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Color name
RGB 32 103 253

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 32 103 253 it is the complementary color RGB 223 152 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 32 103 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 32 103 253 shade: RGB 37 103 248, RGB 54 121 255, RGB 71 139 255, RGB 88 157 255 and RGB 105 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 32 103 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 32 103 253 shade: RGB 32 103 253, RGB 15 85 234, RGB 0 67 215, RGB 0 49 196 and RGB 0 31 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 32 103 253 shade: RGB 33 104 253, RGB 33 44 253, RGB 81 33 253, RGB 140 33 253 and RGB 199 33 253

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 32 103 253 shade: RGB 33 104 253, RGB 33 44 253 and RGB 33 33 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 32 103 253 shade matches the following richer shades: RGB 33 104 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 32 103 253 shade: RGB 33 104 253, RGB 51 110 235, RGB 69 116 216, RGB 87 123 198 and RGB 105 129 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 32 103 253 shade: RGB 33 223 253, RGB 33 165 253, RGB 33 106 253, RGB 33 48 253 and RGB 77 33 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 32 103 253 shade: RGB 2 66 201, RGB 2 79 242, RGB 33 104 253, RGB 74 131 253 and RGB 115 159 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 32 103 253 shade: RGB 32 103 253, RGB 223 33 253 and RGB 194 253 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 32 103 253 shade: RGB 32 103 253, RGB 253 33 106 and RGB 106 253 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 32 103 253 shade: RGB 32 103 253, RGB 223 33 253, RGB 253 179 33 and RGB 62 253 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 32 103 253 shade: RGB 32 103 253, RGB 253 33 216, RGB 253 179 33 and RGB 33 253 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 59 / 0 / 1

HEX #2067FD

RGB 32 103 253

HSL 220.72, 0.98%, 0.56%

LAB 48.39, 34.85, -80.11

 

Complementary color

CMYK 0 / 32 / 99 / 13

HEX #DF9802

RGB 223 152 2

HSL 40.72, 0.98%, 0.44%

LAB 68.13, 17.21, 72.38

 

CMYK 85 / 58 / 0 / 3

HEX #2567F8

RGB 37 103 248

HSL 221.23, 0.94%, 0.56%

LAB 48.1, 33.28, -77.79

 

CMYK 79 / 53 / 0 / 0

HEX #3679FF

RGB 54 121 255

HSL 220, 1%, 0.61%

LAB 53.68, 25.9, -72.56

 

CMYK 72 / 45 / 0 / 0

HEX #478BFF

RGB 71 139 255

HSL 217.83, 1%, 0.64%

LAB 59, 16.72, -63.96

 

CMYK 65 / 38 / 0 / 0

HEX #589DFF

RGB 88 157 255

HSL 215.21, 1%, 0.67%

LAB 64.49, 8.45, -55.15

 

CMYK 59 / 31 / 0 / 0

HEX #69AFFF

RGB 105 175 255

HSL 212, 1%, 0.71%

LAB 70.09, 1.1, -46.25

 

CMYK 87 / 59 / 0 / 1

HEX #2067FD

RGB 32 103 253

HSL 220.72, 0.98%, 0.56%

LAB 48.39, 34.85, -80.11

 

CMYK 94 / 64 / 0 / 8

HEX #0F55EA

RGB 15 85 234

HSL 220.82, 0.88%, 0.49%

LAB 42.06, 38.44, -79.84

 

CMYK 100 / 69 / 0 / 16

HEX #0043D7

RGB 0 67 215

HSL 221.3, 1%, 0.42%

LAB 35.83, 42.35, -79.26

 

CMYK 100 / 75 / 0 / 23

HEX #0031C4

RGB 0 49 196

HSL 225, 1%, 0.38%

LAB 29.87, 46.42, -78.08

 

CMYK 100 / 82 / 0 / 31

HEX #001FB1

RGB 0 31 177

HSL 229.49, 1%, 0.35%

LAB 24.18, 49.77, -76.27

 

CMYK 87 / 59 / 0 / 1

HEX #2168FD

RGB 33 104 253

HSL 220.64, 0.98%, 0.56%

LAB 48.66, 34.27, -79.66

 

CMYK 87 / 83 / 0 / 1

HEX #212CFD

RGB 33 44 253

HSL 237, 0.98%, 0.56%

LAB 36.4, 67.82, -99.89

 

CMYK 68 / 87 / 0 / 1

HEX #5121FD

RGB 81 33 253

HSL 253.09, 0.98%, 0.56%

LAB 37.71, 73.91, -97.63

 

CMYK 45 / 87 / 0 / 1

HEX #8C21FD

RGB 140 33 253

HSL 269.18, 0.98%, 0.56%

LAB 43.88, 78.85, -87.23

 

CMYK 21 / 87 / 0 / 1

HEX #C721FD

RGB 199 33 253

HSL 285.27, 0.98%, 0.56%

LAB 52.2, 86.35, -73.29

 

CMYK 87 / 59 / 0 / 1

HEX #2168FD

RGB 33 104 253

HSL 220.64, 0.98%, 0.56%

LAB 48.66, 34.27, -79.66

 

CMYK 87 / 83 / 0 / 1

HEX #212CFD

RGB 33 44 253

HSL 237, 0.98%, 0.56%

LAB 36.4, 67.82, -99.89

 

CMYK 87 / 87 / 0 / 1

HEX #2121FD

RGB 33 33 253

HSL 240, 0.98%, 0.56%

LAB 35.01, 71.98, -102.2

 

CMYK 87 / 59 / 0 / 1

HEX #2168FD

RGB 33 104 253

HSL 220.64, 0.98%, 0.56%

LAB 48.66, 34.27, -79.66

 

