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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 75 / 30 / 0 / 15 it is the complementary color CMYK 0 / 49 / 81 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 75 / 30 / 0 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 75 / 30 / 0 / 15: CMYK 72 / 28 / 0 / 17, CMYK 67 / 26 / 0 / 9, CMYK 63 / 25 / 0 / 2, CMYK 57 / 19 / 0 / 0 and CMYK 50 / 12 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 75 / 30 / 0 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 75 / 30 / 0 / 15: CMYK 75 / 30 / 0 / 15, CMYK 81 / 32 / 0 / 22, CMYK 89 / 35 / 0 / 30, CMYK 98 / 39 / 0 / 37 and CMYK 100 / 43 / 0 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 30 / 0 / 15

HEX #3698D9

RGB 54 152 217

HSL 203.93, 0.68%, 0.53%

LAB 60.11, -6.55, -41.19

 

Complementary color

CMYK 0 / 49 / 81 / 21

HEX #C96726

RGB 201 103 38

HSL 23.93, 0.68%, 0.47%

LAB 54.3, 34.7, 51.62

 

CMYK 72 / 28 / 0 / 17

HEX #3B98D4

RGB 59 152 212

HSL 203.53, 0.64%, 0.53%

LAB 60.01, -7.65, -38.55

 

CMYK 67 / 26 / 0 / 9

HEX #4CAAE7

RGB 76 170 231

HSL 203.61, 0.76%, 0.6%

LAB 66.56, -8.84, -38.79

 

CMYK 63 / 25 / 0 / 2

HEX #5DBCFA

RGB 93 188 250

HSL 203.69, 0.94%, 0.67%

LAB 73.02, -9.79, -39.01

 

CMYK 57 / 19 / 0 / 0

HEX #6ECEFF

RGB 110 206 255

HSL 200.28, 1%, 0.72%

LAB 78.86, -14.73, -32.6

 

CMYK 50 / 12 / 0 / 0

HEX #7FE0FF

RGB 127 224 255

HSL 194.53, 1%, 0.75%

LAB 84.51, -20.49, -23.9

 

CMYK 75 / 30 / 0 / 15

HEX #3698D9

RGB 54 152 217

HSL 203.93, 0.68%, 0.53%

LAB 60.11, -6.55, -41.19

 

CMYK 81 / 32 / 0 / 22

HEX #2586C6

RGB 37 134 198

HSL 203.85, 0.69%, 0.46%

LAB 53.51, -4.83, -40.91

 

CMYK 89 / 35 / 0 / 30

HEX #1474B3

RGB 20 116 179

HSL 203.77, 0.8%, 0.39%

LAB 46.84, -2.63, -40.57

 

CMYK 98 / 39 / 0 / 37

HEX #0362A0

RGB 3 98 160

HSL 203.69, 0.96%, 0.32%

LAB 40.07, 0.13, -40.16

 

CMYK 100 / 43 / 0 / 45

HEX #00508D

RGB 0 80 141

HSL 205.96, 1%, 0.28%

LAB 33.27, 3.78, -39.57

 

CMYK 75 / 30 / 0 / 15

HEX #3698D9

RGB 54 152 217

HSL 203.93, 0.68%, 0.53%

LAB 60.11, -6.55, -41.19

 

CMYK 75 / 41 / 0 / 15

HEX #357FD8

RGB 53 127 216

HSL 212.76, 0.68%, 0.53%

LAB 52.83, 7.73, -52.17

 

CMYK 75 / 54 / 0 / 15

HEX #3563D8

RGB 53 99 216

HSL 223.07, 0.68%, 0.53%

LAB 45.13, 25.34, -64.56

 

CMYK 75 / 67 / 0 / 15

HEX #3548D8

RGB 53 72 216

HSL 233.01, 0.68%, 0.53%

LAB 38.46, 42.36, -75.46

 

CMYK 72 / 75 / 0 / 15

HEX #3D35D8

RGB 61 53 216

HSL 242.94, 0.68%, 0.53%

LAB 35, 53.9, -81.15

 

