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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 21 208 it is the complementary color RGB 226 234 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 21 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 29 21 208: RGB 34 21 203, RGB 51 39 222, RGB 68 57 241, RGB 85 75 255 and RGB 102 93 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 21 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 29 21 208: RGB 29 21 208, RGB 12 3 189, RGB 0 0 170, RGB 0 0 151 and RGB 0 0 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 90 / 0 / 18

HEX #1D15D0

RGB 29 21 208

HSL 242.57, 0.82%, 0.45%

LAB 27.71, 63.52, -88.66

 

Complementary color

CMYK 3 / 0 / 80 / 8

HEX #E2EA2F

RGB 226 234 47

HSL 62.57, 0.82%, 0.55%

LAB 89.5, -22.73, 81

 

CMYK 83 / 90 / 0 / 20

HEX #2215CB

RGB 34 21 203

HSL 244.29, 0.81%, 0.44%

LAB 27.26, 62.29, -86.49

 

CMYK 77 / 82 / 0 / 13

HEX #3327DE

RGB 51 39 222

HSL 243.93, 0.73%, 0.51%

LAB 32.76, 61.66, -88.32

 

CMYK 72 / 76 / 0 / 5

HEX #4439F1

RGB 68 57 241

HSL 243.59, 0.87%, 0.58%

LAB 38.74, 60.09, -89.21

 

CMYK 67 / 71 / 0 / 0

HEX #554BFF

RGB 85 75 255

HSL 243.33, 1%, 0.65%

LAB 44.49, 56.64, -87.52

 

CMYK 60 / 64 / 0 / 0

HEX #665DFF

RGB 102 93 255

HSL 243.33, 1%, 0.68%

LAB 49.34, 48.83, -79.53

 

CMYK 86 / 90 / 0 / 18

HEX #1D15D0

RGB 29 21 208

HSL 242.57, 0.82%, 0.45%

LAB 27.71, 63.52, -88.66

 

CMYK 94 / 98 / 0 / 26

HEX #0C03BD

RGB 12 3 189

HSL 242.9, 0.97%, 0.38%

LAB 23.06, 62.62, -85.28

 

CMYK 100 / 100 / 0 / 33

HEX #0000AA

RGB 0 0 170

HSL 240, 1%, 0.33%

LAB 19.65, 58.45, -79.61

 

CMYK 100 / 100 / 0 / 41

HEX #000097

RGB 0 0 151

HSL 240, 1%, 0.3%

LAB 16.67, 53.57, -72.96

 

CMYK 100 / 100 / 0 / 48

HEX #000084

RGB 0 0 132

HSL 240, 1%, 0.26%

LAB 13.63, 48.58, -66.16

 

CMYK 86 / 90 / 0 / 18

HEX #1D15D0

RGB 29 21 208

HSL 242.57, 0.82%, 0.45%

LAB 27.71, 63.52, -88.66

 

CMYK 72 / 90 / 0 / 18

HEX #3A14D0

RGB 58 20 208

HSL 252.13, 0.82%, 0.45%

LAB 29.3, 64.86, -85.98

 

CMYK 57 / 90 / 0 / 18

HEX #5914D0

RGB 89 20 208

HSL 262.02, 0.82%, 0.45%

LAB 32.21, 66.86, -81.06

 

CMYK 42 / 90 / 0 / 18

HEX #7914D0

RGB 121 20 208

HSL 272.23, 0.82%, 0.45%

LAB 36.21, 69.94, -74.31

 

CMYK 27 / 90 / 0 / 18

HEX #9814D0

RGB 152 20 208

HSL 282.13, 0.82%, 0.45%

LAB 40.78, 73.82, -66.65

 

CMYK 86 / 90 / 0 / 18

HEX #1D15D0

RGB 29 21 208

HSL 242.57, 0.82%, 0.45%

LAB 27.71, 63.52, -88.66

 

CMYK 75 / 100 / 0 / 98

HEX #010004

RGB 1 0 4

HSL 255, 1%, 0.01%

LAB 0.14, 0.82, -1.42

 

CMYK 85 / 89 / 0 / 78

HEX #080637

RGB 8 6 55

HSL 242.45, 0.8%, 0.12%

LAB 4.13, 17.19, -29.82

 

CMYK 86 / 90 / 0 / 58

HEX #0F0B6A

RGB 15 11 106

HSL 242.53, 0.81%, 0.23%

LAB 11.83, 36.59, -52.35

 

CMYK 86 / 90 / 0 / 38

HEX #16109D

RGB 22 16 157

HSL 242.55, 0.82%, 0.34%

LAB 19.95, 50.6, -71.17

 

CMYK 86 / 90 / 0 / 18

HEX #1D15D0

RGB 29 21 208

HSL 242.57, 0.82%, 0.45%

LAB 27.71, 63.52, -88.66

 

CMYK 0 / 90 / 21 / 18

HEX #D014A4

RGB 208 20 164

HSL 314.04, 0.82%, 0.45%

LAB 47.74, 76.55, -29.15

 

CMYK 57 / 0 / 90 / 18

HEX #59D014

RGB 89 208 20

HSL 97.98, 0.82%, 0.45%

LAB 74.37, -61.66, 70.75

 

CMYK 86 / 90 / 0 / 18

HEX #1D15D0

RGB 29 21 208

HSL 242.57, 0.82%, 0.45%

LAB 27.71, 63.52, -88.66

 

CMYK 0 / 88 / 90 / 18

HEX #D01A14

RGB 208 26 20

HSL 1.91, 0.82%, 0.45%

LAB 44.52, 65.83, 51.52

 

CMYK 90 / 0 / 88 / 18

HEX #14D01A

RGB 20 208 26

HSL 121.91, 0.82%, 0.45%

LAB 73.11, -72.39, 68.12

 

CMYK 86 / 90 / 0 / 18

HEX #1D15D0

RGB 29 21 208

HSL 242.57, 0.82%, 0.45%

LAB 27.71, 63.52, -88.66

 

CMYK 0 / 90 / 21 / 18

HEX #D014A4

RGB 208 20 164

HSL 314.04, 0.82%, 0.45%

LAB 47.74, 76.55, -29.15

 

CMYK 3 / 0 / 90 / 18

HEX #CAD014

RGB 202 208 20

HSL 61.91, 0.82%, 0.45%

LAB 80.58, -20.8, 78.37

 

CMYK 90 / 0 / 69 / 18

HEX #14D040

RGB 20 208 64

HSL 134.04, 0.82%, 0.45%

LAB 73.31, -69.92, 57.02

 

CMYK 86 / 90 / 0 / 18

HEX #1D15D0

RGB 29 21 208

HSL 242.57, 0.82%, 0.45%

LAB 27.71, 63.52, -88.66

 

CMYK 0 / 90 / 48 / 18

HEX #D0146C

RGB 208 20 108

HSL 331.91, 0.82%, 0.45%

LAB 45.62, 70.87, 1.7

 

CMYK 3 / 0 / 90 / 18

HEX #CAD014

RGB 202 208 20

HSL 61.91, 0.82%, 0.45%

LAB 80.58, -20.8, 78.37

 

CMYK 90 / 0 / 42 / 18

HEX #14D079

RGB 20 208 121

HSL 152.23, 0.82%, 0.45%

LAB 73.96, -61.96, 31.49

 

Description

Color code: RGB 29 21 208 | qconv.com Color code: RGB 29 21 208 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 21 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 21 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 90 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 90% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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