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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 7 15 it is the complementary color RGB 226 248 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 7 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 29 7 15: RGB 34 7 10, RGB 51 25 29, RGB 68 43 48, RGB 85 61 67 and RGB 102 79 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 7 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 29 7 15: RGB 29 7 15, RGB 12 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 48 / 89

HEX #1D070F

RGB 29 7 15

HSL 338.18, 0.61%, 0.07%

LAB 4.04, 9.97, -0.22

 

Complementary color

CMYK 9 / 0 / 3 / 3

HEX #E2F8F0

RGB 226 248 240

HSL 158.18, 0.61%, 0.93%

LAB 95.83, -8.64, 1.38

 

CMYK 0 / 79 / 71 / 87

HEX #22070A

RGB 34 7 10

HSL 353.33, 0.66%, 0.08%

LAB 4.64, 12.37, 3.07

 

CMYK 0 / 51 / 43 / 80

HEX #33191D

RGB 51 25 29

HSL 350.77, 0.34%, 0.15%

LAB 12.53, 13.54, 2.93

 

CMYK 0 / 37 / 29 / 73

HEX #442B30

RGB 68 43 48

HSL 348, 0.23%, 0.22%

LAB 20.71, 12.44, 1.52

 

CMYK 0 / 28 / 21 / 67

HEX #553D43

RGB 85 61 67

HSL 345, 0.16%, 0.29%

LAB 28.57, 11.58, 0.47

 

CMYK 0 / 23 / 16 / 60

HEX #664F56

RGB 102 79 86

HSL 341.74, 0.13%, 0.35%

LAB 36.15, 10.89, -0.42

 

CMYK 0 / 76 / 48 / 89

HEX #1D070F

RGB 29 7 15

HSL 338.18, 0.61%, 0.07%

LAB 4.04, 9.97, -0.22

 

CMYK 0 / 100 / 100 / 95

HEX #0C0000

RGB 12 0 0

HSL 0, 1%, 0.02%

LAB 0.71, 3.17, 1.12

 

CMYK 0 / 76 / 48 / 89

HEX #1D070F

RGB 29 7 15

HSL 338.18, 0.61%, 0.07%

LAB 4.04, 9.97, -0.22

 

CMYK 0 / 79 / 61 / 89

HEX #1C060B

RGB 28 6 11

HSL 346.36, 0.65%, 0.07%

LAB 3.62, 9.14, 1.07

 

CMYK 0 / 79 / 75 / 89

HEX #1C0607

RGB 28 6 7

HSL 357.27, 0.65%, 0.07%

LAB 3.55, 8.58, 2.59

 

CMYK 0 / 68 / 79 / 89

HEX #1C0906

RGB 28 9 6

HSL 8.18, 0.65%, 0.07%

LAB 4.11, 7.23, 3.83

 

CMYK 0 / 54 / 79 / 89

HEX #1C0D06

RGB 28 13 6

HSL 19.09, 0.65%, 0.07%

LAB 4.95, 5.53, 5.05

 

CMYK 0 / 76 / 48 / 89

HEX #1D070F

RGB 29 7 15

HSL 338.18, 0.61%, 0.07%

LAB 4.04, 9.97, -0.22

 

CMYK 0 / 76 / 49 / 69

HEX #501329

RGB 80 19 41

HSL 338.36, 0.62%, 0.19%

LAB 17.14, 30.23, 1.53

 

CMYK 0 / 76 / 48 / 49

HEX #832044

RGB 131 32 68

HSL 338.18, 0.61%, 0.32%

LAB 30.1, 44.37, 2.93

 

CMYK 0 / 76 / 48 / 29

HEX #B62C5E

RGB 182 44 94

HSL 338.26, 0.61%, 0.44%

LAB 42.08, 57.62, 4.68

 

CMYK 0 / 76 / 48 / 9

HEX #E93879

RGB 233 56 121

HSL 337.97, 0.8%, 0.57%

LAB 53.53, 70.17, 5.77

 

CMYK 0 / 76 / 48 / 89

HEX #1D070F

RGB 29 7 15

HSL 338.18, 0.61%, 0.07%

LAB 4.04, 9.97, -0.22

 

CMYK 0 / 11 / 79 / 89

HEX #1C1906

RGB 28 25 6

HSL 51.82, 0.65%, 0.07%

LAB 8.61, -1.93, 10.4

 

CMYK 79 / 18 / 0 / 89

HEX #06171C

RGB 6 23 28

HSL 193.64, 0.65%, 0.07%

LAB 6.64, -4.42, -5.59

 

CMYK 0 / 76 / 48 / 89

HEX #1D070F

RGB 29 7 15

HSL 338.18, 0.61%, 0.07%

LAB 4.04, 9.97, -0.22

 

CMYK 50 / 0 / 79 / 89

HEX #0E1C06

RGB 14 28 6

HSL 98.18, 0.65%, 0.07%

LAB 8.46, -10.67, 10

 

CMYK 79 / 50 / 0 / 89

HEX #060E1C

RGB 6 14 28

HSL 218.18, 0.65%, 0.07%

LAB 3.94, 1.1, -9.62

 

CMYK 0 / 76 / 48 / 89

HEX #1D070F

RGB 29 7 15

HSL 338.18, 0.61%, 0.07%

LAB 4.04, 9.97, -0.22

 

CMYK 0 / 11 / 79 / 89

HEX #1C1906

RGB 28 25 6

HSL 51.82, 0.65%, 0.07%

LAB 8.61, -1.93, 10.4

 

CMYK 79 / 0 / 29 / 89

HEX #061C14

RGB 6 28 20

HSL 158.18, 0.65%, 0.07%

LAB 8.3, -10.53, 2.78

 

CMYK 79 / 64 / 0 / 89

HEX #060A1C

RGB 6 10 28

HSL 229.09, 0.65%, 0.07%

LAB 3.07, 2.89, -10.92

 

CMYK 0 / 76 / 48 / 89

HEX #1D070F

RGB 29 7 15

HSL 338.18, 0.61%, 0.07%

LAB 4.04, 9.97, -0.22

 

CMYK 11 / 0 / 79 / 89

HEX #191C06

RGB 25 28 6

HSL 68.18, 0.65%, 0.07%

LAB 9.4, -5.76, 11.49

 

CMYK 79 / 0 / 29 / 89

HEX #061C14

RGB 6 28 20

HSL 158.18, 0.65%, 0.07%

LAB 8.3, -10.53, 2.78

 

CMYK 68 / 79 / 0 / 89

HEX #09061C

RGB 9 6 28

HSL 248.18, 0.65%, 0.07%

LAB 2.46, 5.27, -11.81

 

Description

Color code: RGB 29 7 15 | qconv.com Color code: RGB 29 7 15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 7 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 7 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 48 yellow and 89 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 48% 89% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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