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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 201 105 it is the complementary color RGB 253 54 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 201 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 201 105 shade: RGB 7 201 100, RGB 24 219 119, RGB 41 237 138, RGB 58 255 157 and RGB 75 255 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 201 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 201 105 shade: RGB 2 201 105, RGB 0 183 86, RGB 0 165 67, RGB 0 147 48 and RGB 0 129 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 201 105 shade: RGB 2 202 106, RGB 2 202 52, RGB 6 202 2, RGB 60 202 2 and RGB 114 202 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 201 105 shade: RGB 2 202 106, RGB 2 202 159, RGB 2 191 202, RGB 2 137 202 and RGB 2 83 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 201 105 shade matches the following richer shades: RGB 2 202 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 201 105 shade: RGB 2 202 106, RGB 19 185 105, RGB 35 169 104, RGB 52 152 104 and RGB 68 136 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 201 105 shade: RGB 5 202 2, RGB 2 202 52, RGB 2 202 105, RGB 2 202 159 and RGB 2 192 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 201 105 shade: RGB 1 120 63, RGB 2 161 84, RGB 2 202 106, RGB 2 243 127 and RGB 34 253 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 201 105 shade: RGB 2 201 105, RGB 2 59 202 and RGB 202 25 2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 201 105 shade: RGB 2 201 105, RGB 105 2 202 and RGB 202 105 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 201 105 shade: RGB 2 201 105, RGB 2 59 202, RGB 202 2 99 and RGB 202 145 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 201 105 shade: RGB 2 201 105, RGB 5 2 202, RGB 202 2 99 and RGB 199 202 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 48 / 21

HEX #02C969

RGB 2 201 105

HSL 151.06, 0.98%, 0.4%

LAB 71.42, -63.18, 36.31

 

Complementary color

CMYK 0 / 79 / 41 / 1

HEX #FD3696

RGB 253 54 150

HSL 331.06, 0.98%, 0.6%

LAB 57.77, 78.33, -4.83

 

CMYK 97 / 0 / 50 / 21

HEX #07C964

RGB 7 201 100

HSL 148.76, 0.93%, 0.41%

LAB 71.38, -63.81, 38.73

 

CMYK 89 / 0 / 46 / 14

HEX #18DB77

RGB 24 219 119

HSL 149.23, 0.8%, 0.48%

LAB 77.39, -65.81, 36.95

 

CMYK 83 / 0 / 42 / 7

HEX #29ED8A

RGB 41 237 138

HSL 149.69, 0.84%, 0.55%

LAB 83.38, -67.3, 35.26

 

CMYK 77 / 0 / 38 / 0

HEX #3AFF9D

RGB 58 255 157

HSL 150.15, 1%, 0.61%

LAB 89.32, -68.4, 33.68

 

CMYK 71 / 0 / 31 / 0

HEX #4BFFB0

RGB 75 255 176

HSL 153.67, 1%, 0.65%

LAB 89.93, -62.62, 24.99

 

CMYK 99 / 0 / 48 / 21

HEX #02C969

RGB 2 201 105

HSL 151.06, 0.98%, 0.4%

LAB 71.42, -63.18, 36.31

 

CMYK 100 / 0 / 53 / 28

HEX #00B756

RGB 0 183 86

HSL 148.2, 1%, 0.36%

LAB 65.39, -60.45, 38.22

 

CMYK 100 / 0 / 59 / 35

HEX #00A543

RGB 0 165 67

HSL 144.36, 1%, 0.32%

LAB 59.27, -57.45, 40.08

 

CMYK 100 / 0 / 67 / 42

HEX #009330

RGB 0 147 48

HSL 139.59, 1%, 0.29%

LAB 53.04, -54.16, 41.73

 

CMYK 100 / 0 / 78 / 49

HEX #00811D

RGB 0 129 29

HSL 133.49, 1%, 0.25%

LAB 46.7, -50.47, 42.83

 

