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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 92 122 it is the complementary color RGB 226 163 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 92 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 29 92 122: RGB 34 92 117, RGB 51 110 136, RGB 68 128 155, RGB 85 146 174 and RGB 102 164 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 92 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 29 92 122: RGB 29 92 122, RGB 12 74 103, RGB 0 56 84, RGB 0 38 65 and RGB 0 20 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 25 / 0 / 52

HEX #1D5C7A

RGB 29 92 122

HSL 199.35, 0.62%, 0.3%

LAB 36.59, -8.99, -22.62

 

Complementary color

CMYK 0 / 28 / 41 / 11

HEX #E2A385

RGB 226 163 133

HSL 19.35, 0.62%, 0.7%

LAB 72.27, 19.63, 24.81

 

CMYK 71 / 21 / 0 / 54

HEX #225C75

RGB 34 92 117

HSL 198.07, 0.55%, 0.3%

LAB 36.52, -10.03, -19.66

 

CMYK 63 / 19 / 0 / 47

HEX #336E88

RGB 51 110 136

HSL 198.35, 0.45%, 0.37%

LAB 43.7, -10.86, -20.06

 

CMYK 56 / 17 / 0 / 39

HEX #44809B

RGB 68 128 155

HSL 198.62, 0.39%, 0.44%

LAB 50.73, -11.43, -20.43

 

CMYK 51 / 16 / 0 / 32

HEX #5592AE

RGB 85 146 174

HSL 198.88, 0.35%, 0.51%

LAB 57.6, -11.82, -20.78

 

CMYK 47 / 15 / 0 / 24

HEX #66A4C1

RGB 102 164 193

HSL 199.12, 0.42%, 0.58%

LAB 64.34, -12.11, -21.11

 

CMYK 76 / 25 / 0 / 52

HEX #1D5C7A

RGB 29 92 122

HSL 199.35, 0.62%, 0.3%

LAB 36.59, -8.99, -22.62

 

CMYK 88 / 28 / 0 / 60

HEX #0C4A67

RGB 12 74 103

HSL 199.12, 0.79%, 0.23%

LAB 29.3, -7.3, -22.16

 

CMYK 100 / 33 / 0 / 67

HEX #003854

RGB 0 56 84

HSL 200, 1%, 0.16%

LAB 21.83, -4.79, -21.57

 

CMYK 100 / 42 / 0 / 75

HEX #002641

RGB 0 38 65

HSL 204.92, 1%, 0.13%

LAB 14.22, -0.86, -20.72

 

CMYK 100 / 57 / 0 / 82

HEX #00142E

RGB 0 20 46

HSL 213.91, 1%, 0.09%

LAB 6.3, 3.29, -19.73

 

CMYK 76 / 25 / 0 / 52

HEX #1D5C7A

RGB 29 92 122

HSL 199.35, 0.62%, 0.3%

LAB 36.59, -8.99, -22.62

 

CMYK 76 / 37 / 0 / 52

HEX #1D4E7B

RGB 29 78 123

HSL 208.72, 0.62%, 0.3%

LAB 32.12, 0.2, -30.26

 

CMYK 76 / 50 / 0 / 52

HEX #1D3E7B

RGB 29 62 123

HSL 218.94, 0.62%, 0.3%

LAB 27.12, 11.04, -38.24

 

CMYK 76 / 63 / 0 / 52

HEX #1D2E7B

RGB 29 46 123

HSL 229.15, 0.62%, 0.3%

LAB 22.46, 22.29, -45.79

 

CMYK 76 / 76 / 0 / 52

HEX #1D1E7B

RGB 29 30 123

HSL 239.36, 0.62%, 0.3%

LAB 18.45, 33, -52.37

 

CMYK 76 / 25 / 0 / 52

HEX #1D5C7A

RGB 29 92 122

HSL 199.35, 0.62%, 0.3%

LAB 36.59, -8.99, -22.62

 

CMYK 76 / 25 / 0 / 32

HEX #2982AD

RGB 41 130 173

HSL 199.55, 0.62%, 0.42%

LAB 51.21, -11.13, -30.19

 

CMYK 76 / 25 / 0 / 12

HEX #35A9E0

RGB 53 169 224

HSL 199.3, 0.73%, 0.54%

LAB 65.37, -13.69, -36.85

 

CMYK 75 / 25 / 0 / 92

HEX #050F14

RGB 5 15 20

HSL 200, 0.6%, 0.05%

LAB 3.83, -1.79, -3.76

 

CMYK 76 / 24 / 0 / 72

HEX #113647

RGB 17 54 71

HSL 198.89, 0.61%, 0.17%

LAB 20.88, -6.62, -14.34

 

CMYK 76 / 25 / 0 / 52

HEX #1D5C7A

RGB 29 92 122

HSL 199.35, 0.62%, 0.3%

LAB 36.59, -8.99, -22.62

 

CMYK 37 / 76 / 0 / 52

HEX #4E1D7B

RGB 78 29 123

HSL 271.28, 0.62%, 0.3%

LAB 23.43, 41.16, -44.01

 

CMYK 0 / 6 / 76 / 52

HEX #7B741D

RGB 123 116 29

HSL 55.53, 0.62%, 0.3%

LAB 47.99, -7.85, 45.96

 

CMYK 76 / 25 / 0 / 52

HEX #1D5C7A

RGB 29 92 122

HSL 199.35, 0.62%, 0.3%

LAB 36.59, -8.99, -22.62

 

CMYK 0 / 76 / 24 / 52

HEX #7B1D5D

RGB 123 29 93

HSL 319.15, 0.62%, 0.3%

LAB 29.11, 46.12, -15.19

 

CMYK 24 / 0 / 76 / 52

HEX #5D7B1D

RGB 93 123 29

HSL 79.15, 0.62%, 0.3%

LAB 47.73, -25.13, 44.86

 

CMYK 76 / 25 / 0 / 52

HEX #1D5C7A

RGB 29 92 122

HSL 199.35, 0.62%, 0.3%

LAB 36.59, -8.99, -22.62

 

CMYK 37 / 76 / 0 / 52

HEX #4E1D7B

RGB 78 29 123

HSL 271.28, 0.62%, 0.3%

LAB 23.43, 41.16, -44.01

 

CMYK 0 / 52 / 76 / 52

HEX #7B3B1D

RGB 123 59 29

HSL 19.15, 0.62%, 0.3%

LAB 32.76, 25.5, 30.68

 

CMYK 40 / 0 / 76 / 52

HEX #4A7B1D

RGB 74 123 29

HSL 91.28, 0.62%, 0.3%

LAB 46.59, -32.74, 43.37

 

CMYK 76 / 25 / 0 / 52

HEX #1D5C7A

RGB 29 92 122

HSL 199.35, 0.62%, 0.3%

LAB 36.59, -8.99, -22.62

 

CMYK 14 / 76 / 0 / 52

HEX #6A1D7B

RGB 106 29 123

HSL 289.15, 0.62%, 0.3%

LAB 27.77, 47.04, -36.78

 

CMYK 0 / 52 / 76 / 52

HEX #7B3B1D

RGB 123 59 29

HSL 19.15, 0.62%, 0.3%

LAB 32.76, 25.5, 30.68

 

CMYK 63 / 0 / 76 / 52

HEX #2E7B1D

RGB 46 123 29

HSL 109.15, 0.62%, 0.3%

LAB 45.41, -41.7, 41.79

 

Description

Color code: RGB 29 92 122 | qconv.com Color code: RGB 29 92 122 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 92 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 92 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 25 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 25% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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