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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 32 163 237 it is the complementary color RGB 223 92 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 32 163 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 32 163 237: RGB 37 163 232, RGB 54 181 251, RGB 71 199 255, RGB 88 217 255 and RGB 105 235 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 32 163 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 32 163 237: RGB 32 163 237, RGB 15 145 218, RGB 0 127 199, RGB 0 109 180 and RGB 0 91 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 31 / 0 / 7

HEX #20A3ED

RGB 32 163 237

HSL 201.66, 0.85%, 0.53%

LAB 63.85, -7.65, -46.4

 

Complementary color

CMYK 0 / 59 / 92 / 13

HEX #DF5C12

RGB 223 92 18

HSL 21.66, 0.85%, 0.47%

LAB 55.47, 48.16, 61.02

 

CMYK 84 / 30 / 0 / 9

HEX #25A3E8

RGB 37 163 232

HSL 201.23, 0.81%, 0.53%

LAB 63.68, -9.09, -43.91

 

CMYK 78 / 28 / 0 / 2

HEX #36B5FB

RGB 54 181 251

HSL 201.32, 0.96%, 0.6%

LAB 70.03, -10.9, -44.29

 

CMYK 72 / 22 / 0 / 0

HEX #47C7FF

RGB 71 199 255

HSL 198.26, 1%, 0.64%

LAB 75.7, -17.26, -37.57

 

CMYK 65 / 15 / 0 / 0

HEX #58D9FF

RGB 88 217 255

HSL 193.65, 1%, 0.67%

LAB 81.25, -24.1, -28.99

 

CMYK 59 / 8 / 0 / 0

HEX #69EBFF

RGB 105 235 255

HSL 188, 1%, 0.71%

LAB 86.82, -30.14, -20.46

 

CMYK 86 / 31 / 0 / 7

HEX #20A3ED

RGB 32 163 237

HSL 201.66, 0.85%, 0.53%

LAB 63.85, -7.65, -46.4

 

CMYK 93 / 33 / 0 / 15

HEX #0F91DA

RGB 15 145 218

HSL 201.58, 0.87%, 0.46%

LAB 57.48, -5.24, -45.95

 

CMYK 100 / 36 / 0 / 22

HEX #007FC7

RGB 0 127 199

HSL 201.71, 1%, 0.39%

LAB 51.04, -2.37, -45.43

 

CMYK 100 / 39 / 0 / 29

HEX #006DB4

RGB 0 109 180

HSL 203.67, 1%, 0.35%

LAB 44.56, 1.15, -44.78

 

CMYK 100 / 43 / 0 / 37

HEX #005BA1

RGB 0 91 161

HSL 206.09, 1%, 0.32%

LAB 37.94, 4.9, -44.16

 

CMYK 86 / 31 / 0 / 7

HEX #20A3ED

RGB 32 163 237

HSL 201.66, 0.85%, 0.53%

LAB 63.85, -7.65, -46.4

 

CMYK 86 / 45 / 0 / 7

HEX #2183ED

RGB 33 131 237

HSL 211.18, 0.85%, 0.53%

LAB 54.73, 11.28, -60.92

 

CMYK 86 / 59 / 0 / 7

HEX #2161ED

RGB 33 97 237

HSL 221.18, 0.85%, 0.53%

LAB 45.62, 32.74, -75.69

 

CMYK 86 / 73 / 0 / 7

HEX #213FED

RGB 33 63 237

HSL 231.18, 0.85%, 0.53%

LAB 37.83, 53.45, -88.5

 

CMYK 85 / 86 / 0 / 7

HEX #2421ED

RGB 36 33 237

HSL 240.88, 0.85%, 0.53%

LAB 33.09, 67.67, -96.37

 

CMYK 86 / 31 / 0 / 7

HEX #20A3ED

RGB 32 163 237

HSL 201.66, 0.85%, 0.53%

LAB 63.85, -7.65, -46.4

 

CMYK 88 / 30 / 0 / 87

HEX #041721

RGB 4 23 33

HSL 200.69, 0.78%, 0.07%

LAB 6.76, -3.29, -9.23

 

CMYK 87 / 31 / 0 / 67

HEX #0B3A54

RGB 11 58 84

HSL 201.37, 0.77%, 0.19%

LAB 22.78, -4.86, -20.05

 

CMYK 87 / 31 / 0 / 47

HEX #125D87

RGB 18 93 135

HSL 201.54, 0.76%, 0.3%

LAB 37.31, -5.87, -29.47

 

CMYK 87 / 31 / 0 / 27

HEX #1980BA

RGB 25 128 186

HSL 201.61, 0.76%, 0.41%

LAB 50.91, -6.78, -38.18

 

CMYK 86 / 31 / 0 / 7

HEX #20A3ED

RGB 32 163 237

HSL 201.66, 0.85%, 0.53%

LAB 63.85, -7.65, -46.4

 

CMYK 39 / 86 / 0 / 7

HEX #9121ED

RGB 145 33 237

HSL 272.94, 0.85%, 0.53%

LAB 43.1, 76.01, -79.5

 

CMYK 0 / 5 / 86 / 7

HEX #EDE221

RGB 237 226 33

HSL 56.76, 0.85%, 0.53%

LAB 88.21, -14.64, 83.4

 

CMYK 86 / 31 / 0 / 7

HEX #20A3ED

RGB 32 163 237

HSL 201.66, 0.85%, 0.53%

LAB 63.85, -7.65, -46.4

 

CMYK 0 / 86 / 30 / 7

HEX #ED21A5

RGB 237 33 165

HSL 321.18, 0.85%, 0.53%

LAB 53.82, 80.66, -19.9

 

CMYK 30 / 0 / 86 / 7

HEX #A5ED21

RGB 165 237 33

HSL 81.18, 0.85%, 0.53%

LAB 86.34, -48.36, 79.86

 

CMYK 86 / 31 / 0 / 7

HEX #20A3ED

RGB 32 163 237

HSL 201.66, 0.85%, 0.53%

LAB 63.85, -7.65, -46.4

 

CMYK 39 / 86 / 0 / 7

HEX #9121ED

RGB 145 33 237

HSL 272.94, 0.85%, 0.53%

LAB 43.1, 76.01, -79.5

 

CMYK 0 / 56 / 86 / 7

HEX #ED6821

RGB 237 104 33

HSL 20.88, 0.85%, 0.53%

LAB 59.9, 48, 60.56

 

CMYK 48 / 0 / 86 / 7

HEX #7CED21

RGB 124 237 33

HSL 93.24, 0.85%, 0.53%

LAB 84.46, -61.9, 77.51

 

CMYK 86 / 31 / 0 / 7

HEX #20A3ED

RGB 32 163 237

HSL 201.66, 0.85%, 0.53%

LAB 63.85, -7.65, -46.4

 

CMYK 13 / 86 / 0 / 7

HEX #CE21ED

RGB 206 33 237

HSL 290.88, 0.85%, 0.53%

LAB 52.2, 84.69, -64.28

 

CMYK 0 / 56 / 86 / 7

HEX #ED6821

RGB 237 104 33

HSL 20.88, 0.85%, 0.53%

LAB 59.9, 48, 60.56

 

CMYK 73 / 0 / 86 / 7

HEX #3FED21

RGB 63 237 33

HSL 111.18, 0.85%, 0.53%

LAB 82.77, -75.72, 75.39

 

Description

Color code: RGB 32 163 237 | qconv.com Color code: RGB 32 163 237 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 163 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 163 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 31 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 31% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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