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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 107 114 it is the complementary color RGB 224 148 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 107 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 31 107 114: RGB 36 107 109, RGB 53 125 128, RGB 70 143 147, RGB 87 161 166 and RGB 104 179 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 107 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 31 107 114: RGB 31 107 114, RGB 14 89 95, RGB 0 71 76, RGB 0 53 57 and RGB 0 35 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 6 / 0 / 55

HEX #1F6B72

RGB 31 107 114

HSL 185.06, 0.57%, 0.28%

LAB 41.25, -20.06, -10.59

 

Complementary color

CMYK 0 / 34 / 37 / 12

HEX #E0948D

RGB 224 148 141

HSL 5.06, 0.57%, 0.72%

LAB 68.72, 27.8, 15.51

 

CMYK 67 / 2 / 0 / 57

HEX #246B6D

RGB 36 107 109

HSL 181.64, 0.5%, 0.28%

LAB 41.21, -20.86, -7.61

 

CMYK 59 / 2 / 0 / 50

HEX #357D80

RGB 53 125 128

HSL 182.4, 0.41%, 0.35%

LAB 48.24, -21.28, -8.41

 

CMYK 52 / 3 / 0 / 42

HEX #468F93

RGB 70 143 147

HSL 183.12, 0.35%, 0.43%

LAB 55.13, -21.52, -9.12

 

CMYK 48 / 3 / 0 / 35

HEX #57A1A6

RGB 87 161 166

HSL 183.8, 0.31%, 0.5%

LAB 61.89, -21.64, -9.76

 

CMYK 44 / 3 / 0 / 27

HEX #68B3B9

RGB 104 179 185

HSL 184.44, 0.37%, 0.57%

LAB 68.52, -21.69, -10.35

 

CMYK 73 / 6 / 0 / 55

HEX #1F6B72

RGB 31 107 114

HSL 185.06, 0.57%, 0.28%

LAB 41.25, -20.06, -10.59

 

CMYK 85 / 6 / 0 / 63

HEX #0E595F

RGB 14 89 95

HSL 184.44, 0.74%, 0.21%

LAB 34.12, -18.96, -9.68

 

CMYK 100 / 7 / 0 / 70

HEX #00474C

RGB 0 71 76

HSL 183.95, 1%, 0.15%

LAB 26.82, -17.29, -8.6

 

CMYK 100 / 7 / 0 / 78

HEX #003539

RGB 0 53 57

HSL 184.21, 1%, 0.11%

LAB 19.4, -14.27, -7.15

 

CMYK 100 / 8 / 0 / 85

HEX #002326

RGB 0 35 38

HSL 184.74, 1%, 0.07%

LAB 11.57, -11.08, -5.61

 

CMYK 73 / 6 / 0 / 55

HEX #1F6B72

RGB 31 107 114

HSL 185.06, 0.57%, 0.28%

LAB 41.25, -20.06, -10.59

 

CMYK 73 / 19 / 0 / 56

HEX #1E5B70

RGB 30 91 112

HSL 195.37, 0.58%, 0.28%

LAB 35.85, -11.9, -17.61

 

CMYK 73 / 30 / 0 / 56

HEX #1E4E70

RGB 30 78 112

HSL 204.88, 0.58%, 0.28%

LAB 31.57, -3.92, -24.26

 

CMYK 73 / 43 / 0 / 56

HEX #1E4070

RGB 30 64 112

HSL 215.12, 0.58%, 0.28%

LAB 27.05, 5.37, -31.39

 

CMYK 73 / 54 / 0 / 56

HEX #1E3370

RGB 30 51 112

HSL 224.63, 0.58%, 0.28%

LAB 23.05, 14.49, -37.82

 

CMYK 73 / 6 / 0 / 55

HEX #1F6B72

RGB 31 107 114

HSL 185.06, 0.57%, 0.28%

LAB 41.25, -20.06, -10.59

 

CMYK 73 / 6 / 0 / 35

HEX #2D9BA5

RGB 45 155 165

HSL 185, 0.57%, 0.41%

LAB 58.71, -26.66, -14.09

 

CMYK 73 / 6 / 0 / 15

HEX #3BCBD8

RGB 59 203 216

HSL 184.97, 0.67%, 0.54%

LAB 75.2, -32.85, -17.38

 

CMYK 75 / 8 / 0 / 95

HEX #030B0C

RGB 3 11 12

HSL 186.67, 0.6%, 0.03%

LAB 2.58, -1.95, -1.15

 

CMYK 73 / 6 / 0 / 75

HEX #113B3F

RGB 17 59 63

HSL 185.22, 0.58%, 0.16%

LAB 22.32, -12.77, -6.75

 

CMYK 73 / 6 / 0 / 55

HEX #1F6B72

RGB 31 107 114

HSL 185.06, 0.57%, 0.28%

LAB 41.25, -20.06, -10.59

 

CMYK 53 / 73 / 0 / 56

HEX #351E70

RGB 53 30 112

HSL 256.83, 0.58%, 0.28%

LAB 19.45, 32.72, -43.58

 

CMYK 0 / 23 / 73 / 56

HEX #70561E

RGB 112 86 30

HSL 40.98, 0.58%, 0.28%

LAB 38.19, 4.38, 35.43

 

CMYK 73 / 6 / 0 / 55

HEX #1F6B72

RGB 31 107 114

HSL 185.06, 0.57%, 0.28%

LAB 41.25, -20.06, -10.59

 

CMYK 0 / 73 / 6 / 56

HEX #701E69

RGB 112 30 105

HSL 305.12, 0.58%, 0.28%

LAB 27.83, 44.72, -25.13

 

CMYK 6 / 0 / 73 / 56

HEX #69701E

RGB 105 112 30

HSL 65.12, 0.58%, 0.28%

LAB 45.2, -13.98, 42.3

 

CMYK 73 / 6 / 0 / 55

HEX #1F6B72

RGB 31 107 114

HSL 185.06, 0.57%, 0.28%

LAB 41.25, -20.06, -10.59

 

CMYK 53 / 73 / 0 / 56

HEX #351E70

RGB 53 30 112

HSL 256.83, 0.58%, 0.28%

LAB 19.45, 32.72, -43.58

 

CMYK 0 / 67 / 73 / 56

HEX #70251E

RGB 112 37 30

HSL 5.12, 0.58%, 0.28%

LAB 26.34, 32.71, 22.36

 

CMYK 21 / 0 / 73 / 56

HEX #59701E

RGB 89 112 30

HSL 76.83, 0.58%, 0.28%

LAB 43.95, -21.22, 40.65

 

CMYK 73 / 6 / 0 / 55

HEX #1F6B72

RGB 31 107 114

HSL 185.06, 0.57%, 0.28%

LAB 41.25, -20.06, -10.59

 

CMYK 30 / 73 / 0 / 56

HEX #4E1E70

RGB 78 30 112

HSL 275.12, 0.58%, 0.28%

LAB 22.72, 37.91, -38.13

 

CMYK 0 / 67 / 73 / 56

HEX #70251E

RGB 112 37 30

HSL 5.12, 0.58%, 0.28%

LAB 26.34, 32.71, 22.36

 

CMYK 43 / 0 / 73 / 56

HEX #40701E

RGB 64 112 30

HSL 95.12, 0.58%, 0.28%

LAB 42.42, -31.38, 38.59

 

Description

Color code: RGB 31 107 114 | qconv.com Color code: RGB 31 107 114 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 107 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 107 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 6 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 6% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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