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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 144 35 it is the complementary color RGB 224 111 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 144 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 31 144 35: RGB 36 144 30, RGB 53 162 49, RGB 70 180 68, RGB 87 198 87 and RGB 104 216 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 144 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 31 144 35: RGB 31 144 35, RGB 14 126 16, RGB 0 108 0, RGB 0 90 0 and RGB 0 72 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 76 / 44

HEX #1F9023

RGB 31 144 35

HSL 122.12, 0.65%, 0.34%

LAB 52.24, -51.65, 46.28

 

Complementary color

CMYK 0 / 50 / 2 / 12

HEX #E06FDC

RGB 224 111 220

HSL 302.12, 0.65%, 0.66%

LAB 63.66, 58.5, -36.38

 

CMYK 75 / 0 / 79 / 44

HEX #24901E

RGB 36 144 30

HSL 116.84, 0.66%, 0.34%

LAB 52.3, -51.23, 48.15

 

CMYK 67 / 0 / 70 / 36

HEX #35A231

RGB 53 162 49

HSL 117.88, 0.54%, 0.41%

LAB 58.81, -52.58, 47.75

 

CMYK 61 / 0 / 62 / 29

HEX #46B444

RGB 70 180 68

HSL 118.93, 0.45%, 0.49%

LAB 65.25, -53.36, 46.79

 

CMYK 56 / 0 / 56 / 22

HEX #57C657

RGB 87 198 87

HSL 120, 0.49%, 0.56%

LAB 71.62, -53.76, 45.59

 

CMYK 52 / 0 / 51 / 15

HEX #68D86A

RGB 104 216 106

HSL 121.07, 0.59%, 0.63%

LAB 77.93, -53.93, 44.32

 

CMYK 78 / 0 / 76 / 44

HEX #1F9023

RGB 31 144 35

HSL 122.12, 0.65%, 0.34%

LAB 52.24, -51.65, 46.28

 

CMYK 89 / 0 / 87 / 51

HEX #0E7E10

RGB 14 126 16

HSL 121.07, 0.8%, 0.27%

LAB 45.71, -49.29, 46.06

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72 0

HSL 120, 1%, 0.14%

LAB 25.67, -34.62, 33.21

 

CMYK 78 / 0 / 76 / 44

HEX #1F9023

RGB 31 144 35

HSL 122.12, 0.65%, 0.34%

LAB 52.24, -51.65, 46.28

 

CMYK 79 / 0 / 64 / 44

HEX #1E8F34

RGB 30 143 52

HSL 131.68, 0.65%, 0.34%

LAB 52.03, -49.72, 38.87

 

CMYK 79 / 0 / 50 / 44

HEX #1E8F47

RGB 30 143 71

HSL 141.77, 0.65%, 0.34%

LAB 52.26, -46.96, 29.65

 

CMYK 79 / 0 / 37 / 44

HEX #1E8F5A

RGB 30 143 90

HSL 151.86, 0.65%, 0.34%

LAB 52.57, -43.34, 19.71

 

CMYK 79 / 0 / 24 / 44

HEX #1E8F6D

RGB 30 143 109

HSL 161.95, 0.65%, 0.34%

LAB 52.98, -38.92, 9.5

 

CMYK 78 / 0 / 76 / 44

HEX #1F9023

RGB 31 144 35

HSL 122.12, 0.65%, 0.34%

LAB 52.24, -51.65, 46.28

 

CMYK 78 / 0 / 76 / 24

HEX #2AC32F

RGB 42 195 47

HSL 121.96, 0.65%, 0.46%

LAB 69.28, -65.38, 59.1

 

CMYK 78 / 0 / 76 / 4

HEX #35F63C

RGB 53 246 60

HSL 122.18, 0.91%, 0.59%

LAB 85.5, -78.31, 70.91

 

CMYK 79 / 0 / 76 / 84

HEX #092A0A

RGB 9 42 10

HSL 121.82, 0.65%, 0.1%

LAB 14.04, -20.07, 16.05

 

CMYK 78 / 0 / 75 / 64

HEX #145D17

RGB 20 93 23

HSL 122.47, 0.65%, 0.22%

LAB 34.06, -36.84, 32.41

 

CMYK 78 / 0 / 76 / 44

HEX #1F9023

RGB 31 144 35

HSL 122.12, 0.65%, 0.34%

LAB 52.24, -51.65, 46.28

 

CMYK 79 / 19 / 0 / 44

HEX #1E748F

RGB 30 116 143

HSL 194.34, 0.65%, 0.34%

LAB 45.29, -15.18, -21.84

 

CMYK 0 / 79 / 50 / 44

HEX #8F1E47

RGB 143 30 71

HSL 338.23, 0.65%, 0.34%

LAB 32.31, 48.92, 4.44

 

CMYK 78 / 0 / 76 / 44

HEX #1F9023

RGB 31 144 35

HSL 122.12, 0.65%, 0.34%

LAB 52.24, -51.65, 46.28

 

CMYK 76 / 79 / 0 / 44

HEX #221E8F

RGB 34 30 143

HSL 242.12, 0.65%, 0.34%

LAB 21.03, 40.4, -60.71

 

CMYK 0 / 76 / 79 / 44

HEX #8F221E

RGB 143 34 30

HSL 2.12, 0.65%, 0.34%

LAB 31.98, 44.94, 30.36

 

CMYK 78 / 0 / 76 / 44

HEX #1F9023

RGB 31 144 35

HSL 122.12, 0.65%, 0.34%

LAB 52.24, -51.65, 46.28

 

CMYK 79 / 19 / 0 / 44

HEX #1E748F

RGB 30 116 143

HSL 194.34, 0.65%, 0.34%

LAB 45.29, -15.18, -21.84

 

CMYK 0 / 79 / 3 / 44

HEX #8F1E8B

RGB 143 30 139

HSL 302.12, 0.65%, 0.34%

LAB 35.27, 57.68, -34.44

 

CMYK 0 / 61 / 79 / 44

HEX #8F381E

RGB 143 56 30

HSL 13.81, 0.65%, 0.34%

LAB 35.52, 35.38, 34.06

 

CMYK 78 / 0 / 76 / 44

HEX #1F9023

RGB 31 144 35

HSL 122.12, 0.65%, 0.34%

LAB 52.24, -51.65, 46.28

 

CMYK 79 / 43 / 0 / 44

HEX #1E528F

RGB 30 82 143

HSL 212.39, 0.65%, 0.34%

LAB 34.59, 5.64, -38.65

 

CMYK 0 / 79 / 3 / 44

HEX #8F1E8B

RGB 143 30 139

HSL 302.12, 0.65%, 0.34%

LAB 35.27, 57.68, -34.44

 

CMYK 0 / 37 / 79 / 44

HEX #8F5A1E

RGB 143 90 30

HSL 31.86, 0.65%, 0.34%

LAB 43.13, 16.63, 41.66

 

Description

Color code: RGB 31 144 35 | qconv.com Color code: RGB 31 144 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 144 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 144 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 76 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 76% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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