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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 45 110 it is the complementary color RGB 225 210 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 45 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 30 45 110: RGB 35 45 105, RGB 52 63 124, RGB 69 81 143, RGB 86 99 162 and RGB 103 117 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 45 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 30 45 110: RGB 30 45 110, RGB 13 27 91, RGB 0 9 72, RGB 0 0 53 and RGB 0 0 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 59 / 0 / 57

HEX #1E2D6E

RGB 30 45 110

HSL 228.75, 0.57%, 0.27%

LAB 21.13, 17.97, -39.65

 

Complementary color

CMYK 0 / 7 / 36 / 12

HEX #E1D291

RGB 225 210 145

HSL 48.75, 0.57%, 0.73%

LAB 84.04, -4.19, 34.13

 

CMYK 67 / 57 / 0 / 59

HEX #232D69

RGB 35 45 105

HSL 231.43, 0.5%, 0.27%

LAB 21.03, 16.88, -36.54

 

CMYK 58 / 49 / 0 / 51

HEX #343F7C

RGB 52 63 124

HSL 230.83, 0.41%, 0.35%

LAB 28.75, 15.01, -36.19

 

CMYK 52 / 43 / 0 / 44

HEX #45518F

RGB 69 81 143

HSL 230.27, 0.35%, 0.42%

LAB 36.24, 13.63, -35.9

 

CMYK 47 / 39 / 0 / 36

HEX #5663A2

RGB 86 99 162

HSL 229.74, 0.31%, 0.49%

LAB 43.52, 12.56, -35.68

 

CMYK 43 / 35 / 0 / 29

HEX #6775B5

RGB 103 117 181

HSL 229.23, 0.35%, 0.56%

LAB 50.62, 11.7, -35.54

 

CMYK 73 / 59 / 0 / 57

HEX #1E2D6E

RGB 30 45 110

HSL 228.75, 0.57%, 0.27%

LAB 21.13, 17.97, -39.65

RAL® 5005

CMYK 86 / 70 / 0 / 64

HEX #0D1B5B

RGB 13 27 91

HSL 229.23, 0.75%, 0.2%

LAB 13.38, 20.99, -39.83

 

CMYK 100 / 88 / 0 / 72

HEX #000948

RGB 0 9 72

HSL 232.5, 1%, 0.14%

LAB 5.99, 23.78, -39

 

CMYK 100 / 100 / 0 / 79

HEX #000035

RGB 0 0 53

HSL 240, 1%, 0.1%

LAB 2.32, 16.32, -31.29

 

CMYK 100 / 100 / 0 / 87

HEX #000022

RGB 0 0 34

HSL 240, 1%, 0.07%

LAB 1.04, 7.33, -18.78

 

CMYK 73 / 59 / 0 / 57

HEX #1E2D6E

RGB 30 45 110

HSL 228.75, 0.57%, 0.27%

LAB 21.13, 17.97, -39.65

RAL® 5005

CMYK 73 / 70 / 0 / 58

HEX #1D206C

RGB 29 32 108

HSL 237.72, 0.58%, 0.27%

LAB 17.35, 26.15, -44.51

 

CMYK 63 / 73 / 0 / 58

HEX #281D6C

RGB 40 29 108

HSL 248.35, 0.58%, 0.27%

LAB 17.52, 29.75, -44.2

 

CMYK 51 / 73 / 0 / 58

HEX #351D6C

RGB 53 29 108

HSL 258.23, 0.58%, 0.27%

LAB 18.88, 32.06, -41.92

 

CMYK 39 / 73 / 0 / 58

HEX #421D6C

RGB 66 29 108

HSL 268.1, 0.58%, 0.27%

LAB 20.52, 34.73, -39.19

 

CMYK 73 / 59 / 0 / 57

HEX #1E2D6E

RGB 30 45 110

HSL 228.75, 0.57%, 0.27%

LAB 21.13, 17.97, -39.65

RAL® 5005

CMYK 73 / 59 / 0 / 37

HEX #2C42A1

RGB 44 66 161

HSL 228.72, 0.57%, 0.4%

LAB 31.82, 25.27, -54

 

CMYK 73 / 59 / 0 / 17

HEX #3A57D4

RGB 58 87 212

HSL 228.7, 0.64%, 0.53%

LAB 41.95, 32.12, -67.44

 

CMYK 75 / 63 / 0 / 97

HEX #020308

RGB 2 3 8

HSL 230, 0.6%, 0.02%

LAB 0.86, 0.43, -1.98

 

CMYK 73 / 59 / 0 / 77

HEX #10183B

RGB 16 24 59

HSL 228.84, 0.57%, 0.15%

LAB 9.63, 9.99, -23.78

 

CMYK 73 / 59 / 0 / 57

HEX #1E2D6E

RGB 30 45 110

HSL 228.75, 0.57%, 0.27%

LAB 21.13, 17.97, -39.65

RAL® 5005

CMYK 0 / 73 / 0 / 58

HEX #6C1D6C

RGB 108 29 108

HSL 300, 0.58%, 0.27%

LAB 27.16, 44.63, -28.17

 

CMYK 30 / 0 / 73 / 58

HEX #4C6C1D

RGB 76 108 29

HSL 84.3, 0.58%, 0.27%

LAB 41.77, -24.84, 38.56

 

CMYK 73 / 59 / 0 / 57

HEX #1E2D6E

RGB 30 45 110

HSL 228.75, 0.57%, 0.27%

LAB 21.13, 17.97, -39.65

RAL® 5005

CMYK 0 / 73 / 58 / 58

HEX #6C1D2D

RGB 108 29 45

HSL 347.85, 0.58%, 0.27%

LAB 24.5, 35.98, 9.9

 

CMYK 58 / 0 / 73 / 58

HEX #2D6C1D

RGB 45 108 29

HSL 107.85, 0.58%, 0.27%

LAB 40.2, -36.04, 36.45

 

CMYK 73 / 59 / 0 / 57

HEX #1E2D6E

RGB 30 45 110

HSL 228.75, 0.57%, 0.27%

LAB 21.13, 17.97, -39.65

RAL® 5005

CMYK 0 / 73 / 0 / 58

HEX #6C1D6C

RGB 108 29 108

HSL 300, 0.58%, 0.27%

LAB 27.16, 44.63, -28.17

 

CMYK 0 / 15 / 73 / 58

HEX #6C5C1D

RGB 108 92 29

HSL 47.85, 0.58%, 0.27%

LAB 39.46, -1.21, 37.07

 

CMYK 73 / 0 / 73 / 58

HEX #1D6C1D

RGB 29 108 29

HSL 120, 0.58%, 0.27%

LAB 39.71, -40.03, 35.78

 

CMYK 73 / 59 / 0 / 57

HEX #1E2D6E

RGB 30 45 110

HSL 228.75, 0.57%, 0.27%

LAB 21.13, 17.97, -39.65

RAL® 5005

CMYK 0 / 73 / 22 / 58

HEX #6C1D54

RGB 108 29 84

HSL 318.23, 0.58%, 0.27%

LAB 25.88, 40.62, -14.46

 

CMYK 0 / 15 / 73 / 58

HEX #6C5C1D

RGB 108 92 29

HSL 47.85, 0.58%, 0.27%

LAB 39.46, -1.21, 37.07

 

CMYK 73 / 0 / 51 / 58

HEX #1D6C35

RGB 29 108 53

HSL 138.23, 0.58%, 0.27%

LAB 39.99, -36.73, 23.99

 

Description

Color code: RGB 30 45 110 | qconv.com Color code: RGB 30 45 110 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 45 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 45 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 59 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 59% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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