CMYK 75 / 30 / 0 / 15

HEX #3698D9

RGB 54 152 217

HSL 203.93, 0.68%, 0.53%

LAB 60.11, -6.55, -41.19

 

CMYK 77 / 31 / 0 / 95

HEX #03090D

RGB 3 9 13

HSL 204, 0.63%, 0.03%

LAB 2.2, -0.98, -2.17

 

CMYK 75 / 30 / 0 / 75

HEX #102D40

RGB 16 45 64

HSL 203.75, 0.6%, 0.16%

LAB 17.26, -3.56, -15.2

 

CMYK 75 / 30 / 0 / 55

HEX #1D5173

RGB 29 81 115

HSL 203.72, 0.6%, 0.28%

LAB 32.67, -4.84, -24.42

 

CMYK 75 / 30 / 0 / 35

HEX #2974A6

RGB 41 116 166

HSL 204, 0.6%, 0.41%

LAB 46.6, -5.5, -33.34

 

CMYK 75 / 30 / 0 / 15

HEX #3698D9

RGB 54 152 217

HSL 203.93, 0.68%, 0.53%

LAB 60.11, -6.55, -41.19

 

CMYK 31 / 75 / 0 / 15

HEX #9435D8

RGB 148 53 216

HSL 274.97, 0.68%, 0.53%

LAB 43.94, 65.69, -66.14

 

CMYK 0 / 1 / 75 / 15

HEX #D8D535

RGB 216 213 53

HSL 58.9, 0.68%, 0.53%

LAB 83.15, -16.46, 73.38

 

CMYK 75 / 30 / 0 / 15

HEX #3698D9

RGB 54 152 217

HSL 203.93, 0.68%, 0.53%

LAB 60.11, -6.55, -41.19

 

CMYK 0 / 75 / 29 / 15

HEX #D8359A

RGB 216 53 154

HSL 322.82, 0.68%, 0.53%

LAB 51.24, 69.99, -17.68

 

CMYK 29 / 0 / 75 / 15

HEX #9AD835

RGB 154 216 53

HSL 82.82, 0.68%, 0.53%

LAB 79.75, -42.68, 68.69

 

CMYK 75 / 30 / 0 / 15

HEX #3698D9

RGB 54 152 217

HSL 203.93, 0.68%, 0.53%

LAB 60.11, -6.55, -41.19

 

CMYK 31 / 75 / 0 / 15

HEX #9435D8

RGB 148 53 216

HSL 274.97, 0.68%, 0.53%

LAB 43.94, 65.69, -66.14

 

CMYK 0 / 46 / 75 / 15

HEX #D87435

RGB 216 116 53

HSL 23.19, 0.68%, 0.53%

LAB 59.29, 34.54, 50.5

 

CMYK 44 / 0 / 75 / 15

HEX #79D835

RGB 121 216 53

HSL 94.97, 0.68%, 0.53%

LAB 78.13, -54.02, 66.57

 

CMYK 75 / 30 / 0 / 15

HEX #3698D9

RGB 54 152 217

HSL 203.93, 0.68%, 0.53%

LAB 60.11, -6.55, -41.19

 

CMYK 9 / 75 / 0 / 15

HEX #C535D8

RGB 197 53 216

HSL 293.01, 0.68%, 0.53%

LAB 51.12, 74.75, -54.19

 

CMYK 0 / 46 / 75 / 15

HEX #D87435

RGB 216 116 53

HSL 23.19, 0.68%, 0.53%

LAB 59.29, 34.54, 50.5

 

CMYK 67 / 0 / 75 / 15

HEX #48D835

RGB 72 216 53

HSL 113.01, 0.68%, 0.53%

LAB 76.53, -66.63, 64.46

 

Description

Color code: CMYK 75 / 30 / 0 / 15 | qconv.com Color code: CMYK 75 / 30 / 0 / 15 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 152 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 152 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 30 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 30% 0% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - Metro Store - Ouvrez...
Link: http://metrostore.be

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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