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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 135 204 it is the complementary color RGB 222 120 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 135 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 33 135 204: RGB 38 135 199, RGB 55 153 218, RGB 72 171 237, RGB 89 189 255 and RGB 106 207 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 135 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 33 135 204: RGB 33 135 204, RGB 16 117 185, RGB 0 99 166, RGB 0 81 147 and RGB 0 63 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 34 / 0 / 20

HEX #2187CC

RGB 33 135 204

HSL 204.21, 0.72%, 0.46%

LAB 54.04, -3.56, -43.5

 

Complementary color

CMYK 0 / 46 / 77 / 13

HEX #DE7833

RGB 222 120 51

HSL 24.21, 0.72%, 0.54%

LAB 60.96, 34.8, 53.36

 

CMYK 81 / 32 / 0 / 22

HEX #2687C7

RGB 38 135 199

HSL 203.85, 0.68%, 0.46%

LAB 53.88, -4.95, -40.9

 

CMYK 75 / 30 / 0 / 15

HEX #3799DA

RGB 55 153 218

HSL 203.93, 0.69%, 0.54%

LAB 60.48, -6.65, -41.18

 

CMYK 70 / 28 / 0 / 7

HEX #48ABED

RGB 72 171 237

HSL 204, 0.82%, 0.61%

LAB 66.99, -8, -41.41

 

CMYK 65 / 26 / 0 / 0

HEX #59BDFF

RGB 89 189 255

HSL 203.86, 1%, 0.67%

LAB 73.38, -9.4, -41.15

 

CMYK 58 / 19 / 0 / 0

HEX #6ACFFF

RGB 106 207 255

HSL 199.33, 1%, 0.71%

LAB 78.99, -16, -32.41

 

CMYK 84 / 34 / 0 / 20

HEX #2187CC

RGB 33 135 204

HSL 204.21, 0.72%, 0.46%

LAB 54.04, -3.56, -43.5

 

CMYK 91 / 37 / 0 / 27

HEX #1075B9

RGB 16 117 185

HSL 204.14, 0.84%, 0.39%

LAB 47.41, -1.15, -43.14

 

CMYK 100 / 40 / 0 / 35

HEX #0063A6

RGB 0 99 166

HSL 204.22, 1%, 0.33%

LAB 40.7, 1.79, -42.73

 

CMYK 100 / 45 / 0 / 42

HEX #005193

RGB 0 81 147

HSL 206.94, 1%, 0.29%

LAB 33.97, 5.65, -42.11

 

CMYK 100 / 51 / 0 / 50

HEX #003F80

RGB 0 63 128

HSL 210.47, 1%, 0.25%

LAB 27.06, 9.83, -41.52

 

CMYK 84 / 34 / 0 / 20

HEX #2187CC

RGB 33 135 204

HSL 204.21, 0.72%, 0.46%

LAB 54.04, -3.56, -43.5

 

CMYK 84 / 47 / 0 / 21

HEX #206AC9

RGB 32 106 201

HSL 213.73, 0.73%, 0.46%

LAB 45.4, 13.08, -55.57

 

CMYK 84 / 62 / 0 / 21

HEX #204DC9

RGB 32 77 201

HSL 224.02, 0.73%, 0.46%

LAB 37.54, 31.97, -68.34

 

CMYK 84 / 76 / 0 / 21

HEX #2031C9

RGB 32 49 201

HSL 233.96, 0.73%, 0.46%

LAB 31.16, 49.18, -78.84

 

CMYK 78 / 84 / 0 / 21

HEX #2C20C9

RGB 44 32 201

HSL 244.26, 0.73%, 0.46%

LAB 28.86, 58.13, -82.64

 

CMYK 84 / 34 / 0 / 20

HEX #2187CC

RGB 33 135 204

HSL 204.21, 0.72%, 0.46%

LAB 54.04, -3.56, -43.5

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 84 / 33 / 0 / 80

HEX #082233

RGB 8 34 51

HSL 203.72, 0.73%, 0.12%

LAB 12.19, -2.86, -14.02

 

CMYK 83 / 33 / 0 / 60

HEX #114466

RGB 17 68 102

HSL 204, 0.71%, 0.23%

LAB 27.33, -3.3, -24.59

 

CMYK 84 / 34 / 0 / 40

HEX #196599

RGB 25 101 153

HSL 204.38, 0.72%, 0.35%

LAB 40.92, -3.13, -34.62

 

CMYK 84 / 34 / 0 / 20

HEX #2187CC

RGB 33 135 204

HSL 204.21, 0.72%, 0.46%

LAB 54.04, -3.56, -43.5

 

CMYK 33 / 84 / 0 / 21

HEX #8620C9

RGB 134 32 201

HSL 276.21, 0.73%, 0.46%

LAB 38.41, 67.23, -66.58

 

CMYK 0 / 0 / 84 / 21

HEX #C9C920

RGB 201 201 32

HSL 60, 0.73%, 0.46%

LAB 78.63, -17.53, 74.57

 

CMYK 84 / 34 / 0 / 20

HEX #2187CC

RGB 33 135 204

HSL 204.21, 0.72%, 0.46%

LAB 54.04, -3.56, -43.5

 

CMYK 0 / 84 / 33 / 21

HEX #C92086

RGB 201 32 134

HSL 323.79, 0.73%, 0.46%

LAB 45.87, 69.57, -14.07

 

CMYK 33 / 0 / 84 / 21

HEX #86C920

RGB 134 201 32

HSL 83.79, 0.73%, 0.46%

LAB 74.16, -44.5, 68.98

 

CMYK 84 / 34 / 0 / 20

HEX #2187CC

RGB 33 135 204

HSL 204.21, 0.72%, 0.46%

LAB 54.04, -3.56, -43.5

 

CMYK 33 / 84 / 0 / 21

HEX #8620C9

RGB 134 32 201

HSL 276.21, 0.73%, 0.46%

LAB 38.41, 67.23, -66.58

 

CMYK 0 / 50 / 84 / 21

HEX #C96420

RGB 201 100 32

HSL 24.14, 0.73%, 0.46%

LAB 53.64, 36.07, 53.47

 

CMYK 50 / 0 / 84 / 21

HEX #64C920

RGB 100 201 32

HSL 95.86, 0.73%, 0.46%

LAB 72.62, -55.74, 67.04

 

CMYK 84 / 34 / 0 / 20

HEX #2187CC

RGB 33 135 204

HSL 204.21, 0.72%, 0.46%

LAB 54.04, -3.56, -43.5

 

CMYK 8 / 84 / 0 / 21

HEX #B820C9

RGB 184 32 201

HSL 293.96, 0.73%, 0.46%

LAB 46.23, 75.29, -53.53

 

CMYK 0 / 50 / 84 / 21

HEX #C96420

RGB 201 100 32

HSL 24.14, 0.73%, 0.46%

LAB 53.64, 36.07, 53.47

 

CMYK 76 / 0 / 84 / 21

HEX #31C920

RGB 49 201 32

HSL 113.96, 0.73%, 0.46%

LAB 71.24, -67.1, 65.28

 

Description

Color code: RGB 33 135 204 | qconv.com Color code: RGB 33 135 204 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 135 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 135 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 34 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 34% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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