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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 100 44 it is the complementary color RGB 224 155 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 100 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 31 100 44: RGB 36 100 39, RGB 53 118 58, RGB 70 136 77, RGB 87 154 96 and RGB 104 172 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 100 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 31 100 44: RGB 31 100 44, RGB 14 82 25, RGB 0 64 6, RGB 0 46 0 and RGB 0 28 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 56 / 61

HEX #1F642C

RGB 31 100 44

HSL 131.3, 0.53%, 0.26%

LAB 37.09, -34.55, 25.39

 

Complementary color

CMYK 0 / 31 / 6 / 12

HEX #E09BD3

RGB 224 155 211

HSL 311.3, 0.53%, 0.74%

LAB 72.22, 34.4, -18.22

 

CMYK 64 / 0 / 61 / 61

HEX #246427

RGB 36 100 39

HSL 122.81, 0.47%, 0.27%

LAB 37.18, -34.08, 28.21

 

CMYK 55 / 0 / 51 / 54

HEX #35763A

RGB 53 118 58

HSL 124.62, 0.38%, 0.34%

LAB 44.26, -34.32, 26.75

 

CMYK 49 / 0 / 43 / 47

HEX #46884D

RGB 70 136 77

HSL 126.36, 0.32%, 0.4%

LAB 51.21, -34.26, 25.32

 

CMYK 44 / 0 / 38 / 40

HEX #579A60

RGB 87 154 96

HSL 128.06, 0.28%, 0.47%

LAB 58.02, -34.08, 23.97

 

CMYK 40 / 0 / 33 / 33

HEX #68AC73

RGB 104 172 115

HSL 129.71, 0.29%, 0.54%

LAB 64.71, -33.83, 22.73

 

CMYK 69 / 0 / 56 / 61

HEX #1F642C

RGB 31 100 44

HSL 131.3, 0.53%, 0.26%

LAB 37.09, -34.55, 25.39

 

CMYK 83 / 0 / 70 / 68

HEX #0E5219

RGB 14 82 25

HSL 129.71, 0.71%, 0.19%

LAB 29.91, -33.55, 26.93

 

CMYK 100 / 0 / 91 / 75

HEX #004006

RGB 0 64 6

HSL 125.63, 1%, 0.13%

LAB 22.58, -31.42, 27.72

 

CMYK 100 / 0 / 100 / 82

HEX #002E00

RGB 0 46 0

HSL 120, 1%, 0.09%

LAB 15.24, -25.96, 21.62

 

CMYK 100 / 0 / 100 / 89

HEX #001C00

RGB 0 28 0

HSL 120, 1%, 0.05%

LAB 7.5, -15.33, 10.95

 

CMYK 69 / 0 / 56 / 61

HEX #1F642C

RGB 31 100 44

HSL 131.3, 0.53%, 0.26%

LAB 37.09, -34.55, 25.39

 

CMYK 69 / 0 / 46 / 60

HEX #1F6537

RGB 31 101 55

HSL 140.57, 0.53%, 0.26%

LAB 37.62, -33.04, 19.84

 

CMYK 69 / 0 / 34 / 60

HEX #1F6543

RGB 31 101 67

HSL 150.86, 0.53%, 0.26%

LAB 37.85, -30.49, 13.06

 

CMYK 69 / 0 / 22 / 60

HEX #1F654F

RGB 31 101 79

HSL 161.14, 0.53%, 0.26%

LAB 38.13, -27.51, 6.18

 

CMYK 69 / 0 / 11 / 60

HEX #1F655A

RGB 31 101 90

HSL 170.57, 0.53%, 0.26%

LAB 38.44, -24.43, -0.11

 

CMYK 69 / 0 / 56 / 61

HEX #1F642C

RGB 31 100 44

HSL 131.3, 0.53%, 0.26%

LAB 37.09, -34.55, 25.39

 

CMYK 69 / 0 / 56 / 41

HEX #2F9742

RGB 47 151 66

HSL 130.96, 0.53%, 0.39%

LAB 55.21, -47.85, 35.9

 

CMYK 69 / 0 / 56 / 21

HEX #3FCA59

RGB 63 202 89

HSL 131.22, 0.57%, 0.52%

LAB 72.24, -60.1, 45.23

 

CMYK 69 / 0 / 56 / 1

HEX #4EFD6F

RGB 78 253 111

HSL 131.31, 0.98%, 0.65%

LAB 88.46, -72.03, 54.5

 

CMYK 69 / 0 / 55 / 81

HEX #0F3116

RGB 15 49 22

HSL 132.35, 0.53%, 0.13%

LAB 17.25, -19.62, 13.61

 

CMYK 69 / 0 / 56 / 61

HEX #1F642C

RGB 31 100 44

HSL 131.3, 0.53%, 0.26%

LAB 37.09, -34.55, 25.39

 

CMYK 69 / 27 / 0 / 60

HEX #1F4A65

RGB 31 74 101

HSL 203.14, 0.53%, 0.26%

LAB 29.73, -5.36, -20.16

 

CMYK 0 / 69 / 54 / 60

HEX #651F2E

RGB 101 31 46

HSL 347.14, 0.53%, 0.26%

LAB 23.49, 32.69, 7.6

 

CMYK 69 / 0 / 56 / 61

HEX #1F642C

RGB 31 100 44

HSL 131.3, 0.53%, 0.26%

LAB 37.09, -34.55, 25.39

 

CMYK 56 / 69 / 0 / 60

HEX #2C1F65

RGB 44 31 101

HSL 251.14, 0.53%, 0.26%

LAB 17.71, 26.81, -39.29

 

CMYK 0 / 56 / 69 / 60

HEX #652C1F

RGB 101 44 31

HSL 11.14, 0.53%, 0.26%

LAB 25.76, 24.61, 20.56

 

CMYK 69 / 0 / 56 / 61

HEX #1F642C

RGB 31 100 44

HSL 131.3, 0.53%, 0.26%

LAB 37.09, -34.55, 25.39

 

CMYK 69 / 27 / 0 / 60

HEX #1F4A65

RGB 31 74 101

HSL 203.14, 0.53%, 0.26%

LAB 29.73, -5.36, -20.16

 

CMYK 0 / 69 / 13 / 60

HEX #651F58

RGB 101 31 88

HSL 311.14, 0.53%, 0.26%

LAB 25.11, 38.38, -18.41

 

CMYK 0 / 43 / 69 / 60

HEX #653A1F

RGB 101 58 31

HSL 23.14, 0.53%, 0.26%

LAB 29.14, 16.29, 24.55

 

CMYK 69 / 0 / 56 / 61

HEX #1F642C

RGB 31 100 44

HSL 131.3, 0.53%, 0.26%

LAB 37.09, -34.55, 25.39

 

CMYK 69 / 48 / 0 / 60

HEX #1F3565

RGB 31 53 101

HSL 221.14, 0.53%, 0.26%

LAB 22.92, 8.83, -30.92

 

CMYK 0 / 69 / 13 / 60

HEX #651F58

RGB 101 31 88

HSL 311.14, 0.53%, 0.26%

LAB 25.11, 38.38, -18.41

 

CMYK 0 / 22 / 69 / 60

HEX #654F1F

RGB 101 79 31

HSL 41.14, 0.53%, 0.26%

LAB 34.92, 3.33, 31.06

 

Description

Color code: RGB 31 100 44 | qconv.com Color code: RGB 31 100 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 100 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 100 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 56 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 56% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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