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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 32 25 40 it is the complementary color RGB 223 230 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 32 25 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 32 25 40: RGB 37 25 35, RGB 54 43 54, RGB 71 61 73, RGB 88 79 92 and RGB 105 97 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 32 25 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 32 25 40: RGB 32 25 40, RGB 15 7 21, RGB 0 0 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 38 / 0 / 84

HEX #201928

RGB 32 25 40

HSL 268, 0.23%, 0.13%

LAB 10.23, 7.34, -8.93

 

Complementary color

CMYK 3 / 0 / 7 / 10

HEX #DFE6D7

RGB 223 230 215

HSL 88, 0.23%, 0.87%

LAB 90.41, -4.99, 6.48

 

CMYK 0 / 32 / 5 / 85

HEX #251923

RGB 37 25 35

HSL 310, 0.19%, 0.12%

LAB 10.63, 8.18, -4.55

 

CMYK 0 / 20 / 0 / 79

HEX #362B36

RGB 54 43 54

HSL 300, 0.11%, 0.19%

LAB 19.13, 7.47, -5.16

 

CMYK 3 / 16 / 0 / 71

HEX #473D49

RGB 71 61 73

HSL 290, 0.09%, 0.26%

LAB 27.18, 6.92, -5.71

 

CMYK 4 / 14 / 0 / 64

HEX #584F5C

RGB 88 79 92

HSL 281.54, 0.08%, 0.34%

LAB 34.88, 6.47, -6.24

 

CMYK 5 / 13 / 0 / 56

HEX #69616F

RGB 105 97 111

HSL 274.29, 0.07%, 0.41%

LAB 42.31, 6.09, -6.75

 

CMYK 20 / 38 / 0 / 84

HEX #201928

RGB 32 25 40

HSL 268, 0.23%, 0.13%

LAB 10.23, 7.34, -8.93

 

CMYK 29 / 67 / 0 / 92

HEX #0F0715

RGB 15 7 21

HSL 274.29, 0.5%, 0.05%

LAB 2.78, 4.75, -5.9

 

CMYK 100 / 100 / 0 / 99

HEX #000002

RGB 0 0 2

HSL 240, 1%, 0%

LAB 0.04, 0.28, -0.76

 

CMYK 20 / 38 / 0 / 84

HEX #201928

RGB 32 25 40

HSL 268, 0.23%, 0.13%

LAB 10.23, 7.34, -8.93

 

CMYK 13 / 38 / 0 / 84

HEX #231928

RGB 35 25 40

HSL 280, 0.23%, 0.13%

LAB 10.6, 8.6, -8.32

 

CMYK 7 / 38 / 0 / 84

HEX #251928

RGB 37 25 40

HSL 288, 0.23%, 0.13%

LAB 10.86, 9.45, -7.9

 

CMYK 0 / 38 / 0 / 84

HEX #281928

RGB 40 25 40

HSL 300, 0.23%, 0.13%

LAB 11.27, 10.74, -7.23

 

CMYK 0 / 38 / 5 / 84

HEX #281926

RGB 40 25 38

HSL 308, 0.23%, 0.13%

LAB 11.18, 10.25, -5.9

 

CMYK 20 / 38 / 0 / 84

HEX #201928

RGB 32 25 40

HSL 268, 0.23%, 0.13%

LAB 10.23, 7.34, -8.93

 

CMYK 20 / 37 / 0 / 64

HEX #49395B

RGB 73 57 91

HSL 268.24, 0.23%, 0.29%

LAB 27.01, 14.78, -17.73

 

CMYK 20 / 37 / 0 / 44

HEX #72598E

RGB 114 89 142

HSL 268.3, 0.23%, 0.45%

LAB 42.27, 21.39, -25.54

 

CMYK 20 / 37 / 0 / 24

HEX #9A79C1

RGB 154 121 193

HSL 267.5, 0.37%, 0.62%

LAB 56.48, 27.22, -32.94

 

CMYK 20 / 37 / 0 / 4

HEX #C399F4

RGB 195 153 244

HSL 267.69, 0.81%, 0.78%

LAB 70.12, 33.04, -39.8

 

CMYK 20 / 38 / 0 / 84

HEX #201928

RGB 32 25 40

HSL 268, 0.23%, 0.13%

LAB 10.23, 7.34, -8.93

 

CMYK 0 / 38 / 25 / 84

HEX #28191E

RGB 40 25 30

HSL 340, 0.23%, 0.13%

LAB 10.85, 8.47, -0.46

 

CMYK 38 / 0 / 35 / 84

HEX #19281A

RGB 25 40 26

HSL 124, 0.23%, 0.13%

LAB 14.39, -10.04, 7.24

 

CMYK 20 / 38 / 0 / 84

HEX #201928

RGB 32 25 40

HSL 268, 0.23%, 0.13%

LAB 10.23, 7.34, -8.93

 

CMYK 0 / 20 / 38 / 84

HEX #282019

RGB 40 32 25

HSL 28, 0.23%, 0.13%

LAB 12.95, 2.48, 6.2

 

CMYK 38 / 0 / 20 / 84

HEX #192820

RGB 25 40 32

HSL 148, 0.23%, 0.13%

LAB 14.56, -8.57, 3.25

 

CMYK 20 / 38 / 0 / 84

HEX #201928

RGB 32 25 40

HSL 268, 0.23%, 0.13%

LAB 10.23, 7.34, -8.93

 

CMYK 0 / 38 / 25 / 84

HEX #28191E

RGB 40 25 30

HSL 340, 0.23%, 0.13%

LAB 10.85, 8.47, -0.46

 

CMYK 18 / 0 / 38 / 84

HEX #212819

RGB 33 40 25

HSL 88, 0.23%, 0.13%

LAB 15.01, -6.57, 8.89

 

CMYK 38 / 0 / 13 / 84

HEX #192823

RGB 25 40 35

HSL 160, 0.23%, 0.13%

LAB 14.66, -7.76, 1.26

 

CMYK 20 / 38 / 0 / 84

HEX #201928

RGB 32 25 40

HSL 268, 0.23%, 0.13%

LAB 10.23, 7.34, -8.93

 

CMYK 0 / 38 / 35 / 84

HEX #28191A

RGB 40 25 26

HSL 356, 0.23%, 0.13%

LAB 10.71, 7.7, 2.32

 

CMYK 18 / 0 / 38 / 84

HEX #212819

RGB 33 40 25

HSL 88, 0.23%, 0.13%

LAB 15.01, -6.57, 8.89

 

CMYK 38 / 0 / 0 / 84

HEX #192828

RGB 25 40 40

HSL 180, 0.23%, 0.13%

LAB 14.83, -6.3, -2.04

 

Description

Color code: RGB 32 25 40 | qconv.com Color code: RGB 32 25 40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 25 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 25 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 38 magenta, none yellow and 84 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 38% 0% 84% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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