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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 79 / 53 / 0 / 0 it is the complementary color CMYK 0 / 33 / 100 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 79 / 53 / 0 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 79 / 53 / 0 / 0: CMYK 76 / 52 / 0 / 2, CMYK 70 / 46 / 0 / 0, CMYK 64 / 39 / 0 / 0, CMYK 57 / 32 / 0 / 0 and CMYK 50 / 25 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 79 / 53 / 0 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 79 / 53 / 0 / 0: CMYK 79 / 53 / 0 / 0, CMYK 84 / 57 / 0 / 7, CMYK 91 / 61 / 0 / 15, CMYK 98 / 67 / 0 / 22 and CMYK 100 / 73 / 0 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 53 / 0 / 0

HEX #3678FF

RGB 54 120 255

HSL 220.3, 1%, 0.61%

LAB 53.42, 26.52, -72.98

 

Complementary color

CMYK 0 / 33 / 100 / 21

HEX #C98700

RGB 201 135 0

HSL 40.3, 1%, 0.39%

LAB 61.43, 16.77, 66.94

 

CMYK 76 / 52 / 0 / 2

HEX #3B78FA

RGB 59 120 250

HSL 220.84, 0.95%, 0.61%

LAB 53.24, 25.2, -70.51

 

CMYK 70 / 46 / 0 / 0

HEX #4C8AFF

RGB 76 138 255

HSL 219.22, 1%, 0.65%

LAB 58.91, 17.98, -64.09

 

CMYK 64 / 39 / 0 / 0

HEX #5D9CFF

RGB 93 156 255

HSL 216.67, 1%, 0.68%

LAB 64.42, 9.86, -55.24

 

CMYK 57 / 32 / 0 / 0

HEX #6EAEFF

RGB 110 174 255

HSL 213.52, 1%, 0.72%

LAB 70.04, 2.63, -46.32

 

CMYK 50 / 25 / 0 / 0

HEX #7FC0FF

RGB 127 192 255

HSL 209.53, 1%, 0.75%

LAB 75.72, -3.77, -37.39

 

CMYK 79 / 53 / 0 / 0

HEX #3678FF

RGB 54 120 255

HSL 220.3, 1%, 0.61%

LAB 53.42, 26.52, -72.98

 

CMYK 84 / 57 / 0 / 7

HEX #2566EC

RGB 37 102 236

HSL 220.4, 0.84%, 0.54%

LAB 46.91, 29.43, -73.01

 

CMYK 91 / 61 / 0 / 15

HEX #1454D9

RGB 20 84 217

HSL 220.51, 0.83%, 0.46%

LAB 40.41, 32.84, -72.87

 

CMYK 98 / 67 / 0 / 22

HEX #0342C6

RGB 3 66 198

HSL 220.62, 0.97%, 0.39%

LAB 33.97, 36.69, -72.48

 

CMYK 100 / 73 / 0 / 30

HEX #0030B3

RGB 0 48 179

HSL 223.91, 1%, 0.35%

LAB 27.76, 40.9, -71.51

 

CMYK 79 / 53 / 0 / 0

HEX #3678FF

RGB 54 120 255

HSL 220.3, 1%, 0.61%

LAB 53.42, 26.52, -72.98

 

CMYK 78 / 65 / 0 / 0

HEX #3859FF

RGB 56 89 255

HSL 230.05, 1%, 0.61%

LAB 45.91, 45.84, -85.24

 

CMYK 78 / 78 / 0 / 0

HEX #3838FF

RGB 56 56 255

HSL 240, 1%, 0.61%

LAB 39.39, 63.96, -96.01

 

CMYK 65 / 78 / 0 / 0

HEX #5938FF

RGB 89 56 255

HSL 249.95, 1%, 0.61%

LAB 41.49, 66.4, -92.47

 

CMYK 52 / 78 / 0 / 0

HEX #7A38FF

RGB 122 56 255

HSL 259.9, 1%, 0.61%

LAB 44.5, 69.89, -87.4

 