CMYK 99 / 0 / 48 / 21

HEX #02CA6A

RGB 2 202 106

HSL 151.2, 0.98%, 0.4%

LAB 71.75, -63.34, 36.22

 

CMYK 99 / 0 / 74 / 21

HEX #02CA34

RGB 2 202 52

HSL 135, 0.98%, 0.4%

LAB 71.22, -70.03, 59.23

 

CMYK 97 / 0 / 99 / 21

HEX #06CA02

RGB 6 202 2

HSL 118.8, 0.98%, 0.4%

LAB 71.07, -72.03, 69.61

 

CMYK 70 / 0 / 99 / 21

HEX #3CCA02

RGB 60 202 2

HSL 102.6, 0.98%, 0.4%

LAB 71.69, -66.44, 70.38

 

CMYK 44 / 0 / 99 / 21

HEX #72CA02

RGB 114 202 2

HSL 86.4, 0.98%, 0.4%

LAB 73.43, -52.5, 72.49

 

CMYK 99 / 0 / 48 / 21

HEX #02CA6A

RGB 2 202 106

HSL 151.2, 0.98%, 0.4%

LAB 71.75, -63.34, 36.22

 

CMYK 99 / 0 / 21 / 21

HEX #02CA9F

RGB 2 202 159

HSL 167.1, 0.98%, 0.4%

LAB 72.73, -52.15, 9.75

 

CMYK 99 / 5 / 0 / 21

HEX #02BFCA

RGB 2 191 202

HSL 183.3, 0.98%, 0.4%

LAB 70.55, -35.24, -16.85

 

CMYK 99 / 32 / 0 / 21

HEX #0289CA

RGB 2 137 202

HSL 199.5, 0.98%, 0.4%

LAB 54.21, -7.05, -42.12

 

CMYK 99 / 59 / 0 / 21

HEX #0253CA

RGB 2 83 202

HSL 215.7, 0.98%, 0.4%

LAB 38.66, 27.05, -67.1

 

CMYK 99 / 0 / 48 / 21

HEX #02CA6A

RGB 2 202 106

HSL 151.2, 0.98%, 0.4%

LAB 71.75, -63.34, 36.22

 

CMYK 99 / 0 / 48 / 21

HEX #02CA6A

RGB 2 202 106

HSL 151.2, 0.98%, 0.4%

LAB 71.75, -63.34, 36.22

 

CMYK 90 / 0 / 43 / 27

HEX #13B969

RGB 19 185 105

HSL 151.08, 0.81%, 0.4%

LAB 66.41, -56.99, 29.89

 

CMYK 79 / 0 / 38 / 34

HEX #23A968

RGB 35 169 104

HSL 150.9, 0.66%, 0.4%

LAB 61.42, -49.92, 23.89

 

CMYK 66 / 0 / 32 / 40

HEX #349868

RGB 52 152 104

HSL 151.2, 0.49%, 0.4%

LAB 56.27, -40.47, 16.99

 

CMYK 50 / 0 / 24 / 47

HEX #448867

RGB 68 136 103

HSL 150.88, 0.33%, 0.4%

LAB 51.63, -29.75, 11.2

 

CMYK 98 / 0 / 99 / 21

HEX #05CA02

RGB 5 202 2

HSL 119.1, 0.98%, 0.4%

LAB 71.06, -72.07, 69.6

 

CMYK 99 / 0 / 74 / 21

HEX #02CA34

RGB 2 202 52

HSL 135, 0.98%, 0.4%

LAB 71.22, -70.03, 59.23

 

CMYK 99 / 0 / 48 / 21

HEX #02CA69

RGB 2 202 105

HSL 150.9, 0.98%, 0.4%

LAB 71.74, -63.51, 36.71

 

CMYK 99 / 0 / 21 / 21

HEX #02CA9F

RGB 2 202 159

HSL 167.1, 0.98%, 0.4%

LAB 72.73, -52.15, 9.75

 

