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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 79 / 0 / 38 / 34 it is the complementary color CMYK 0 / 60 / 31 / 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 79 / 0 / 38 / 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 79 / 0 / 38 / 34: CMYK 76 / 0 / 41 / 34, CMYK 69 / 0 / 37 / 27, CMYK 64 / 0 / 33 / 20, CMYK 59 / 0 / 30 / 13 and CMYK 55 / 0 / 27 / 6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 79 / 0 / 38 / 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 79 / 0 / 38 / 34: CMYK 79 / 0 / 38 / 34, CMYK 88 / 0 / 43 / 41, CMYK 99 / 0 / 50 / 48, CMYK 100 / 0 / 59 / 55 and CMYK 100 / 0 / 71 / 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 38 / 34

HEX #23A868

RGB 35 168 104

HSL 151.13, 0.66%, 0.4%

LAB 61.1, -49.54, 23.45

 

Complementary color

CMYK 0 / 60 / 31 / 14

HEX #DC5797

RGB 220 87 151

HSL 331.13, 0.66%, 0.6%

LAB 56.35, 58.11, -8.13

 

CMYK 76 / 0 / 41 / 34

HEX #28A863

RGB 40 168 99

HSL 147.66, 0.62%, 0.41%

LAB 61.1, -49.88, 26.15

 

CMYK 69 / 0 / 37 / 27

HEX #39BA76

RGB 57 186 118

HSL 148.37, 0.53%, 0.48%

LAB 67.5, -50.53, 24.59

 

CMYK 64 / 0 / 33 / 20

HEX #4ACC89

RGB 74 204 137

HSL 149.08, 0.56%, 0.55%

LAB 73.84, -50.88, 23.16

 

CMYK 59 / 0 / 30 / 13

HEX #5BDE9C

RGB 91 222 156

HSL 149.77, 0.66%, 0.61%

LAB 80.1, -51.03, 21.85

 

CMYK 55 / 0 / 27 / 6

HEX #6CF0AF

RGB 108 240 175

HSL 150.45, 0.81%, 0.68%

LAB 86.31, -51.04, 20.64

 

CMYK 79 / 0 / 38 / 34

HEX #23A868

RGB 35 168 104

HSL 151.13, 0.66%, 0.4%

LAB 61.1, -49.54, 23.45

 

CMYK 88 / 0 / 43 / 41

HEX #129655

RGB 18 150 85

HSL 150.45, 0.79%, 0.33%

LAB 54.65, -48.29, 25.19

 

CMYK 99 / 0 / 50 / 48

HEX #018442

RGB 1 132 66

HSL 149.77, 0.98%, 0.26%

LAB 48.14, -46.49, 27.06

 

CMYK 100 / 0 / 59 / 55

HEX #00722F

RGB 0 114 47

HSL 144.74, 1%, 0.22%

LAB 41.59, -43.47, 29.11

 

CMYK 100 / 0 / 71 / 62

HEX #00601C

RGB 0 96 28

HSL 137.5, 1%, 0.19%

LAB 34.9, -39.98, 30.93

 

CMYK 79 / 0 / 38 / 34

HEX #23A868

RGB 35 168 104

HSL 151.13, 0.66%, 0.4%

LAB 61.1, -49.54, 23.45

 

CMYK 80 / 0 / 25 / 34

HEX #22A97E

RGB 34 169 126

HSL 160.89, 0.67%, 0.4%

LAB 61.85, -45.18, 12.42

 

CMYK 80 / 0 / 12 / 34

HEX #22A995

RGB 34 169 149

HSL 171.11, 0.67%, 0.4%

LAB 62.41, -39.24, 0.41

 

CMYK 80 / 1 / 0 / 34

HEX #22A7A9

RGB 34 167 169

HSL 180.89, 0.67%, 0.4%

LAB 62.37, -32.51, -10.86

 

CMYK 80 / 15 / 0 / 34

HEX #2290A9

RGB 34 144 169

HSL 191.11, 0.67%, 0.4%

LAB 55.23, -20.98, -21.7

 