CMYK 87 / 59 / 0 / 1

HEX #2168FD

RGB 33 104 253

HSL 220.64, 0.98%, 0.56%

LAB 48.66, 34.27, -79.66

 

CMYK 78 / 53 / 0 / 8

HEX #336EEB

RGB 51 110 235

HSL 220.76, 0.82%, 0.56%

LAB 49.32, 25.16, -68.52

 

CMYK 68 / 46 / 0 / 15

HEX #4574D8

RGB 69 116 216

HSL 220.82, 0.65%, 0.56%

LAB 50.35, 16.73, -56.11

 

CMYK 56 / 38 / 0 / 22

HEX #577BC6

RGB 87 123 198

HSL 220.54, 0.49%, 0.56%

LAB 52.14, 9.55, -42.97

 

CMYK 42 / 28 / 0 / 29

HEX #6981B4

RGB 105 129 180

HSL 220.8, 0.33%, 0.56%

LAB 54.03, 4.76, -29.63

 

CMYK 87 / 12 / 0 / 1

HEX #21DFFD

RGB 33 223 253

HSL 188.18, 0.98%, 0.56%

LAB 81.94, -33.2, -26.95

 

CMYK 87 / 35 / 0 / 1

HEX #21A5FD

RGB 33 165 253

HSL 204, 0.98%, 0.56%

LAB 65.22, -2.93, -52.99

 

CMYK 87 / 58 / 0 / 1

HEX #216AFD

RGB 33 106 253

HSL 220.09, 0.98%, 0.56%

LAB 49.16, 33.01, -78.84

 

CMYK 87 / 81 / 0 / 1

HEX #2130FD

RGB 33 48 253

HSL 235.91, 0.98%, 0.56%

LAB 36.98, 66.08, -98.91

 

CMYK 70 / 87 / 0 / 1

HEX #4D21FD

RGB 77 33 253

HSL 252, 0.98%, 0.56%

LAB 37.4, 73.68, -98.15

 

CMYK 99 / 67 / 0 / 21

HEX #0242C9

RGB 2 66 201

HSL 220.7, 0.98%, 0.4%

LAB 34.24, 37.8, -73.77

 

CMYK 99 / 67 / 0 / 5

HEX #024FF2

RGB 2 79 242

HSL 220.75, 0.98%, 0.48%

LAB 41.24, 44.84, -85.7

 

CMYK 87 / 59 / 0 / 1

HEX #2168FD

RGB 33 104 253

HSL 220.64, 0.98%, 0.56%

LAB 48.66, 34.27, -79.66

 

CMYK 71 / 48 / 0 / 1

HEX #4A83FD

RGB 74 131 253

HSL 220.89, 0.98%, 0.64%

LAB 56.86, 21.27, -66.29

 

CMYK 55 / 37 / 0 / 0

HEX #739FFE

RGB 115 159 254

HSL 221.01, 0.99%, 0.72%

LAB 66.21, 11.9, -51.8

 

CMYK 87 / 59 / 0 / 1

HEX #2067FD

RGB 32 103 253

HSL 220.72, 0.98%, 0.56%

LAB 48.39, 34.85, -80.11

 

CMYK 12 / 87 / 0 / 1

HEX #DF21FD

RGB 223 33 253

HSL 291.82, 0.98%, 0.56%

LAB 55.95, 89.96, -67.03

 

CMYK 23 / 0 / 87 / 1

HEX #C2FD21

RGB 194 253 33

HSL 76.09, 0.98%, 0.56%

LAB 92.5, -44.43, 85.66

 

CMYK 87 / 59 / 0 / 1

HEX #2067FD

RGB 32 103 253

HSL 220.72, 0.98%, 0.56%

LAB 48.39, 34.85, -80.11

 

CMYK 0 / 87 / 58 / 1

HEX #FD216A

RGB 253 33 106

HSL 340.09, 0.98%, 0.56%

LAB 55.08, 79.38, 17.51

 

CMYK 58 / 0 / 87 / 1

HEX #6AFD21

RGB 106 253 33

HSL 100.09, 0.98%, 0.56%

LAB 88.65, -72.23, 80.87

 

CMYK 87 / 59 / 0 / 1

HEX #2067FD

RGB 32 103 253

HSL 220.72, 0.98%, 0.56%

LAB 48.39, 34.85, -80.11

 

CMYK 12 / 87 / 0 / 1

HEX #DF21FD

RGB 223 33 253

HSL 291.82, 0.98%, 0.56%

LAB 55.95, 89.96, -67.03

 

CMYK 0 / 29 / 87 / 1

HEX #FDB321

RGB 253 179 33

HSL 39.82, 0.98%, 0.56%

LAB 78.01, 16.18, 75.9

 

CMYK 75 / 0 / 87 / 1

HEX #3EFD21

RGB 62 253 33

HSL 112.09, 0.98%, 0.56%

LAB 87.67, -80.51, 79.64

 

CMYK 87 / 59 / 0 / 1

HEX #2067FD

RGB 32 103 253

HSL 220.72, 0.98%, 0.56%

LAB 48.39, 34.85, -80.11

 

CMYK 0 / 87 / 15 / 1

HEX #FD21D8

RGB 253 33 216

HSL 310.09, 0.98%, 0.56%

LAB 58.91, 89.82, -41.25

 

CMYK 0 / 29 / 87 / 1

HEX #FDB321

RGB 253 179 33

HSL 39.82, 0.98%, 0.56%

LAB 78.01, 16.18, 75.9

 

CMYK 87 / 0 / 73 / 1

HEX #21FD45

RGB 33 253 69

HSL 129.82, 0.98%, 0.56%

LAB 87.49, -81.55, 69.9

 

Description

Color code: RGB 32 103 253 | qconv.com Color code: RGB 32 103 253 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 103 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 103 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 59 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 59% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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