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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 32 52 79 it is the complementary color RGB 223 203 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 32 52 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 32 52 79: RGB 37 52 74, RGB 54 70 93, RGB 71 88 112, RGB 88 106 131 and RGB 105 124 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 32 52 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 32 52 79: RGB 32 52 79, RGB 15 34 60, RGB 0 16 41, RGB 0 0 22 and RGB 0 0 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 34 / 0 / 69

HEX #20344F

RGB 32 52 79

HSL 214.47, 0.42%, 0.22%

LAB 21.31, 1.21, -18.98

 

Complementary color

CMYK 0 / 9 / 21 / 13

HEX #DFCBB0

RGB 223 203 176

HSL 34.47, 0.42%, 0.78%

LAB 82.67, 2.74, 16.01

 

CMYK 50 / 30 / 0 / 71

HEX #25344A

RGB 37 52 74

HSL 215.68, 0.33%, 0.22%

LAB 21.37, 0.82, -15.51

 

CMYK 42 / 25 / 0 / 64

HEX #36465D

RGB 54 70 93

HSL 215.38, 0.27%, 0.29%

LAB 29.3, 0.31, -15.62

 

CMYK 37 / 21 / 0 / 56

HEX #475870

RGB 71 88 112

HSL 215.12, 0.22%, 0.36%

LAB 36.91, -0.05, -15.8

 

CMYK 33 / 19 / 0 / 49

HEX #586A83

RGB 88 106 131

HSL 214.88, 0.2%, 0.43%

LAB 44.26, -0.34, -16.03

 

CMYK 30 / 17 / 0 / 41

HEX #697C96

RGB 105 124 150

HSL 214.67, 0.18%, 0.5%

LAB 51.41, -0.57, -16.29

 

CMYK 59 / 34 / 0 / 69

HEX #20344F

RGB 32 52 79

HSL 214.47, 0.42%, 0.22%

LAB 21.31, 1.21, -18.98

 

CMYK 75 / 43 / 0 / 76

HEX #0F223C

RGB 15 34 60

HSL 214.67, 0.6%, 0.15%

LAB 13.06, 2.48, -19.02

 

CMYK 100 / 61 / 0 / 84

HEX #001029

RGB 0 16 41

HSL 216.59, 1%, 0.08%

LAB 4.79, 3.32, -18.37

 

CMYK 100 / 100 / 0 / 91

HEX #000016

RGB 0 0 22

HSL 240, 1%, 0.04%

LAB 0.52, 3.68, -10.01

 

CMYK 100 / 100 / 0 / 99

HEX #000003

RGB 0 0 3

HSL 240, 1%, 0.01%

LAB 0.06, 0.42, -1.14

 

CMYK 59 / 34 / 0 / 69

HEX #20344F

RGB 32 52 79

HSL 214.47, 0.42%, 0.22%

LAB 21.31, 1.21, -18.98

 

CMYK 59 / 43 / 0 / 69

HEX #202D4F

RGB 32 45 79

HSL 223.4, 0.42%, 0.22%

LAB 19.01, 6.16, -22.61

 

CMYK 59 / 53 / 0 / 69

HEX #20254F

RGB 32 37 79

HSL 233.62, 0.42%, 0.22%

LAB 16.48, 11.98, -26.64

 

CMYK 56 / 59 / 0 / 69

HEX #23204F

RGB 35 32 79

HSL 243.83, 0.42%, 0.22%

LAB 15.25, 16.37, -28.6

 

CMYK 46 / 59 / 0 / 69

HEX #2B204F

RGB 43 32 79

HSL 254.04, 0.42%, 0.22%

LAB 16.06, 18.48, -27.25

 

CMYK 59 / 34 / 0 / 69

HEX #20344F

RGB 32 52 79

HSL 214.47, 0.42%, 0.22%

LAB 21.31, 1.21, -18.98

 

CMYK 59 / 34 / 0 / 49

HEX #355682

RGB 53 86 130

HSL 214.29, 0.42%, 0.36%

LAB 36.03, 2.14, -28.35

 

CMYK 60 / 34 / 0 / 29

HEX #4977B5

RGB 73 119 181

HSL 214.44, 0.43%, 0.5%

LAB 49.43, 3.42, -37.53

 

CMYK 59 / 34 / 0 / 9

HEX #5E99E8

RGB 94 153 232

HSL 214.35, 0.75%, 0.64%

LAB 62.5, 4.23, -45.66

 

CMYK 61 / 36 / 0 / 89

HEX #0B121C

RGB 11 18 28

HSL 215.29, 0.44%, 0.08%

LAB 5.31, 0.22, -7.55

 

CMYK 59 / 34 / 0 / 69

HEX #20344F

RGB 32 52 79

HSL 214.47, 0.42%, 0.22%

LAB 21.31, 1.21, -18.98

 

CMYK 14 / 59 / 0 / 69

HEX #44204F

RGB 68 32 79

HSL 285.96, 0.42%, 0.22%

LAB 19.34, 26.02, -21.84

 

CMYK 10 / 0 / 59 / 69

HEX #474F20

RGB 71 79 32

HSL 70.21, 0.42%, 0.22%

LAB 31.89, -11.22, 26.28

 

CMYK 59 / 34 / 0 / 69

HEX #20344F

RGB 32 52 79

HSL 214.47, 0.42%, 0.22%

LAB 21.31, 1.21, -18.98

 

CMYK 0 / 59 / 34 / 69

HEX #4F2034

RGB 79 32 52

HSL 334.47, 0.42%, 0.22%

LAB 19.82, 24.62, -2.36

 

CMYK 34 / 0 / 59 / 69

HEX #344F20

RGB 52 79 32

HSL 94.47, 0.42%, 0.22%

LAB 30.46, -19.76, 24.26

 

CMYK 59 / 34 / 0 / 69

HEX #20344F

RGB 32 52 79

HSL 214.47, 0.42%, 0.22%

LAB 21.31, 1.21, -18.98

 

CMYK 14 / 59 / 0 / 69

HEX #44204F

RGB 68 32 79

HSL 285.96, 0.42%, 0.22%

LAB 19.34, 26.02, -21.84

 

CMYK 0 / 25 / 59 / 69

HEX #4F3B20

RGB 79 59 32

HSL 34.47, 0.42%, 0.22%

LAB 26.43, 5.06, 19.99

 

CMYK 46 / 0 / 59 / 69

HEX #2B4F20

RGB 43 79 32

HSL 105.96, 0.42%, 0.22%

LAB 29.94, -23.32, 23.5

 

CMYK 59 / 34 / 0 / 69

HEX #20344F

RGB 32 52 79

HSL 214.47, 0.42%, 0.22%

LAB 21.31, 1.21, -18.98

 

CMYK 0 / 59 / 4 / 69

HEX #4F204C

RGB 79 32 76

HSL 303.83, 0.42%, 0.22%

LAB 20.89, 28.89, -17.24

 

CMYK 0 / 25 / 59 / 69

HEX #4F3B20

RGB 79 59 32

HSL 34.47, 0.42%, 0.22%

LAB 26.43, 5.06, 19.99

 

CMYK 59 / 0 / 56 / 69

HEX #204F23

RGB 32 79 35

HSL 123.83, 0.42%, 0.22%

LAB 29.46, -26.58, 21.11

 

Description

Color code: RGB 32 52 79 | qconv.com Color code: RGB 32 52 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 52 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 52 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 34 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 34% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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