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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 104 174 it is the complementary color RGB 221 151 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 104 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 34 104 174: RGB 39 104 169, RGB 56 122 188, RGB 73 140 207, RGB 90 158 226 and RGB 107 176 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 104 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 34 104 174: RGB 34 104 174, RGB 17 86 155, RGB 0 68 136, RGB 0 50 117 and RGB 0 32 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 40 / 0 / 32

HEX #2268AE

RGB 34 104 174

HSL 210, 0.67%, 0.41%

LAB 43.21, 4.05, -43.41

 

Complementary color

CMYK 0 / 32 / 63 / 13

HEX #DD9751

RGB 221 151 81

HSL 30, 0.67%, 0.59%

LAB 68.09, 19.48, 46.75

 

CMYK 77 / 38 / 0 / 34

HEX #2768A9

RGB 39 104 169

HSL 210, 0.63%, 0.41%

LAB 43.06, 2.71, -40.7

 

CMYK 70 / 35 / 0 / 26

HEX #387ABC

RGB 56 122 188

HSL 210, 0.54%, 0.48%

LAB 49.97, 1.01, -40.77

 

CMYK 65 / 32 / 0 / 19

HEX #498CCF

RGB 73 140 207

HSL 210, 0.58%, 0.55%

LAB 56.76, -0.3, -40.82

 

CMYK 60 / 30 / 0 / 11

HEX #5A9EE2

RGB 90 158 226

HSL 210, 0.7%, 0.62%

LAB 63.44, -1.34, -40.88

 

CMYK 56 / 28 / 0 / 4

HEX #6BB0F5

RGB 107 176 245

HSL 210, 0.87%, 0.69%

LAB 70.01, -2.18, -40.95

 

CMYK 80 / 40 / 0 / 32

HEX #2268AE

RGB 34 104 174

HSL 210, 0.67%, 0.41%

LAB 43.21, 4.05, -43.41

 

CMYK 89 / 45 / 0 / 39

HEX #11569B

RGB 17 86 155

HSL 210, 0.8%, 0.34%

LAB 36.25, 6.6, -43.26

 

CMYK 100 / 50 / 0 / 47

HEX #004488

RGB 0 68 136

HSL 210, 1%, 0.27%

LAB 29.19, 9.81, -43.05

 

CMYK 100 / 57 / 0 / 54

HEX #003275

RGB 0 50 117

HSL 214.36, 1%, 0.23%

LAB 22.18, 14.3, -42.47

 

CMYK 100 / 67 / 0 / 62

HEX #002062

RGB 0 32 98

HSL 220.41, 1%, 0.19%

LAB 15.03, 19.19, -41.8

 

CMYK 80 / 40 / 0 / 32

HEX #2268AE

RGB 34 104 174

HSL 210, 0.67%, 0.41%

LAB 43.21, 4.05, -43.41

 

CMYK 80 / 53 / 0 / 32

HEX #2251AE

RGB 34 81 174

HSL 219.86, 0.67%, 0.41%

LAB 36.52, 19.06, -54.16

 

CMYK 80 / 67 / 0 / 32

HEX #2239AE

RGB 34 57 174

HSL 230.14, 0.67%, 0.41%

LAB 30.21, 34.97, -64.45

 

CMYK 80 / 80 / 0 / 32

HEX #2222AE

RGB 34 34 174

HSL 240, 0.67%, 0.41%

LAB 25.38, 48.44, -72.43

 

CMYK 67 / 80 / 0 / 32

HEX #3922AE

RGB 57 34 174

HSL 249.86, 0.67%, 0.41%

LAB 26.93, 50.19, -69.81

 

CMYK 80 / 40 / 0 / 32

HEX #2268AE

RGB 34 104 174

HSL 210, 0.67%, 0.41%

LAB 43.21, 4.05, -43.41

 

CMYK 80 / 40 / 0 / 12

HEX #2C86E1

RGB 44 134 225

HSL 210.17, 0.75%, 0.53%

LAB 55.09, 5.83, -53.63

 

CMYK 81 / 38 / 0 / 92

HEX #040D15

RGB 4 13 21

HSL 208.24, 0.68%, 0.05%

LAB 3.32, -0.83, -5.19

 

CMYK 81 / 40 / 0 / 72

HEX #0E2B48

RGB 14 43 72

HSL 210, 0.67%, 0.17%

LAB 16.94, 0.84, -21.2

 

CMYK 80 / 40 / 0 / 52

HEX #184A7B

RGB 24 74 123

HSL 209.7, 0.67%, 0.29%

LAB 30.69, 2.16, -32.54

 

CMYK 80 / 40 / 0 / 32

HEX #2268AE

RGB 34 104 174

HSL 210, 0.67%, 0.41%

LAB 43.21, 4.05, -43.41

 

CMYK 24 / 80 / 0 / 32

HEX #8422AE

RGB 132 34 174

HSL 282, 0.67%, 0.41%

LAB 36.19, 60.73, -54.29

 

CMYK 8 / 0 / 80 / 32

HEX #A0AE22

RGB 160 174 34

HSL 66, 0.67%, 0.41%

LAB 67.92, -21.58, 63.64

 

CMYK 80 / 40 / 0 / 32

HEX #2268AE

RGB 34 104 174

HSL 210, 0.67%, 0.41%

LAB 43.21, 4.05, -43.41

 

CMYK 0 / 80 / 40 / 32

HEX #AE2268

RGB 174 34 104

HSL 330, 0.67%, 0.41%

LAB 39.82, 59.38, -5.1

 

CMYK 40 / 0 / 80 / 32

HEX #68AE22

RGB 104 174 34

HSL 90, 0.67%, 0.41%

LAB 64.43, -43.76, 59.19

 

CMYK 80 / 40 / 0 / 32

HEX #2268AE

RGB 34 104 174

HSL 210, 0.67%, 0.41%

LAB 43.21, 4.05, -43.41

 

CMYK 24 / 80 / 0 / 32

HEX #8422AE

RGB 132 34 174

HSL 282, 0.67%, 0.41%

LAB 36.19, 60.73, -54.29

 

CMYK 0 / 40 / 80 / 32

HEX #AE6822

RGB 174 104 34

HSL 30, 0.67%, 0.41%

LAB 50.7, 22.67, 48.59

 

CMYK 56 / 0 / 80 / 32

HEX #4CAE22

RGB 76 174 34

HSL 102, 0.67%, 0.41%

LAB 63.28, -52.45, 57.71

 

CMYK 80 / 40 / 0 / 32

HEX #2268AE

RGB 34 104 174

HSL 210, 0.67%, 0.41%

LAB 43.21, 4.05, -43.41

 

CMYK 0 / 80 / 0 / 32

HEX #AE22AE

RGB 174 34 174

HSL 300, 0.67%, 0.41%

LAB 43.06, 68.61, -42.87

 

CMYK 0 / 40 / 80 / 32

HEX #AE6822

RGB 174 104 34

HSL 30, 0.67%, 0.41%

LAB 50.7, 22.67, 48.59

 

CMYK 80 / 0 / 80 / 32

HEX #22AE22

RGB 34 174 34

HSL 120, 0.67%, 0.41%

LAB 62.28, -60.84, 56.41

 

Description

Color code: RGB 34 104 174 | qconv.com Color code: RGB 34 104 174 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 104 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 104 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 40 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 40% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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