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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 117 156 it is the complementary color RGB 226 138 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 117 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 29 117 156: RGB 34 117 151, RGB 51 135 170, RGB 68 153 189, RGB 85 171 208 and RGB 102 189 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 117 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 29 117 156: RGB 29 117 156, RGB 12 99 137, RGB 0 81 118, RGB 0 63 99 and RGB 0 45 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 25 / 0 / 39

HEX #1D759C

RGB 29 117 156

HSL 198.43, 0.69%, 0.36%

LAB 46.16, -11.17, -28.18

 

Complementary color

CMYK 0 / 39 / 56 / 11

HEX #E28A63

RGB 226 138 99

HSL 18.43, 0.69%, 0.64%

LAB 65.94, 29.77, 34.96

 

CMYK 77 / 23 / 0 / 41

HEX #227597

RGB 34 117 151

HSL 197.44, 0.63%, 0.36%

LAB 46.04, -12.41, -25.41

 

CMYK 70 / 21 / 0 / 33

HEX #3387AA

RGB 51 135 170

HSL 197.65, 0.54%, 0.43%

LAB 52.88, -13.61, -25.86

 

CMYK 64 / 19 / 0 / 26

HEX #4499BD

RGB 68 153 189

HSL 197.85, 0.48%, 0.5%

LAB 59.6, -14.48, -26.26

 

CMYK 59 / 18 / 0 / 18

HEX #55ABD0

RGB 85 171 208

HSL 198.05, 0.57%, 0.57%

LAB 66.22, -15.13, -26.63

 

CMYK 55 / 17 / 0 / 11

HEX #66BDE3

RGB 102 189 227

HSL 198.24, 0.69%, 0.65%

LAB 72.74, -15.63, -26.97

 

CMYK 81 / 25 / 0 / 39

HEX #1D759C

RGB 29 117 156

HSL 198.43, 0.69%, 0.36%

LAB 46.16, -11.17, -28.18

 

CMYK 91 / 28 / 0 / 46

HEX #0C6389

RGB 12 99 137

HSL 198.24, 0.84%, 0.29%

LAB 39.26, -9.19, -27.64

 

CMYK 100 / 31 / 0 / 54

HEX #005176

RGB 0 81 118

HSL 198.81, 1%, 0.23%

LAB 32.24, -6.53, -27

 

CMYK 100 / 36 / 0 / 61

HEX #003F63

RGB 0 63 99

HSL 201.82, 1%, 0.19%

LAB 25.12, -2.92, -26.17

 

CMYK 100 / 44 / 0 / 69

HEX #002D50

RGB 0 45 80

HSL 206.25, 1%, 0.16%

LAB 17.72, 1.07, -25.41

 

CMYK 81 / 25 / 0 / 39

HEX #1D759C

RGB 29 117 156

HSL 198.43, 0.69%, 0.36%

LAB 46.16, -11.17, -28.18

 

CMYK 82 / 38 / 0 / 39

HEX #1C609B

RGB 28 96 155

HSL 207.87, 0.69%, 0.36%

LAB 39.55, 1.09, -37.99

 

CMYK 82 / 52 / 0 / 39

HEX #1C4A9B

RGB 28 74 155

HSL 218.27, 0.69%, 0.36%

LAB 32.94, 15.61, -48.58

 

CMYK 82 / 66 / 0 / 39

HEX #1C359B

RGB 28 53 155

HSL 228.19, 0.69%, 0.36%

LAB 27.18, 29.91, -57.96

 

CMYK 82 / 79 / 0 / 39

HEX #1C209B

RGB 28 32 155

HSL 238.11, 0.69%, 0.36%

LAB 22.47, 42.9, -65.74

 

CMYK 81 / 25 / 0 / 39

HEX #1D759C

RGB 29 117 156

HSL 198.43, 0.69%, 0.36%

LAB 46.16, -11.17, -28.18

 

CMYK 82 / 25 / 0 / 19

HEX #269BCF

RGB 38 155 207

HSL 198.46, 0.69%, 0.48%

LAB 60.21, -13.43, -35.48

 

CMYK 67 / 33 / 0 / 99

HEX #010203

RGB 1 2 3

HSL 210, 0.5%, 0.01%

LAB 0.51, -0.12, -0.47

 

CMYK 81 / 24 / 0 / 79

HEX #0A2936

RGB 10 41 54

HSL 197.73, 0.69%, 0.13%

LAB 15.04, -6.1, -11.7

 

CMYK 81 / 25 / 0 / 59

HEX #144F69

RGB 20 79 105

HSL 198.35, 0.68%, 0.25%

LAB 31.26, -8.73, -20.36

 

CMYK 81 / 25 / 0 / 39

HEX #1D759C

RGB 29 117 156

HSL 198.43, 0.69%, 0.36%

LAB 46.16, -11.17, -28.18

 

CMYK 41 / 82 / 0 / 39

HEX #5B1C9B

RGB 91 28 155

HSL 269.76, 0.69%, 0.36%

LAB 27.9, 51.78, -56.58

 

CMYK 0 / 8 / 82 / 39

HEX #9B8E1C

RGB 155 142 28

HSL 53.86, 0.69%, 0.36%

LAB 58.41, -7.37, 56.87

 

CMYK 81 / 25 / 0 / 39

HEX #1D759C

RGB 29 117 156

HSL 198.43, 0.69%, 0.36%

LAB 46.16, -11.17, -28.18

 

CMYK 0 / 82 / 25 / 39

HEX #9B1C75

RGB 155 28 117

HSL 317.95, 0.69%, 0.36%

LAB 36.14, 57.74, -19.21

 

CMYK 25 / 0 / 82 / 39

HEX #759B1C

RGB 117 155 28

HSL 77.95, 0.69%, 0.36%

LAB 59.26, -30.67, 56.48

 

CMYK 81 / 25 / 0 / 39

HEX #1D759C

RGB 29 117 156

HSL 198.43, 0.69%, 0.36%

LAB 46.16, -11.17, -28.18

 

CMYK 41 / 82 / 0 / 39

HEX #5B1C9B

RGB 91 28 155

HSL 269.76, 0.69%, 0.36%

LAB 27.9, 51.78, -56.58

 

CMYK 0 / 57 / 82 / 39

HEX #9B421C

RGB 155 66 28

HSL 17.95, 0.69%, 0.36%

LAB 39.49, 35, 39.71

 

CMYK 41 / 0 / 82 / 39

HEX #5B9B1C

RGB 91 155 28

HSL 90.24, 0.69%, 0.36%

LAB 57.8, -40.62, 54.62

 

CMYK 81 / 25 / 0 / 39

HEX #1D759C

RGB 29 117 156

HSL 198.43, 0.69%, 0.36%

LAB 46.16, -11.17, -28.18

 

CMYK 17 / 82 / 0 / 39

HEX #811C9B

RGB 129 28 155

HSL 287.72, 0.69%, 0.36%

LAB 33.7, 58.28, -46.89

 

CMYK 0 / 57 / 82 / 39

HEX #9B421C

RGB 155 66 28

HSL 17.95, 0.69%, 0.36%

LAB 39.49, 35, 39.71

 

CMYK 66 / 0 / 82 / 39

HEX #359B1C

RGB 53 155 28

HSL 108.19, 0.69%, 0.36%

LAB 56.37, -51.72, 52.78

 

Description

Color code: RGB 29 117 156 | qconv.com Color code: RGB 29 117 156 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 117 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 117 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 25 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 25% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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