41%

LAB 52.62, -7.94, -38.93

 

CMYK 100 / 34 / 0 / 32

HEX #0073AD

RGB 0 115 173

HSL 200.12, 1%, 0.34%

LAB 46.01, -5.31, -38.39

 

CMYK 100 / 37 / 0 / 40

HEX #00619A

RGB 0 97 154

HSL 202.21, 1%, 0.3%

LAB 39.38, -1.83, -37.68

 

CMYK 100 / 41 / 0 / 47

HEX #004F87

RGB 0 79 135

HSL 204.89, 1%, 0.26%

LAB 32.57, 1.9, -37

 

CMYK 84 / 28 / 0 / 17

HEX #2297D3

RGB 34 151 211

HSL 200.34, 0.72%, 0.48%

LAB 59.14, -10.12, -39.4

 

CMYK 84 / 42 / 0 / 18

HEX #227AD2

RGB 34 122 210

HSL 210, 0.72%, 0.48%

LAB 50.58, 6.64, -52.39

 

CMYK 84 / 56 / 0 / 18

HEX #225DD2

RGB 34 93 210

HSL 219.89, 0.72%, 0.48%

LAB 42.49, 25.13, -65.45

 

CMYK 84 / 70 / 0 / 18

HEX #223FD2

RGB 34 63 210

HSL 230.11, 0.72%, 0.48%

LAB 35.1, 44.24, -77.56

 

CMYK 84 / 84 / 0 / 18

HEX #2222D2

RGB 34 34 210

HSL 240, 0.72%, 0.48%

LAB 29.76, 59.49, -86.42

 

CMYK 84 / 28 / 0 / 17

HEX #2297D3

RGB 34 151 211

HSL 200.34, 0.72%, 0.48%

LAB 59.14, -10.12, -39.4

 

CMYK 86 / 29 / 0 / 97

HEX #010507

RGB 1 5 7

HSL 200, 0.75%, 0.02%

LAB 1.18, -0.77, -1.13

 

CMYK 84 / 28 / 0 / 77

HEX #092A3A

RGB 9 42 58

HSL 199.59, 0.73%, 0.13%

LAB 15.59, -5.29, -13.66

 

CMYK 83 / 28 / 0 / 57

HEX #124E6D

RGB 18 78 109

HSL 200.44, 0.72%, 0.25%

LAB 31.07, -6.79, -23.17

 

CMYK 84 / 28 / 0 / 37

HEX #1A73A0

RGB 26 115 160

HSL 200.15, 0.72%, 0.36%

LAB 45.66, -8.81, -31.31

 

CMYK 84 / 28 / 0 / 17

HEX #2297D3

RGB 34 151 211

HSL 200.34, 0.72%, 0.48%

LAB 59.14, -10.12, -39.4

 

CMYK 39 / 84 / 0 / 18

HEX #8022D2

RGB 128 34 210

HSL 272.05, 0.72%, 0.48%

LAB 38.53, 67.75, -71.64

 

CMYK 0 / 6 / 84 / 18

HEX #D2C622

RGB 210 198 34

HSL 55.91, 0.72%, 0.48%

LAB 78.58, -12.12, 74.38

 

CMYK 84 / 28 / 0 / 17

HEX #2297D3

RGB 34 151 211

HSL 200.34, 0.72%, 0.48%

LAB 59.14, -10.12, -39.4

 

CMYK 0 / 84 / 28 / 18

HEX #D22297

RGB 210 34 151

HSL 320.11, 0.72%, 0.48%

LAB 48.36, 73.07, -20.39

 

CMYK 28 / 0 / 84 / 18

HEX #97D222

RGB 151 210 34

HSL 80.11, 0.72%, 0.48%

LAB 77.75, -42, 72.01

 

CMYK 84 / 28 / 0 / 17

HEX #2297D3

RGB 34 151 211

HSL 200.34, 0.72%, 0.48%

LAB 59.14, -10.12, -39.4

 

CMYK 39 / 84 / 0 / 18

HEX #8022D2

RGB 128 34 210

HSL 272.05, 0.72%, 0.48%

LAB 38.53, 67.75, -71.64

 

CMYK 0 / 56 / 84 / 18

HEX #D25D22

RGB 210 93 34

HSL 20.11, 0.72%, 0.48%

LAB 53.65, 43.15, 53.22

 

CMYK 45 / 0 / 84 / 18

HEX #74D222

RGB 116 210 34

HSL 92.05, 0.72%, 0.48%

LAB 76.02, -54.19, 69.83

 

CMYK 84 / 28 / 0 / 17

HEX #2297D3

RGB 34 151 211

HSL 200.34, 0.72%, 0.48%

LAB 59.14, -10.12, -39.4

 

CMYK 14 / 84 / 0 / 18

HEX #B522D2

RGB 181 34 210

HSL 290.11, 0.72%, 0.48%

LAB 46.47, 75.86, -58.36

 

CMYK 0 / 56 / 84 / 18

HEX #D25D22

RGB 210 93 34

HSL 20.11, 0.72%, 0.48%

LAB 53.65, 43.15, 53.22

 

CMYK 70 / 0 / 84 / 18

HEX #3FD222

RGB 63 210 34

HSL 110.11, 0.72%, 0.48%

LAB 74.36, -67.48, 67.72

 

Description

Color code: RGB 34 151 211 | qconv.com Color code: RGB 34 151 211 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 151 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 151 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 28 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 28% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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