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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 100 165 it is the complementary color RGB 225 155 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 100 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 30 100 165: RGB 35 100 160, RGB 52 118 179, RGB 69 136 198, RGB 86 154 217 and RGB 103 172 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 100 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 30 100 165: RGB 30 100 165, RGB 13 82 146, RGB 0 64 127, RGB 0 46 108 and RGB 0 28 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 39 / 0 / 35

HEX #1E64A5

RGB 30 100 165

HSL 208.89, 0.69%, 0.38%

LAB 41.39, 2.67, -41.01

 

Complementary color

CMYK 0 / 31 / 60 / 12

HEX #E19B5A

RGB 225 155 90

HSL 28.89, 0.69%, 0.62%

LAB 69.6, 19.61, 44.12

 

CMYK 78 / 38 / 0 / 37

HEX #2364A0

RGB 35 100 160

HSL 208.8, 0.64%, 0.38%

LAB 41.23, 1.29, -38.28

 

CMYK 71 / 34 / 0 / 30

HEX #3476B3

RGB 52 118 179

HSL 208.82, 0.55%, 0.45%

LAB 48.19, -0.41, -38.39

 

CMYK 65 / 31 / 0 / 22

HEX #4588C6

RGB 69 136 198

HSL 208.84, 0.53%, 0.52%

LAB 55.02, -1.71, -38.48

 

CMYK 60 / 29 / 0 / 15

HEX #569AD9

RGB 86 154 217

HSL 208.85, 0.63%, 0.59%

LAB 61.74, -2.72, -38.57

 

CMYK 56 / 27 / 0 / 7

HEX #67ACEC

RGB 103 172 236

HSL 208.87, 0.78%, 0.66%

LAB 68.35, -3.53, -38.66

 

CMYK 82 / 39 / 0 / 35

HEX #1E64A5

RGB 30 100 165

HSL 208.89, 0.69%, 0.38%

LAB 41.39, 2.67, -41.01

 

CMYK 91 / 44 / 0 / 43

HEX #0D5292

RGB 13 82 146

HSL 208.87, 0.84%, 0.31%

LAB 34.39, 5.28, -40.81

 

CMYK 100 / 50 / 0 / 50

HEX #00407F

RGB 0 64 127

HSL 209.76, 1%, 0.25%

LAB 27.29, 8.69, -40.51

 

CMYK 100 / 57 / 0 / 58

HEX #002E6C

RGB 0 46 108

HSL 214.44, 1%, 0.21%

LAB 20.19, 13.22, -39.92

 

CMYK 100 / 69 / 0 / 65

HEX #001C59

RGB 0 28 89

HSL 221.12, 1%, 0.17%

LAB 12.93, 18.18, -39.23

 

CMYK 82 / 39 / 0 / 35

HEX #1E64A5

RGB 30 100 165

HSL 208.89, 0.69%, 0.38%

LAB 41.39, 2.67, -41.01

 

CMYK 82 / 52 / 0 / 36

HEX #1E4FA3

RGB 30 79 163

HSL 217.89, 0.69%, 0.38%

LAB 35.03, 15.64, -50.02

 

CMYK 82 / 66 / 0 / 36

HEX #1E38A3

RGB 30 56 163

HSL 228.27, 0.69%, 0.38%

LAB 28.77, 31.15, -60.22

 

CMYK 82 / 79 / 0 / 36

HEX #1E22A3

RGB 30 34 163

HSL 238.2, 0.69%, 0.38%

LAB 23.88, 44.61, -68.28

 

CMYK 71 / 82 / 0 / 36

HEX #2F1EA3

RGB 47 30 163

HSL 247.67, 0.69%, 0.38%

LAB 24.25, 47.87, -67.64

 

CMYK 82 / 39 / 0 / 35

HEX #1E64A5

RGB 30 100 165

HSL 208.89, 0.69%, 0.38%

LAB 41.39, 2.67, -41.01

 

CMYK 82 / 39 / 0 / 15

HEX #2783D8

RGB 39 131 216

HSL 208.81, 0.69%, 0.5%

LAB 53.62, 3.83, -50.93

 

CMYK 83 / 42 / 0 / 95

HEX #02070C

RGB 2 7 12

HSL 210, 0.71%, 0.03%

LAB 1.73, -0.6, -2.4

 

CMYK 83 / 40 / 0 / 75

HEX #0B263F

RGB 11 38 63

HSL 208.85, 0.7%, 0.15%

LAB 14.49, 0.05, -18.87

 

CMYK 82 / 39 / 0 / 55

HEX #154572

RGB 21 69 114

HSL 209.03, 0.69%, 0.26%

LAB 28.46, 1.46, -30.44

 

CMYK 82 / 39 / 0 / 35

HEX #1E64A5

RGB 30 100 165

HSL 208.89, 0.69%, 0.38%

LAB 41.39, 2.67, -41.01

 

CMYK 27 / 82 / 0 / 36

HEX #771EA3

RGB 119 30 163

HSL 280.15, 0.69%, 0.38%

LAB 32.91, 57.47, -53.1

 

CMYK 6 / 0 / 82 / 36

HEX #9AA31E

RGB 154 163 30

HSL 64.06, 0.69%, 0.38%

LAB 64.29, -18.78, 61.39

 

CMYK 82 / 39 / 0 / 35

HEX #1E64A5

RGB 30 100 165

HSL 208.89, 0.69%, 0.38%

LAB 41.39, 2.67, -41.01

 

CMYK 0 / 82 / 38 / 36

HEX #A31E65

RGB 163 30 101

HSL 327.97, 0.69%, 0.38%

LAB 37.22, 57.32, -7.31

 

CMYK 38 / 0 / 82 / 36

HEX #65A31E

RGB 101 163 30

HSL 87.97, 0.69%, 0.38%

LAB 60.83, -40.37, 56.99

 

CMYK 82 / 39 / 0 / 35

HEX #1E64A5

RGB 30 100 165

HSL 208.89, 0.69%, 0.38%

LAB 41.39, 2.67, -41.01

 

CMYK 27 / 82 / 0 / 36

HEX #771EA3

RGB 119 30 163

HSL 280.15, 0.69%, 0.38%

LAB 32.91, 57.47, -53.1

 

CMYK 0 / 44 / 82 / 36

HEX #A35C1E

RGB 163 92 30

HSL 27.97, 0.69%, 0.38%

LAB 46.36, 24.42, 45.69

 

CMYK 55 / 0 / 82 / 36

HEX #4AA31E

RGB 74 163 30

HSL 100.15, 0.69%, 0.38%

LAB 59.66, -49.14, 55.49

 

CMYK 82 / 39 / 0 / 35

HEX #1E64A5

RGB 30 100 165

HSL 208.89, 0.69%, 0.38%

LAB 41.39, 2.67, -41.01

 

CMYK 2 / 82 / 0 / 36

HEX #9F1EA3

RGB 159 30 163

HSL 298.2, 0.69%, 0.38%

LAB 39.49, 64.89, -42.16

 

CMYK 0 / 44 / 82 / 36

HEX #A35C1E

RGB 163 92 30

HSL 27.97, 0.69%, 0.38%

LAB 46.36, 24.42, 45.69

 

CMYK 79 / 0 / 82 / 36

HEX #22A31E

RGB 34 163 30

HSL 118.2, 0.69%, 0.38%

LAB 58.63, -57.67, 54.16

 

Description

Color code: RGB 30 100 165 | qconv.com Color code: RGB 30 100 165 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 100 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 100 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 39 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 39% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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