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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 129 190 it is the complementary color RGB 221 126 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 129 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 34 129 190: RGB 39 129 185, RGB 56 147 204, RGB 73 165 223, RGB 90 183 242 and RGB 107 201 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 129 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 34 129 190: RGB 34 129 190, RGB 17 111 171, RGB 0 93 152, RGB 0 75 133 and RGB 0 57 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 32 / 0 / 25

HEX #2281BE

RGB 34 129 190

HSL 203.46, 0.7%, 0.44%

LAB 51.56, -5.13, -39.43

 

Complementary color

CMYK 0 / 43 / 71 / 13

HEX #DD7E41

RGB 221 126 65

HSL 23.46, 0.7%, 0.56%

LAB 62.23, 31.89, 48.06

 

CMYK 79 / 30 / 0 / 27

HEX #2781B9

RGB 39 129 185

HSL 203.01, 0.65%, 0.44%

LAB 51.42, -6.47, -36.78

 

CMYK 73 / 28 / 0 / 20

HEX #3893CC

RGB 56 147 204

HSL 203.11, 0.59%, 0.51%

LAB 58.1, -7.99, -37.07

 

CMYK 67 / 26 / 0 / 13

HEX #49A5DF

RGB 73 165 223

HSL 203.2, 0.7%, 0.58%

LAB 64.69, -9.18, -37.32

 

CMYK 63 / 24 / 0 / 5

HEX #5AB7F2

RGB 90 183 242

HSL 203.29, 0.85%, 0.65%

LAB 71.18, -10.12, -37.55

 

CMYK 58 / 21 / 0 / 0

HEX #6BC9FF

RGB 107 201 255

HSL 201.89, 1%, 0.71%

LAB 77.35, -12.68, -34.93

 

CMYK 82 / 32 / 0 / 25

HEX #2281BE

RGB 34 129 190

HSL 203.46, 0.7%, 0.44%

LAB 51.56, -5.13, -39.43

 

CMYK 90 / 35 / 0 / 33

HEX #116FAB

RGB 17 111 171

HSL 203.38, 0.82%, 0.37%

LAB 44.84, -2.88, -39.07

 

CMYK 100 / 39 / 0 / 40

HEX #005D98

RGB 0 93 152

HSL 203.29, 1%, 0.3%

LAB 38.01, -0.11, -38.66

 

CMYK 100 / 44 / 0 / 48

HEX #004B85

RGB 0 75 133

HSL 206.17, 1%, 0.26%

LAB 31.17, 3.72, -38.01

 

CMYK 100 / 50 / 0 / 55

HEX #003972

RGB 0 57 114

HSL 210, 1%, 0.22%

LAB 24.13, 7.9, -37.39

 

CMYK 82 / 32 / 0 / 25

HEX #2281BE

RGB 34 129 190

HSL 203.46, 0.7%, 0.44%

LAB 51.56, -5.13, -39.43

 

CMYK 83 / 45 / 0 / 25

HEX #2168BE

RGB 33 104 190

HSL 212.87, 0.7%, 0.44%

LAB 44.15, 10.17, -51.23

 

CMYK 83 / 59 / 0 / 25

HEX #214EBE

RGB 33 78 190

HSL 222.8, 0.7%, 0.44%

LAB 36.91, 27.19, -62.95

 

CMYK 83 / 73 / 0 / 25

HEX #2133BE

RGB 33 51 190

HSL 233.12, 0.7%, 0.44%

LAB 30.42, 44.35, -73.61

 

CMYK 78 / 83 / 0 / 25

HEX #2921BE

RGB 41 33 190

HSL 243.06, 0.7%, 0.44%

LAB 27.51, 54.28, -78.42

 

CMYK 82 / 32 / 0 / 25

HEX #2281BE

RGB 34 129 190

HSL 203.46, 0.7%, 0.44%

LAB 51.56, -5.13, -39.43

 

CMYK 82 / 32 / 0 / 5

HEX #2BA4F1

RGB 43 164 241

HSL 203.33, 0.88%, 0.56%

LAB 64.5, -5.97, -47.57

 

CMYK 81 / 32 / 0 / 85

HEX #071925

RGB 7 25 37

HSL 204, 0.68%, 0.09%

LAB 7.89, -2.52, -10.48

 

CMYK 82 / 32 / 0 / 65

HEX #103C58

RGB 16 60 88

HSL 203.33, 0.69%, 0.2%

LAB 23.82, -3.88, -21.04

 

CMYK 82 / 32 / 0 / 45

HEX #195E8B

RGB 25 94 139

HSL 203.68, 0.7%, 0.32%

LAB 37.98, -4.23, -30.84

 

CMYK 82 / 32 / 0 / 25

HEX #2281BE

RGB 34 129 190

HSL 203.46, 0.7%, 0.44%

LAB 51.56, -5.13, -39.43

 

CMYK 34 / 83 / 0 / 25

HEX #7D21BE

RGB 125 33 190

HSL 275.16, 0.7%, 0.44%

LAB 36.3, 63.26, -63.63

 

CMYK 0 / 1 / 83 / 25

HEX #BEBC21

RGB 190 188 33

HSL 59.24, 0.7%, 0.44%

LAB 74.2, -15.71, 70.27

 

CMYK 82 / 32 / 0 / 25

HEX #2281BE

RGB 34 129 190

HSL 203.46, 0.7%, 0.44%

LAB 51.56, -5.13, -39.43

 

CMYK 0 / 83 / 32 / 25

HEX #BE2182

RGB 190 33 130

HSL 322.93, 0.7%, 0.44%

LAB 43.72, 66.35, -15.09

 

CMYK 32 / 0 / 83 / 25

HEX #82BE21

RGB 130 190 33

HSL 82.93, 0.7%, 0.44%

LAB 70.65, -41.23, 65.58

 

CMYK 82 / 32 / 0 / 25

HEX #2281BE

RGB 34 129 190

HSL 203.46, 0.7%, 0.44%

LAB 51.56, -5.13, -39.43

 

CMYK 34 / 83 / 0 / 25

HEX #7D21BE

RGB 125 33 190

HSL 275.16, 0.7%, 0.44%

LAB 36.3, 63.26, -63.63

 

CMYK 0 / 51 / 83 / 25

HEX #BE5D21

RGB 190 93 33

HSL 22.93, 0.7%, 0.44%

LAB 50.55, 35.29, 49.71

 

CMYK 48 / 0 / 83 / 25

HEX #63BE21

RGB 99 190 33

HSL 94.78, 0.7%, 0.44%

LAB 69.18, -51.84, 63.71

 

CMYK 82 / 32 / 0 / 25

HEX #2281BE

RGB 34 129 190

HSL 203.46, 0.7%, 0.44%

LAB 51.56, -5.13, -39.43

 

CMYK 9 / 83 / 0 / 25

HEX #AC21BE

RGB 172 33 190

HSL 293.12, 0.7%, 0.44%

LAB 43.62, 71.1, -51.43

 

CMYK 0 / 51 / 83 / 25

HEX #BE5D21

RGB 190 93 33

HSL 22.93, 0.7%, 0.44%

LAB 50.55, 35.29, 49.71

 

CMYK 73 / 0 / 83 / 25

HEX #33BE21

RGB 51 190 33

HSL 113.12, 0.7%, 0.44%

LAB 67.75, -63.35, 61.89

 

Description

Color code: RGB 34 129 190 | qconv.com Color code: RGB 34 129 190 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 129 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 129 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 32 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 32% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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