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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 165 212 it is the complementary color RGB 225 90 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 165 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 30 165 212: RGB 35 165 207, RGB 52 183 226, RGB 69 201 245, RGB 86 219 255 and RGB 103 237 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 165 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 30 165 212: RGB 30 165 212, RGB 13 147 193, RGB 0 129 174, RGB 0 111 155 and RGB 0 93 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 22 / 0 / 17

HEX #1EA5D4

RGB 30 165 212

HSL 195.49, 0.75%, 0.47%

LAB 63.29, -17.73, -33.47

 

Complementary color

CMYK 0 / 60 / 81 / 12

HEX #E15A2B

RGB 225 90 43

HSL 15.49, 0.75%, 0.53%

LAB 55.58, 50.35, 51.94

 

CMYK 83 / 20 / 0 / 19

HEX #23A5CF

RGB 35 165 207

HSL 194.65, 0.71%, 0.47%

LAB 63.15, -19.08, -30.91

 

CMYK 77 / 19 / 0 / 11

HEX #34B7E2

RGB 52 183 226

HSL 194.83, 0.75%, 0.55%

LAB 69.53, -20.56, -31.48

 

CMYK 72 / 18 / 0 / 4

HEX #45C9F5

RGB 69 201 245

HSL 195, 0.9%, 0.62%

LAB 75.84, -21.73, -32

 

CMYK 66 / 14 / 0 / 0

HEX #56DBFF

RGB 86 219 255

HSL 192.78, 1%, 0.67%

LAB 81.76, -25.39, -28.2

 

CMYK 60 / 7 / 0 / 0

HEX #67EDFF

RGB 103 237 255

HSL 187.11, 1%, 0.7%

LAB 87.33, -31.44, -19.7

 

CMYK 86 / 22 / 0 / 17

HEX #1EA5D4

RGB 30 165 212

HSL 195.49, 0.75%, 0.47%

LAB 63.29, -17.73, -33.47

 

CMYK 93 / 24 / 0 / 24

HEX #0D93C1

RGB 13 147 193

HSL 195.33, 0.87%, 0.4%

LAB 56.88, -15.64, -32.82

 

CMYK 100 / 26 / 0 / 32

HEX #0081AE

RGB 0 129 174

HSL 195.52, 1%, 0.34%

LAB 50.4, -13.1, -32.08

 

CMYK 100 / 28 / 0 / 39

HEX #006F9B

RGB 0 111 155

HSL 197.03, 1%, 0.3%

LAB 43.85, -9.96, -31.22

 

CMYK 100 / 32 / 0 / 47

HEX #005D88

RGB 0 93 136

HSL 198.97, 1%, 0.27%

LAB 37.13, -6.65, -30.39

 

CMYK 86 / 22 / 0 / 17

HEX #1EA5D4

RGB 30 165 212

HSL 195.49, 0.75%, 0.47%

LAB 63.29, -17.73, -33.47

 

CMYK 86 / 36 / 0 / 18

HEX #1D86D1

RGB 29 134 209

HSL 205, 0.76%, 0.47%

LAB 53.94, -1.4, -46.49

 

CMYK 86 / 50 / 0 / 18

HEX #1D68D1

RGB 29 104 209

HSL 215, 0.76%, 0.47%

LAB 45.31, 17.25, -60.31

 

CMYK 86 / 65 / 0 / 18

HEX #1D4AD1

RGB 29 74 209

HSL 225, 0.76%, 0.47%

LAB 37.41, 36.72, -73.18

 

CMYK 86 / 79 / 0 / 18

HEX #1D2CD1

RGB 29 44 209

HSL 235, 0.76%, 0.47%

LAB 31.03, 54.33, -83.72

 

CMYK 86 / 22 / 0 / 17

HEX #1EA5D4

RGB 30 165 212

HSL 195.49, 0.75%, 0.47%

LAB 63.29, -17.73, -33.47

 

