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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 146 93 it is the complementary color RGB 225 109 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 146 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 30 146 93: RGB 35 146 88, RGB 52 164 107, RGB 69 182 126, RGB 86 200 145 and RGB 103 218 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 146 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 30 146 93: RGB 30 146 93, RGB 13 128 74, RGB 0 110 55, RGB 0 92 36 and RGB 0 74 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 36 / 43

HEX #1E925D

RGB 30 146 93

HSL 152.59, 0.66%, 0.35%

LAB 53.63, -43.89, 19.45

 

Complementary color

CMYK 0 / 52 / 28 / 12

HEX #E16DA2

RGB 225 109 162

HSL 332.59, 0.66%, 0.65%

LAB 61.27, 50.91, -7.12

 

CMYK 76 / 0 / 40 / 43

HEX #239258

RGB 35 146 88

HSL 148.65, 0.61%, 0.35%

LAB 53.62, -44.25, 22.23

 

CMYK 68 / 0 / 35 / 36

HEX #34A46B

RGB 52 164 107

HSL 149.46, 0.52%, 0.42%

LAB 60.2, -44.83, 20.67

 

CMYK 62 / 0 / 31 / 29

HEX #45B67E

RGB 69 182 126

HSL 150.27, 0.45%, 0.49%

LAB 66.69, -45.09, 19.26

 

CMYK 57 / 0 / 28 / 22

HEX #56C891

RGB 86 200 145

HSL 151.05, 0.51%, 0.56%

LAB 73.11, -45.17, 17.98

 

CMYK 53 / 0 / 25 / 15

HEX #67DAA4

RGB 103 218 164

HSL 151.83, 0.61%, 0.63%

LAB 79.45, -45.13, 16.81

 

CMYK 79 / 0 / 36 / 43

HEX #1E925D

RGB 30 146 93

HSL 152.59, 0.66%, 0.35%

LAB 53.63, -43.89, 19.45

 

CMYK 90 / 0 / 42 / 50

HEX #0D804A

RGB 13 128 74

HSL 151.83, 0.82%, 0.28%

LAB 47, -42.63, 21.21

 

CMYK 100 / 0 / 50 / 57

HEX #006E37

RGB 0 110 55

HSL 150, 1%, 0.22%

LAB 40.29, -40.66, 23.17

 

CMYK 100 / 0 / 61 / 64

HEX #005C24

RGB 0 92 36

HSL 143.48, 1%, 0.18%

LAB 33.52, -37.46, 25.3

 

CMYK 100 / 0 / 77 / 71

HEX #004A11

RGB 0 74 17

HSL 133.78, 1%, 0.15%

LAB 26.56, -33.76, 27.1

 

CMYK 79 / 0 / 36 / 43

HEX #1E925D

RGB 30 146 93

HSL 152.59, 0.66%, 0.35%

LAB 53.63, -43.89, 19.45

 

CMYK 80 / 0 / 24 / 42

HEX #1E9470

RGB 30 148 112

HSL 161.69, 0.66%, 0.35%

LAB 54.68, -40.3, 10.19

 

CMYK 80 / 0 / 11 / 42

HEX #1E9484

RGB 30 148 132

HSL 171.86, 0.66%, 0.35%

LAB 55.2, -34.95, -0.5

 

CMYK 80 / 3 / 0 / 42

HEX #1E9094

RGB 30 144 148

HSL 182.03, 0.66%, 0.35%

LAB 54.41, -28.25, -10.88

 

CMYK 80 / 16 / 0 / 42

HEX #1E7C94

RGB 30 124 148

HSL 192.2, 0.66%, 0.35%

LAB 48.04, -17.86, -20.55

 

CMYK 79 / 0 / 36 / 43

HEX #1E925D

RGB 30 146 93

HSL 152.59, 0.66%, 0.35%

LAB 53.63, -43.89, 19.45

 

CMYK 80 / 0 / 37 / 23

HEX #28C57D

RGB 40 197 125

HSL 152.48, 0.66%, 0.46%

LAB 70.78, -55.64, 25.24

 

CMYK 79 / 0 / 36 / 3

HEX #33F89E

RGB 51 248 158

HSL 152.59, 0.93%, 0.59%

LAB 87.15, -66.49, 30.26

 

CMYK 80 / 0 / 36 / 83

HEX #092C1C

RGB 9 44 28

HSL 152.57, 0.66%, 0.1%

LAB 15.19, -17.26, 6.81

 

CMYK 79 / 0 / 36 / 63

HEX #145F3D

RGB 20 95 61

HSL 152.8, 0.65%, 0.23%

LAB 35.34, -31.21, 13.21

 

CMYK 79 / 0 / 36 / 43

HEX #1E925D

RGB 30 146 93

HSL 152.59, 0.66%, 0.35%

LAB 53.63, -43.89, 19.45

 

CMYK 80 / 59 / 0 / 42

HEX #1E3D94

RGB 30 61 148

HSL 224.24, 0.66%, 0.35%

LAB 28.78, 21.93, -51.08

 

CMYK 0 / 69 / 80 / 42

HEX #942E1E

RGB 148 46 30

HSL 8.14, 0.66%, 0.35%

LAB 34.69, 41.9, 33.49

 

CMYK 79 / 0 / 36 / 43

HEX #1E925D

RGB 30 146 93

HSL 152.59, 0.66%, 0.35%

LAB 53.63, -43.89, 19.45

 

CMYK 37 / 80 / 0 / 42

HEX #5D1E94

RGB 93 30 148

HSL 272.03, 0.66%, 0.35%

LAB 27.83, 49.65, -52.39

 

CMYK 0 / 37 / 80 / 42

HEX #945D1E

RGB 148 93 30

HSL 32.03, 0.66%, 0.35%

LAB 44.54, 17.17, 43.25

 

CMYK 79 / 0 / 36 / 43

HEX #1E925D

RGB 30 146 93

HSL 152.59, 0.66%, 0.35%

LAB 53.63, -43.89, 19.45

 

CMYK 80 / 59 / 0 / 42

HEX #1E3D94

RGB 30 61 148

HSL 224.24, 0.66%, 0.35%

LAB 28.78, 21.93, -51.08

 

CMYK 0 / 80 / 43 / 42

HEX #941E55

RGB 148 30 85

HSL 332.03, 0.66%, 0.35%

LAB 33.73, 51.67, -2.52

 

CMYK 0 / 22 / 80 / 42

HEX #94741E

RGB 148 116 30

HSL 43.73, 0.66%, 0.35%

LAB 50.55, 3.93, 48.88

 

CMYK 79 / 0 / 36 / 43

HEX #1E925D

RGB 30 146 93

HSL 152.59, 0.66%, 0.35%

LAB 53.63, -43.89, 19.45

 

CMYK 77 / 80 / 0 / 42

HEX #221E94

RGB 34 30 148

HSL 242.03, 0.66%, 0.35%

LAB 21.6, 42.06, -62.85

 

CMYK 0 / 80 / 43 / 42

HEX #941E55

RGB 148 30 85

HSL 332.03, 0.66%, 0.35%

LAB 33.73, 51.67, -2.52

 

CMYK 3 / 0 / 80 / 42

HEX #90941E

RGB 144 148 30

HSL 62.03, 0.66%, 0.35%

LAB 59.16, -15.47, 56.55

 

Description

Color code: RGB 30 146 93 | qconv.com Color code: RGB 30 146 93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 146 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 146 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 36 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 36% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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