CMYK 79 / 53 / 0 / 0

HEX #3678FF

RGB 54 120 255

HSL 220.3, 1%, 0.61%

LAB 53.42, 26.52, -72.98

 

CMYK 78 / 53 / 0 / 80

HEX #0B1833

RGB 11 24 51

HSL 220.5, 0.65%, 0.12%

LAB 8.68, 5.39, -19.56

 

CMYK 78 / 53 / 0 / 60

HEX #163066

RGB 22 48 102

HSL 220.5, 0.65%, 0.24%

LAB 20.99, 11.3, -34.69

 

CMYK 79 / 53 / 0 / 40

HEX #204899

RGB 32 72 153

HSL 220.17, 0.65%, 0.36%

LAB 32.35, 16.6, -48.32

 

CMYK 79 / 53 / 0 / 20

HEX #2B60CC

RGB 43 96 204

HSL 220.25, 0.65%, 0.48%

LAB 43.12, 21.69, -60.97

 

CMYK 79 / 53 / 0 / 0

HEX #3678FF

RGB 54 120 255

HSL 220.3, 1%, 0.61%

LAB 53.42, 26.52, -72.98

 

CMYK 11 / 78 / 0 / 0

HEX #E438FF

RGB 228 56 255

HSL 291.86, 1%, 0.61%

LAB 58.55, 86.19, -63.92

 

CMYK 21 / 0 / 78 / 0

HEX #C9FF38

RGB 201 255 56

HSL 76.28, 1%, 0.61%

LAB 93.55, -41.94, 81.59

 

CMYK 79 / 53 / 0 / 0

HEX #3678FF

RGB 54 120 255

HSL 220.3, 1%, 0.61%

LAB 53.42, 26.52, -72.98

 

CMYK 0 / 78 / 52 / 0

HEX #FF387A

RGB 255 56 122

HSL 340.1, 1%, 0.61%

LAB 57.55, 76, 11.45

 

CMYK 52 / 0 / 78 / 0

HEX #7AFF38

RGB 122 255 56

HSL 100.1, 1%, 0.61%

LAB 89.83, -67.93, 76.81

 

CMYK 79 / 53 / 0 / 0

HEX #3678FF

RGB 54 120 255

HSL 220.3, 1%, 0.61%

LAB 53.42, 26.52, -72.98

 

CMYK 11 / 78 / 0 / 0

HEX #E438FF

RGB 228 56 255

HSL 291.86, 1%, 0.61%

LAB 58.55, 86.19, -63.92

 

CMYK 0 / 26 / 78 / 0

HEX #FFBC38

RGB 255 188 56

HSL 39.8, 1%, 0.61%

LAB 80.47, 12.96, 71.28

 

CMYK 68 / 0 / 78 / 0

HEX #52FF38

RGB 82 255 56

HSL 112.16, 1%, 0.61%

LAB 88.73, -76.89, 75.38

 

CMYK 79 / 53 / 0 / 0

HEX #3678FF

RGB 54 120 255

HSL 220.3, 1%, 0.61%

LAB 53.42, 26.52, -72.98

 

CMYK 0 / 78 / 13 / 0

HEX #FF38DD

RGB 255 56 221

HSL 310.25, 1%, 0.61%

LAB 61.05, 86.3, -40.69

 

CMYK 0 / 26 / 78 / 0

HEX #FFBC38

RGB 255 188 56

HSL 39.8, 1%, 0.61%

LAB 80.47, 12.96, 71.28

 

CMYK 78 / 0 / 65 / 0

HEX #38FF59

RGB 56 255 89

HSL 129.95, 1%, 0.61%

LAB 88.49, -78.21, 63.7

 

Description

Color code: CMYK 79 / 53 / 0 / 0 | qconv.com Color code: CMYK 79 / 53 / 0 / 0 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 120 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 120 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 53 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 53% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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