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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 90 159 it is the complementary color RGB 222 165 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 90 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 33 90 159: RGB 38 90 154, RGB 55 108 173, RGB 72 126 192, RGB 89 144 211 and RGB 106 162 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 90 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 33 90 159: RGB 33 90 159, RGB 16 72 140, RGB 0 54 121, RGB 0 36 102 and RGB 0 18 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 43 / 0 / 38

HEX #215A9F

RGB 33 90 159

HSL 212.86, 0.66%, 0.38%

LAB 38.09, 7.08, -42.7

 

Complementary color

CMYK 0 / 26 / 57 / 13

HEX #DEA560

RGB 222 165 96

HSL 32.86, 0.66%, 0.62%

LAB 71.75, 13.46, 43.57

 

CMYK 75 / 42 / 0 / 40

HEX #265A9A

RGB 38 90 154

HSL 213.1, 0.6%, 0.38%

LAB 37.95, 5.77, -39.92

 

CMYK 68 / 38 / 0 / 32

HEX #376CAD

RGB 55 108 173

HSL 213.05, 0.52%, 0.45%

LAB 45.02, 4.04, -39.9

 

CMYK 63 / 34 / 0 / 25

HEX #487EC0

RGB 72 126 192

HSL 213, 0.49%, 0.52%

LAB 51.96, 2.73, -39.88

 

CMYK 58 / 32 / 0 / 17

HEX #5990D3

RGB 89 144 211

HSL 212.95, 0.58%, 0.59%

LAB 58.76, 1.69, -39.87

 

CMYK 54 / 30 / 0 / 10

HEX #6AA2E6

RGB 106 162 230

HSL 212.9, 0.71%, 0.66%

LAB 65.45, 0.86, -39.89

 

CMYK 79 / 43 / 0 / 38

HEX #215A9F

RGB 33 90 159

HSL 212.86, 0.66%, 0.38%

LAB 38.09, 7.08, -42.7

 

CMYK 89 / 49 / 0 / 45

HEX #10488C

RGB 16 72 140

HSL 212.9, 0.79%, 0.31%

LAB 30.97, 9.74, -42.63

 

CMYK 100 / 55 / 0 / 53

HEX #003679

RGB 0 54 121

HSL 213.22, 1%, 0.24%

LAB 23.73, 13.17, -42.49

 

CMYK 100 / 65 / 0 / 60

HEX #002466

RGB 0 36 102

HSL 218.82, 1%, 0.2%

LAB 16.61, 17.98, -41.86

 

CMYK 100 / 78 / 0 / 67

HEX #001253

RGB 0 18 83

HSL 226.99, 1%, 0.16%

LAB 9.46, 22.98, -40.89

 

CMYK 79 / 43 / 0 / 38

HEX #215A9F

RGB 33 90 159

HSL 212.86, 0.66%, 0.38%

LAB 38.09, 7.08, -42.7

 

CMYK 80 / 56 / 0 / 37

HEX #2047A0

RGB 32 71 160

HSL 221.72, 0.67%, 0.38%

LAB 32.59, 20.06, -52.16

 

CMYK 80 / 69 / 0 / 37

HEX #2032A0

RGB 32 50 160

HSL 231.56, 0.67%, 0.38%

LAB 27.09, 34.12, -61.15

 

CMYK 77 / 80 / 0 / 37

HEX #2520A0

RGB 37 32 160

HSL 242.34, 0.67%, 0.38%

LAB 23.55, 45.15, -66.98

 

CMYK 64 / 80 / 0 / 37

HEX #3A20A0

RGB 58 32 160

HSL 252.19, 0.67%, 0.38%

LAB 25.17, 47.07, -64.26

 

CMYK 79 / 43 / 0 / 38

HEX #215A9F

RGB 33 90 159

HSL 212.86, 0.66%, 0.38%

LAB 38.09, 7.08, -42.7

 

CMYK 79 / 43 / 0 / 18

HEX #2C77D2

RGB 44 119 210

HSL 212.89, 0.65%, 0.5%

LAB 49.96, 9.43, -53.38

 

CMYK 83 / 50 / 0 / 98

HEX #010306

RGB 1 3 6

HSL 216, 0.71%, 0.01%

LAB 0.77, -0.11, -1.32

 

CMYK 79 / 44 / 0 / 78

HEX #0C2039

RGB 12 32 57

HSL 213.33, 0.65%, 0.14%

LAB 12, 2.06, -18.58

 

CMYK 80 / 44 / 0 / 58

HEX #163D6C

RGB 22 61 108

HSL 212.79, 0.66%, 0.25%

LAB 25.54, 4.57, -31.28

 

CMYK 79 / 43 / 0 / 38

HEX #215A9F

RGB 33 90 159

HSL 212.86, 0.66%, 0.38%

LAB 38.09, 7.08, -42.7

 

CMYK 21 / 80 / 0 / 37

HEX #7E20A0

RGB 126 32 160

HSL 284.06, 0.67%, 0.38%

LAB 34, 57.47, -49.47

 

CMYK 11 / 0 / 80 / 37

HEX #8FA020

RGB 143 160 32

HSL 67.97, 0.67%, 0.38%

LAB 62.58, -21.98, 58.98

 

CMYK 79 / 43 / 0 / 38

HEX #215A9F

RGB 33 90 159

HSL 212.86, 0.66%, 0.38%

LAB 38.09, 7.08, -42.7

 

CMYK 0 / 80 / 43 / 37

HEX #A0205C

RGB 160 32 92

HSL 331.88, 0.67%, 0.38%

LAB 36.52, 55.05, -2.67

 

CMYK 43 / 0 / 80 / 37

HEX #5CA020

RGB 92 160 32

HSL 91.88, 0.67%, 0.38%

LAB 59.45, -42.17, 54.97

 

CMYK 79 / 43 / 0 / 38

HEX #215A9F

RGB 33 90 159

HSL 212.86, 0.66%, 0.38%

LAB 38.09, 7.08, -42.7

 

CMYK 21 / 80 / 0 / 37

HEX #7E20A0

RGB 126 32 160

HSL 284.06, 0.67%, 0.38%

LAB 34, 57.47, -49.47

 

CMYK 0 / 37 / 80 / 37

HEX #A06520

RGB 160 101 32

HSL 32.34, 0.67%, 0.38%

LAB 48.12, 18.09, 46.34

 

CMYK 58 / 0 / 80 / 37

HEX #43A020

RGB 67 160 32

HSL 103.59, 0.67%, 0.38%

LAB 58.45, -49.84, 53.67

 

CMYK 79 / 43 / 0 / 38

HEX #215A9F

RGB 33 90 159

HSL 212.86, 0.66%, 0.38%

LAB 38.09, 7.08, -42.7

 

CMYK 0 / 80 / 2 / 37

HEX #A0209C

RGB 160 32 156

HSL 301.88, 0.67%, 0.38%

LAB 39.42, 63.45, -38.04

 

CMYK 0 / 37 / 80 / 37

HEX #A06520

RGB 160 101 32

HSL 32.34, 0.67%, 0.38%

LAB 48.12, 18.09, 46.34

 

CMYK 80 / 0 / 77 / 37

HEX #20A025

RGB 32 160 37

HSL 122.34, 0.67%, 0.38%

LAB 57.64, -56.53, 50.95

 

Description

Color code: RGB 33 90 159 | qconv.com Color code: RGB 33 90 159 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 90 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 90 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 43 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 43% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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