CMYK 88 / 25 / 0 / 97

HEX #010608

RGB 1 6 8

HSL 197.14, 0.78%, 0.02%

LAB 1.39, -1.03, -1.22

 

CMYK 86 / 22 / 0 / 77

HEX #082E3B

RGB 8 46 59

HSL 195.29, 0.76%, 0.13%

LAB 17.09, -7.74, -12.03

 

CMYK 85 / 22 / 0 / 57

HEX #10566E

RGB 16 86 110

HSL 195.32, 0.75%, 0.25%

LAB 33.76, -11.52, -19.62

 

CMYK 86 / 22 / 0 / 37

HEX #177DA1

RGB 23 125 161

HSL 195.65, 0.75%, 0.36%

LAB 48.79, -14.45, -27.02

 

CMYK 86 / 22 / 0 / 17

HEX #1EA5D4

RGB 30 165 212

HSL 195.49, 0.75%, 0.47%

LAB 63.29, -17.73, -33.47

 

CMYK 47 / 86 / 0 / 18

HEX #6E1DD1

RGB 110 29 209

HSL 267, 0.76%, 0.47%

LAB 35.59, 66.76, -75.97

 

CMYK 0 / 13 / 86 / 18

HEX #D1B61D

RGB 209 182 29

HSL 51, 0.76%, 0.47%

LAB 74.25, -4.46, 71.93

 

CMYK 86 / 22 / 0 / 17

HEX #1EA5D4

RGB 30 165 212

HSL 195.49, 0.75%, 0.47%

LAB 63.29, -17.73, -33.47

 

CMYK 0 / 86 / 22 / 18

HEX #D11DA4

RGB 209 29 164

HSL 315, 0.76%, 0.47%

LAB 48.4, 75.36, -28.1

 

CMYK 22 / 0 / 86 / 18

HEX #A4D11D

RGB 164 209 29

HSL 75, 0.76%, 0.47%

LAB 78.22, -36.7, 73.79

 

CMYK 86 / 22 / 0 / 17

HEX #1EA5D4

RGB 30 165 212

HSL 195.49, 0.75%, 0.47%

LAB 63.29, -17.73, -33.47

 

CMYK 47 / 86 / 0 / 18

HEX #6E1DD1

RGB 110 29 209

HSL 267, 0.76%, 0.47%

LAB 35.59, 66.76, -75.97

 

CMYK 0 / 65 / 86 / 18

HEX #D14A1D

RGB 209 74 29

HSL 15, 0.76%, 0.47%

LAB 50.15, 51.36, 52.23

 

CMYK 39 / 0 / 86 / 18

HEX #80D11D

RGB 128 209 29

HSL 87, 0.76%, 0.47%

LAB 76.24, -50.03, 71.32

 

CMYK 86 / 22 / 0 / 17

HEX #1EA5D4

RGB 30 165 212

HSL 195.49, 0.75%, 0.47%

LAB 63.29, -17.73, -33.47

 

CMYK 22 / 86 / 0 / 18

HEX #A41DD1

RGB 164 29 209

HSL 285, 0.76%, 0.47%

LAB 43.32, 74.03, -63.01

 

CMYK 0 / 65 / 86 / 18

HEX #D14A1D

RGB 209 74 29

HSL 15, 0.76%, 0.47%

LAB 50.15, 51.36, 52.23

 

CMYK 65 / 0 / 86 / 18

HEX #4AD11D

RGB 74 209 29

HSL 105, 0.76%, 0.47%

LAB 74.28, -65.22, 68.86

 

Description

Color code: RGB 30 165 212 | qconv.com Color code: RGB 30 165 212 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 165 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 165 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 22 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 22% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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HEX to RAL®

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HEX to HKS®

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to RGBA

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NCS® to CMYK

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NCS® to RAL®

convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)

NCS® to HKS®

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NCS® to PANTONE®

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NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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