CMYK 79 / 0 / 38 / 34

HEX #23A868

RGB 35 168 104

HSL 151.13, 0.66%, 0.4%

LAB 61.1, -49.54, 23.45

 

CMYK 79 / 0 / 38 / 14

HEX #2EDB88

RGB 46 219 136

HSL 151.21, 0.71%, 0.52%

LAB 77.89, -60.88, 29.04

 

CMYK 80 / 0 / 40 / 94

HEX #030F09

RGB 3 15 9

HSL 150, 0.67%, 0.04%

LAB 3.44, -4.27, 1.38

 

CMYK 79 / 0 / 38 / 74

HEX #0E4229

RGB 14 66 41

HSL 151.15, 0.65%, 0.16%

LAB 24.16, -23.83, 10.45

 

CMYK 79 / 0 / 38 / 54

HEX #187548

RGB 24 117 72

HSL 150.97, 0.66%, 0.28%

LAB 43.34, -37.49, 17.51

 

CMYK 79 / 0 / 38 / 34

HEX #23A868

RGB 35 168 104

HSL 151.13, 0.66%, 0.4%

LAB 61.1, -49.54, 23.45

 

CMYK 80 / 57 / 0 / 34

HEX #2248A9

RGB 34 72 169

HSL 223.11, 0.67%, 0.4%

LAB 33.65, 23.14, -55.85

 

CMYK 0 / 70 / 80 / 34

HEX #A93222

RGB 169 50 34

HSL 7.11, 0.67%, 0.4%

LAB 39.3, 47.68, 37.26

 

CMYK 79 / 0 / 38 / 34

HEX #23A868

RGB 35 168 104

HSL 151.13, 0.66%, 0.4%

LAB 61.1, -49.54, 23.45

 

CMYK 38 / 80 / 0 / 34

HEX #6822A9

RGB 104 34 169

HSL 271.11, 0.67%, 0.4%

LAB 31.7, 54.92, -58.78

 

CMYK 0 / 38 / 80 / 34

HEX #A96822

RGB 169 104 34

HSL 31.11, 0.67%, 0.4%

LAB 50.04, 20.48, 47.73

 

CMYK 79 / 0 / 38 / 34

HEX #23A868

RGB 35 168 104

HSL 151.13, 0.66%, 0.4%

LAB 61.1, -49.54, 23.45

 

CMYK 80 / 57 / 0 / 34

HEX #2248A9

RGB 34 72 169

HSL 223.11, 0.67%, 0.4%

LAB 33.65, 23.14, -55.85

 

CMYK 0 / 80 / 41 / 34

HEX #A92263

RGB 169 34 99

HSL 331.11, 0.67%, 0.4%

LAB 38.69, 57.57, -3.72

 

CMYK 0 / 22 / 80 / 34

HEX #A98322

RGB 169 131 34

HSL 43.11, 0.67%, 0.4%

LAB 56.86, 5.3, 54.05

 

CMYK 79 / 0 / 38 / 34

HEX #23A868

RGB 35 168 104

HSL 151.13, 0.66%, 0.4%

LAB 61.1, -49.54, 23.45

 

CMYK 79 / 80 / 0 / 34

HEX #2422A9

RGB 36 34 169

HSL 240.89, 0.67%, 0.4%

LAB 24.9, 46.95, -70.21

 

CMYK 0 / 80 / 41 / 34

HEX #A92263

RGB 169 34 99

HSL 331.11, 0.67%, 0.4%

LAB 38.69, 57.57, -3.72

 

CMYK 1 / 0 / 80 / 34

HEX #A7A922

RGB 167 169 34

HSL 60.89, 0.67%, 0.4%

LAB 67.06, -16.01, 63.1

 

Description

Color code: CMYK 79 / 0 / 38 / 34 | qconv.com Color code: CMYK 79 / 0 / 38 / 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 168 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 168 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 38 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 38% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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