CMYK 99 / 5 / 0 / 21

HEX #02C0CA

RGB 2 192 202

HSL 183, 0.98%, 0.4%

LAB 70.85, -35.71, -16.4

 

CMYK 99 / 0 / 48 / 53

HEX #01783F

RGB 1 120 63

HSL 151.26, 0.98%, 0.24%

LAB 43.94, -42.72, 23.37

 

CMYK 99 / 0 / 48 / 37

HEX #02A154

RGB 2 161 84

HSL 150.94, 0.98%, 0.32%

LAB 58.17, -53.34, 30.23

 

CMYK 99 / 0 / 48 / 21

HEX #02CA6A

RGB 2 202 106

HSL 151.2, 0.98%, 0.4%

LAB 71.75, -63.34, 36.22

 

CMYK 99 / 0 / 48 / 5

HEX #02F37F

RGB 2 243 127

HSL 151.12, 0.98%, 0.48%

LAB 84.82, -73.1, 42.45

 

CMYK 87 / 0 / 42 / 1

HEX #22FD93

RGB 34 253 147

HSL 150.96, 0.98%, 0.56%

LAB 88.3, -71.63, 37.23

 

CMYK 99 / 0 / 48 / 21

HEX #02C969

RGB 2 201 105

HSL 151.06, 0.98%, 0.4%

LAB 71.42, -63.18, 36.31

 

CMYK 99 / 71 / 0 / 21

HEX #023BCA

RGB 2 59 202

HSL 222.9, 0.98%, 0.4%

LAB 32.71, 42.6, -76.88

 

CMYK 0 / 88 / 99 / 21

HEX #CA1902

RGB 202 25 2

HSL 6.9, 0.98%, 0.4%

LAB 43.15, 64.2, 56.11

 

CMYK 99 / 0 / 48 / 21

HEX #02C969

RGB 2 201 105

HSL 151.06, 0.98%, 0.4%

LAB 71.42, -63.18, 36.31

 

CMYK 48 / 99 / 0 / 21

HEX #6902CA

RGB 105 2 202

HSL 270.9, 0.98%, 0.4%

LAB 32.5, 69.9, -77.01

 

CMYK 0 / 48 / 99 / 21

HEX #CA6902

RGB 202 105 2

HSL 30.9, 0.98%, 0.4%

LAB 54.72, 33.38, 62.34

 

CMYK 99 / 0 / 48 / 21

HEX #02C969

RGB 2 201 105

HSL 151.06, 0.98%, 0.4%

LAB 71.42, -63.18, 36.31

 

CMYK 99 / 71 / 0 / 21

HEX #023BCA

RGB 2 59 202

HSL 222.9, 0.98%, 0.4%

LAB 32.71, 42.6, -76.88

 

CMYK 0 / 99 / 51 / 21

HEX #CA0263

RGB 202 2 99

HSL 330.9, 0.98%, 0.4%

LAB 43.51, 70.68, 4.1

 

CMYK 0 / 28 / 99 / 21

HEX #CA9102

RGB 202 145 2

HSL 42.9, 0.98%, 0.4%

LAB 64.01, 11.78, 68.43

 

CMYK 99 / 0 / 48 / 21

HEX #02C969

RGB 2 201 105

HSL 151.06, 0.98%, 0.4%

LAB 71.42, -63.18, 36.31

 

CMYK 98 / 99 / 0 / 21

HEX #0502CA

RGB 5 2 202

HSL 240.9, 0.98%, 0.4%

LAB 24.76, 66.05, -90.1

 

CMYK 0 / 99 / 51 / 21

HEX #CA0263

RGB 202 2 99

HSL 330.9, 0.98%, 0.4%

LAB 43.51, 70.68, 4.1

 

CMYK 1 / 0 / 99 / 21

HEX #C7CA02

RGB 199 202 2

HSL 60.9, 0.98%, 0.4%

LAB 78.69, -19.35, 78.79

 

Description

Color code: RGB 2 201 105 | qconv.com Color code: RGB 2 201 105 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 201 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 201 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 48 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 48% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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